Search results for ""Author David Ellis""

In 1816, following the scandalous collapse of his marriage, Lord Byron left England forever. His first destination was the Villa Diodati by Lake Geneva where he stayed together with Percy Bysshe Shelley, Mary Godwin, Claire Clairmont and John Polidori. Byron in Geneva focuses sharply on the poet’s life in the summer of that year, a famous time for meteorologists (for whom 1816 is the year without a summer), but also that crucial moment in the development of his writing when, urged on by Shelley, Byron tried to transform himself into a Romantic poet of the Wordsworthian variety. The book gives a vivid impression of what Byron thought and felt in these few months after the breakdown of his marriage, but also explores the different aspects of his nature that emerge in contact with a remarkable cast of supporting characters, which also included Madame de Staël, who presided over a famous salon in Coppet, across the lake from Geneva, and Matthew Lewis, author of the splendidly erotic `Gothic’ best-seller, The Monk. David Ellis sets out to challenge recent damning studies of Byron and through his meticulous exploration of the private and public life of the poet at this pivotal moment, he reasserts the value of Byron’s wit, warm-heartedness, and hatred of cant.

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Most experts believe that innovation in every aspect of patient care will be nothing less than astonishing as we move into the next century. Technology and the Future of Health Care brings together a remarkable group of health care visionaries who have identified and begun to analyze which trends and technological advances will likely shape and inform the next generation of medicine. From fundamental advances in computing and administration, research, nursing, and patient care delivery to noninvasive surgery, biomolecular therapies, bionics, and beyond, this ground-breaking book offers professional, executive-level insight into topics that until recently existed only in the realm of science fiction.

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With an Introduction and Notes by David Ellis, University of Kent at Canterbury. Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.

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This is a polemical attack on how recent Shakespeare biographers have disguised their lack of information. How is it that biographies of Shakespeare can continue to appear when so little is known about him, and what is known has been in the public domain for so long? Why is it that a majority of the biographies published in the last decade have been written by distinguished Shakespeareans who ought to know better? This book attempts to solve this puzzle by examining the methods the biographers have used to hide their lack of knowledge. At the same time, by exploring efforts to write a life of Shakespeare along traditional lines, it asks what kind of beast biography really is and how it can ethically be approached. From this book, the reader can learn all that is directly known about Shakespeare. It exposes the lie of the Shakespeare biography industry where books marketed as biographies are nothing of the kind. It questions how we acquire our knowledge of other people and what an ethical expectation of a biography could be.

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Investment banker Marty Kalish is a man with something to hide. But what exactly? When Marty arrives at the house of his married lover only to see her being brutally beaten by her husband, he breaks into the house, and the next thing he knows, he is hiding the body of the murdered husband. Marty does everything to conceal his tracks, but with the police on his tail and his lover, Rachel, in the frame, Marty confesses to the killing. Facing the death penalty, Marty assembles a small legal team and tries to find a way to save both himself and Rachel. But is everything as it seems? What is Marty really confessing to? What is he really guilty of? What really did happen on the night of the murder? Told through Marty's eyes, David Ellis's spellbinding narrative drives Line of Vision into areas of character where courtroom dramas rarely venture and, like all the best thrillers, keeps us waiting till the very last page to discover what actually happened.

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In this new book, David Ellis traces Byron’s life from rented lodgings in Aberdeen to the crumbling splendours of Newstead Abbey and then on to his grand tour of the East. Describing his exile from England after a disastrous marriage, and subsequent travels in Italy and Greece, he shows how completely Byron’s experiences coloured his writings, drawing out the tension between the ‘serious’ works (Childe Harold, The Corsair) and his more comic writings. Although the former brought him early fame and fortune, it is the latter which now seem most worthwhile. Byron is a fresh, concise and clear-eyed account of the flamboyant poet’s life and work.

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Given the increasing number of old people, the proliferation of books about old age is hardly surprising. Most of these come from cultural historians or social scientists and, when those with a literary background have tackled the subject, they have largely done so through what are known as period studies. In Blasted with Antiquity, David Ellis provides an alternative. Skipping nimbly from Cicero to Shakespeare, and from Wordsworth to Dickens and beyond, he discusses various aspects of old age with the help of writers across European history who have usually been regarded as worth listening to. Eschewing extended literary analyses, Ellis addresses retirement, physical decay, sex in old age, the importance of family, legacy, wills and nostalgia, as well of course as dying itself. While remaining alert to current trends, his approach is consciously that of the old way of teaching English rather than the new. Whether 'blasted with antiquity' like Falstaff in Henry IV Part Two, or with the 'shining morning face' of an unwilling student, his accessible and witty style will appeal to young and old alike.

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Five narrated TV soundtrack adventures starring Patrick Troughton as the Second Doctor - plus bonus features. Absent from the TV archives, these stories survive in their entirety only as soundtrack recordings. Now remastered, with additional linking narration, you can enjoy them again: plus bonus interviews with Anneke Wills and Frazer Hines. In The Macra Terror the TARDIS visits a human colony that appears to be one big holiday camp, but has in fact been infiltrated and taken over by a race of giant crab-like creatures - the Macra. The Faceless Ones sees the TARDIS make a hazardous return to 1960s Earth, materialising on a runway at Gatwick Airport! In The Evil of the Daleks the TARDIS has been stolen by antiques dealer Edward Waterfield, who lures the Doctor and Jamie into an elaborate trap set by the most deadly race in the universe: The Daleks. The Abominable Snowmen finds the TARDIS in the Himalayas in 1935, where the Doctor makes a return visit to the nearby Detsen monastery – only to find it under attack, apparently from the Yeti... In The Ice Warriors the TARDIS crew materialise in an England of the future to find Earth in the grip of a new Ice Age – and under threat from a new menace in the form of the Ice Warriors...

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These three novellas display D. H. Lawrence's brilliant and insightful evocation of human relationships - both tender and cruel - and the devastating results of war. In The Fox, two young women living on a small farm during the First World War find their solitary life interrupted. As a fox preys on their poultry, a human predator has the women in his sights. The Captain's Doll explores the complex relationship between a German countess and a married Scottish soldier in occupied Germany, while in The Ladybird a wounded prisoner of war has a disturbing influence on the Englishwoman who visits him in hospital.

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When the SS Empire Windrush berthed at Tilbury docks in 1948 with 492 ex-servicemen from the Caribbean, it marked the beginning of the post-war migrations to Britain that would form part of modern, multi-cultural Britain. A significant role in this social transformation would be played by the literary and non-literary output of writers from the Caribbean. These writers in exile were responsible not just for the establishment of the West Indian novel, but, by virtue of their location in the Mother Country, were also the pioneers of black writing in Britain. Over the next fifty years, this writing would come to represent an important body of work intimately aligned to the evolving and contentious notions of home" as economic migration became a permanent presence. In this book, David Ellis provides in-depth analyses of six key figures whose writing charts the establishment of black Britain. For Sam Selvon, George Lamming and E R Braithwaite, writing home represents a literature of reappraisal as the myths of empire -- the gold-paved streets of London -- conflict with the harsh realities of being designated an immigrant. The unresolved consequences of this reappraisal are made evident in the works of Andrew Salkey, Wilson Harris and Linton Kwesi Johnson where radicalism in both political and literary terms can be read as a response to the rejection of the black communities by an increasingly divided Britain in the 1970s. Finally, the novels of Caryl Phillips, Joan Riley and David Dabydeen mark an increasingly reflective literature as the notion of home shifts more explicitly from the Caribbean to Britain itself. Containing both contextual and biographical information throughout, Writing Home represents a literary and social history of the emergence of black Britain in the second half of the twentieth century.

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