Search results for ""Author Daniel Arasse""

Encuadernación: RústicaColección: Lecturas de historia del arteLa presente obra inaugrua un nuevo campo de la historia de la pintura: el detalle, visto inopinadamente o poco a poco descubierto, indentificado, aislado, separado de su conjunto, pone en cuestión las categorías de la hsitoria del arte que parecen haber sido establecidas de antiguo. Estudiando detalles (moscas, gatos, pliegues,ombligos, hilos) de diferentes obras, desde el final de la edad Media hasta el último cuarto del siglo XIX, Daniel Arasse propone otra historia de la pintura: una historia cercana a las prácticas del pincel y de la mirada.

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Anselm Kiefer (b. 1945) is one of the most important and controversial artists at work in the world today. Through such diverse mediums as painting, photography, artist’s books, installations and sculpture, he has interpreted the great political and cultural issues at the heart of the modern European sensibility: the connections among memory, history and mythology; war; the Holocaust; and ethnic and national identity. In this extensively illustrated volume, available again in a new, compact format, Arasse analyses Kiefer’s education, influences, philosophy and art, while demonstrating the unity and continuity of his work. Arasse takes as his starting point the 1980 Venice Biennale, a key moment in the artist’s career that marked the birth of both his international reputation and the controversy over the ‘Germanness’ of his work. Organized both chronologically and according to the artist’s recurrent motifs, the book’s approximately 250 full-colour images trace Kiefer’s creative evolution, and present his great themes in their full scope and power.

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Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch colleagues, Arasse suggests that his confrontation with painting represented a very personal and ambitious effort to define a new pictorial practice within the classical tradition of his art. By examining Vermeer's approach to image-making, the author finds that his works demonstrate the concept of painting as a medium through which the viewer senses the ungraspable and mysterious presence of life. Not only does this concept of painting carry on the traditions of Classical Antiquity and the High Renaissance, but it also relates to Catholic ideas about spiritual meditation and the power of images. Arasse shows that although Vermeer usually uses secular subject matter commonplace among his contemporaries, his treatment of iconography, light, and line, for example, varies greatly from theirs. Iconographical elements tend to hold meaning in suspense rather than to explicate; dazzling light emanates from interior objects; sfumato renders the presence of objects without depicting them. Discussing these and other aspects of Vermeer's art, Arasse locates the painter's genius in the reflexive, meditative nature of his works, each of which seems to be a painting about painting.

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What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative "fictions," each richly illustrated in color, Daniel Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velazquez to Titian, Bruegel to Tintoretto. By demonstrating that we don't really see what these paintings are trying to show us, Arasse makes it clear that we need to take a closer look. In chapters that each have a different form, including a letter, an interview, and an animated conversation with a colleague, the book explores how these pictures teach us about ways of seeing across the centuries. In the process, Arasse freshly lays bare the dazzling power of painting. Fast-paced and full of humor as well as insight, this is a book for anyone who cares about really looking at, seeing, and understanding paintings.

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