Search results for ""Author Daniel Levin""

Written by the author of The Zen Book and Zen Cards, Zen Life is a compilation of 108 Zen stories and aphorisms, ancient and modern, which are meant to be opened at random and consulted for their wisdom and insights.

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“Riveting . . . Well-written and highly compelling."—Wall Street Journal?“Truly thrilling. Daniel Levin brilliantly conveys both the menace and the evil of Middle Eastern intrigue, and some victories of human kindness over cruelty and despair.”—Daniel Kahneman, New York Times bestselling author of Thinking, Fast and Slow Daniel Levin was in his New York office when he got a call from an acquaintance with an urgent, cryptic request to meet in Paris. A young man had gone missing in Syria. No government, embassy, or intelligence agency would help. Could he? Would he? So begins a suspenseful, shocking, and at times brutal true story of one man’s search to find a miss­ing person in Syria over twenty tense days. Levin, a lawyer turned armed-conflict negotia­tor, chases leads throughout the Middle East, meeting with powerful sheikhs, drug lords, and sex traffickers in his pursuit of the truth. In Proof of Life, Levin dives deep into the shadows—an underground industry of war where everything is for sale, including arms, drugs, and even people. He offers a fasci­nating study of how people use leverage to get what they want from one another and of a place where no one does a favor without wanting something in return, whether it’s immediately or years down the road. A fast-paced thriller wrapped in a memoir, Proof of Life is a cinematic must-read by an author with access to a world that usually remains hidden.

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A NEW YORKER & GLOBE AND MAIL BEST BOOK OF THE YEARA love letter to the verbal artistry of hip-hop, What's Good is a work of passionate lyrical analysis"What's Good is, among a great many other things, a byproduct of joyful obsession and immersion into both language and sound, an intersection that offers a rich and expansive land upon which to play." —Hanif Abdurraqib, author of A Little Devil in America: Notes in Praise of Black Performance " . . . an often hilarious, surprisingly moving and always joyful paean to rap’s relationship to words."—Jayson Greene, The New York Times"Rap, he is not afraid to say, is as close to a universal tongue as we have."—Adam Gopnik, The New YorkerWhat's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies.Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between."For those of us who love rap, What's Good is a gift. The book offers a new set of eyes and ears through which to see and to hear the language of rap. Its brief and brilliant chapters are like the best kinds of freestyles: spontaneous and structured, startling and profound. A remarkable achievement." —Adam Bradley, author of Book of Rhymes: The Poetics of Hip Hop"Could this be the rap equivalent of Lewis Hyde's The Gift or Marina Warner's Once Upon A Time? Anyhow, it's an electrifying book, full of wild epiphanies and provocations, an exhibition of a critical mind in full and open contact with their subject at the highest level, with a winning streak of confessional intimacy as well." —Jonathan Lethem, author of The Arrest: A Novel "What's Good is a feat of critical precision and personal obsession: Daniel Levin Becker's deep appreciation for rap is rangy and illuminating, and his delight in language is infectious. What a thrill to swing so gracefully from Lil Wayne to Mary Ruefle to the lyrical evolution of 'tilapia'; pure pleasure. A generous, joyful exegesis."—Anna Wiener, author of Uncanny Valley: A Memoir

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'Brilliant observations on the anthropology of power. You will laugh aloud and you won't put it down' Daniel Kahneman In this eye-opening exploration of the human weakness for power, Daniel Levin takes us on a hilarious journey through the absurd world of our global elites, drawing unforgettable sketches of some of the puppets who stand guard. and the jugglers and conjurers employed within. Most spectacular of all, however, are the astonishing contortions performed by those closest to the top in order to maintain the illusion of integrity, decency, and public service. Based on the author's first-hand experiences of dealing with governments and political institutions around the world, Nothing but a Circus offers a rare glimpse of the conversations that happen behind closed doors, observing the appalling lengths that people go to in order to justify their unscrupulous choices, from Dubai to Luanda, Moscow to Beijing, and at the heart of the UN and the US government.

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Amnon Weinstein, an Israeli master luthier (violin maker), began a project more than years ago that may be one of the most creative, effective, and magnificent approaches to education on the topic of the Holocaust. Trained by three of the most revered Cremona, Italian luthiers of the twentieth century, Weinstein’s vision was to restore violins that survived the concentration camps and the ghettos, even when their owners often did not. To date, more than seventy violins have been restored to their highest playable condition. Following restoration, these hauntingly beautiful instruments have been used in performances by symphonies in Berlin, Cleveland, Istanbul, London, Quebec, Paris, San Francisco, and many other cities across the world. Purposefully, Weinstein makes certain that young musicians as well as members of some of the world’s most famed orchestras perform on them to packed concert halls. In doing so, it’s as if the past owners of the instruments return to fill the listener-observer’s mind and body.In Violins and Hope, Daniel Levin has made the most compelling and beautiful series of photographs documenting Weinstein’s collection of violins, his workshop in Tel Aviv, and his processes for restoration. This book is not a document of place, as much as it is a document of the ethereal. For what Weinstein has done with these lost violins has been to transform tragic loss into triumph in the most inciteful and powerful way imaginable. The care that Levin has taken to hone in on the idiosyncrasies of Amnon’s workshop, and his uncanny ability to celebrate the beauty of light, is nothing short of remarkable.The book’s foreword is written by arguably the most well-suited individual anywhere. Born in Austria, Franz Welser-Möst is one of the most acclaimed conductors of the twenty-first century. He has been Music Director of the Cleveland Orchestra since 2002, and, under his direction, The Cleveland, as it has been fondly named by The New York Times, has had twenty international tours, with shimmering reviews. All too aware of his ancestry, Welser-Möst takes on our mutual history as no one else could. And the book concludes with Levin’s interview with Assi Weinstein, Amnon’s wife, who talks about the Violins of Hope project and its enduring legacy.

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Buried deep in rural France, little remains of the isolated hamlet of the Three Lone Girls, save a few houses and a curiously assembled quartet: Patrice Bergogne, inheritor of his family’s farm; his wife, Marion; their daughter, Ida; and their neighbour, Christine, an artist. While Patrice plans a surprise for his wife’s fortieth birthday, inexplicable events start to disrupt the hamlet’s quiet existence: anonymous, menacing letters, an unfamiliar car rolling up the driveway. And as night falls, strangers stalk the houses, unleashing a nightmarish chain of events. Told in rhythmic, propulsive prose that weaves seamlessly from one consciousness to the next over the course of a day, Laurent Mauvignier’s The Birthday Party is a deft unravelling of the stories we hide from others and from ourselves, a gripping tale of the violent irruptions of the past into the present, written by a major contemporary French writer.

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