Search results for ""Author David Eso""

Under the covers of Where the Nights Are Twice as Long: Love Letters of Canadian Poets, David Eso and Jeanette Lynes collect letters and epistolary poems from more than 120 Canadian poets, including Pauline Johnson, Malcolm Lowry, Louis Riel, Alden Nowlan, Anne Szumigalski, Leonard Cohen, John Barton, and Di Brandt, and many others, encompassing the breadth of this country's English literary history.Presented in order not of the chronology of composition, but according to the poets' ages at the time of writing, the poems in the book comprise a single lifeline. The reader follows an amalgam of the Poet from the passionate intensity of youth, through the regrets and satisfactions of adulthood and middle age, and into the reflective wisdom of old age.All the writings are about love, but love in a dizzying array of colours, shapes, and sizes. Deep, enduring love, unrequited love, passionate love, violent love. Here are odes and lyric ecstasies, tirades and tantrums, pastoral comforts and abject horrors -- all delivered with the vibrancy, wit, and erudition of our finest poets. Where the Nights Are Twice as Long is more than an anthology: it is an unforgettable journey into the long night of love.

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Post-glacial is a collection of poems by Robert Kroetsch selected by his former student David Eso. The book features Kroetsch's iconic collection, Completed Field Notes, alongside rare work gathered from different stages of Kroetsch's career. The book contains an afterword by Aritha van Herk.Kroetsch's poetry evolved from short lyric poetry in the 1960s to postmodern long poems in the 1970s and 80s. Kroetsch's work in the 1990s and 2000s was marked by the production of experimental chapbooks. Yet it is in the 2000s that Kroetsch's celebrated The Hornbooks of Rita K and his final collection, Too Bad, were published. Post-glacial presents the material in a thematic arc that follows daily, seasonal, and biographical topics. The collection moves from moods of morning, spring, and youth to shades of darkness, winter, and mourning.In the introduction, Eso charts Kroetsch's early attempts at poetry in his teenage and undergraduate years. Eso takes the title Post-glacial from the poem ""Lonesome Writer Diptych"" and proposes the term as an alternative to ""postmodernism,"" a term often used by critics to describe Kroetsch's work. Post-glacial emphasizes the poet's interest in landscape, ecology, history, the presence of absence, and the endurance of a living past.

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