Search results for ""Author David F Martin""

One of the state's oldest arts organizations, Women Painters of Washington was founded in 1930 with the aim of overcoming limitations faced by women artists. Over its 75-year history, the group has counted among its members talented artists of national prominence whose stories have not been widely shared, until now. From founding members' early efforts to support fellow women artists, to contemporary members' cultural exchanges and international exhibitions, David F. Martin tells the story of Women Painters of Washington. He examines members' artistic achievements and the recognition they received in the national and international art worlds. In addition, a selection of works by current WPW members demonstrates the organization's continued vitality. Abundant color plates clearly illustrate the talent and innovation of these artists.

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This is the first study of the work of Chao-Chen Yang (1909–1969), an important Seattle photographer who gained national prominence in the mid-twentieth century. Born in Hangzhou, China, Yang received his art training at the University of Hsin-Hwa in Shanghai. After graduating, he became art director for the Government Institute of Nanking. In 1933 he moved to Chicago as chancellor of the Chinese Consulate and attended the Art Institute of Chicago. Initially trained as a painter, he later used photography as his main medium for artistic expression. In 1938 Yang was transferred to Seattle as chancellor of the Chinese Consulate and became actively involved with the Seattle Photographic Society. He was also an influential art and photography instructor and worked tirelessly to advance Chinese culture in the United States. Yang won numerous awards in important photography salons and became a Fellow of the Photographic Society of America, the Professional Photographers Association of America, and the Royal Photographic Society of Great Britain. He was a pioneer in color photography in the Northwest in both advertising and the fine arts. Exhibition dates: Cascadia Art Museum, November 9, 2023–February 11, 2024

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Territorial Hues: The Color Print and Washington State, 1920-1960 will consist of prints that display the cultural and stylistic influences used by Washington State artists to produce highly exceptional works that reflect the color, light, and atmosphere that is unique to this region. The book focuses on several mediums including color woodcut, intaglio, serigraphy, and lithography. The influences of Japanese prints and regional appropriations of international movements will be examined as well as the local production of white-line prints.

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One of the leading Northwest artists of his generation, George Tsutakawa (1910–97) is internationally known for his sculpture and fountain designs. However, a lesser-known aspect of his career was the production of blockprints, watercolors, and works on paper that began in the 1920s and continued throughout his career. Born in Seattle and educated in Japan, Tsutakawa had early success while still in high school. He attended the University of Washington, where he received an MFA in sculpture in 1950, and became an influential instructor at the university’s School of Art from 1947 to 1976. Drawn from the Tsutakawa estate, most of the works shown here have never been seen previously by the public. These early works display concepts and inspirations that would inform Tsutakawa’s aesthetic throughout a long and distinguished career. Contextual works by Tsutakawa’s instructors and contemporaries provides a broader understanding of his oeuvre. Exhibition dates: Cascadia Art Museum, December 1, 2022–March 26, 2023

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