Search results for ""Author Dalila""

Represents the first comprehensive reconstruction of Italian women's film cultures of the 1960s and '70s Provides an innovative, intersectional feminist methodology to cinema history, adopting stand-point theory, archival theory and addressing questions of nostalgia and anachronism Case studies enrich the understanding of cinema's socio-cultural role in Italy, and addressing, in an engaging way, key concerns for feminist cinema history Through an emphasis on women's affective and active relationship with cinema, the book offers an innovative, holistic approach that covers aspects of consumption, representation, and production Investigates, for the first time, the relationship between Italian second-wave feminism and mainstream cinema, with a comparative perspective with other national contexts Italian cinema experienced its peak of domestic and international popularity in the years between the 'economic miracle' of the late 1950s and the social and political turmoil of the 1970s. But how did the growing development of the feminist movement in this period impact on Italian film culture? And what role did that film culture play in women's lives? This book explores the multiple intersections between feminism and Italian cinema from the perspective of women's everyday relationship with the medium. Drawing from a feminist approach to Gramscian cultural theory, the book builds an archival counter-history of Italian cinema in which women took part as movie-goers, activists and practitioners, by means of a collective-historical agency that challenged cinema's patriarchal structures and strategies of invisibilisation.

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Italian cinema experienced its peak of domestic and international popularity in the years between the 'economic miracle' of the late 1950s and the social and political turmoil of the 1970s. But how did the growing development of the feminist movement in this period impact on Italian film culture? And what role did that film culture play in women's lives?This book explores the multiple intersections between feminism and Italian cinema from the perspective of women's everyday relationship with the medium. Drawing from a feminist approach to Gramscian cultural theory, the book builds an archival counter-history of Italian cinema in which women took part as movie-goers, activists and practitioners, by means of a collective-historical agency that challenged cinema's patriarchal structures and strategies of invisibilisation.

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Exploring the modern approach to the economics of happiness, which came about with the Easterlin Paradox, this book analyses and assesses the idea that as a country gets richer the happiness of its citizens remains the same. The book moves through three distinct pillars of study in the field: first analysing the historical and philosophical foundations of the debate; then the methodological and measurements issues and their political implications; and finally empirical applications and discussion about what determines a happy life.A Modern Guide to the Economics of Happiness extends the concept of happiness to that of wellbeing, offering an inquiry into well-being within the paradigm of complex systems. It draws together both recent developments in studies on the economics of happiness as well as its historical roots, covering the concept of Eudaimonia, Aristotle’s theories and the important contribution of Italian economists. Critical case studies look at the relationship between physical activity and wellbeing, the value of family for life satisfaction, and the role of social capital for migrant acceptance.An invigorating read for economics and psychology scholars, this book will also be of interest to those researching welfare and development economics.

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This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon

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Exploring the modern approach to the economics of happiness, which came about with the Easterlin Paradox, this book analyses and assesses the idea that as a country gets richer the happiness of its citizens remains the same. The book moves through three distinct pillars of study in the field: first analysing the historical and philosophical foundations of the debate; then the methodological and measurements issues and their political implications; and finally empirical applications and discussion about what determines a happy life.A Modern Guide to the Economics of Happiness extends the concept of happiness to that of wellbeing, offering an inquiry into well-being within the paradigm of complex systems. It draws together both recent developments in studies on the economics of happiness as well as its historical roots, covering the concept of Eudaimonia, Aristotle’s theories and the important contribution of Italian economists. Critical case studies look at the relationship between physical activity and wellbeing, the value of family for life satisfaction, and the role of social capital for migrant acceptance.An invigorating read for economics and psychology scholars, this book will also be of interest to those researching welfare and development economics.

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