Search results for ""Author Daisy Hildyard""

Every living thing has two bodies. To be an animal is to be in possession of a physical body, a body which can eat, drink and sleep; it is also to be embedded in a worldwide network of ecosystems. When every human body has an uncanny global presence, how do we live with ourselves? In this timely and elegant essay, Daisy Hildyard captures the second body by exploring how the human is a part of animal life. She meets Richard, a butcher in Yorkshire, and sees pigs turned into boiled ham; and Gina, an environmental criminologist, who tells her about leopards and silver foxes kept as pets in luxury apartments. She speaks to Luis, a biologist, about the origins of life; and talks to Nadezhda about fungi in an effort to understand how we define animal life. Eventually, her second body comes to visit her first body when the river flooded her home last year. The Second Body is a brilliantly lucid account of the dissolving boundaries between all life on earth.

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For readers of Rachel Cusk and Jenny Odell, a lyrical work of autofiction that explores the dissolution of boundaries between the self and our earth as we head towards ecological catastrophe.“Emergency is an incisive kaleidoscope of past and present, nature and industry, stillness and pace, collapsing all into a tapestry of consciousness.” —Ayşegül Savaş, author of Walking on the Ceiling Emergency is a novel about the interconnectedness of all life on Earth. Our narrator is at home during lockdown, where she ponders both past and present. She remembers her 1990s childhood in rural Yorkshire. She recalls a kestrel hunt, helping a farmer save a renegade bull, and days playing with her best friend, Clare. In her village, neighbors argue, keep secrets, care for one another, and try to hold down jobs. Fox cubs fight in the woods, plants compete for space, a quarry slowly falls apart, and we see a three-legged deer who likes cake. With painterly vision, Hildyard evokes the bygone, pre-internet world of her schooldays, whose irretrievability signals at something far greater than fleeting youth. With urgent intimacy, Emergency asks us to look at the essential; the people who help define us, animals, local and global ecologies, and to consider what the slow disappearance of Hildyard’s and our own native environment might mean for humanity at large. A requiem for the English countryside, a story of remote violence, and a work of praise for a persistently lively world, Daisy Hildyard’s Emergency reinvents the pastoral novel for the climate change era.

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Emergency is a novel about the dissolving boundaries between all life on earth. Stuck at home alone under lockdown, a woman recounts her 1990s childhood in rural Yorkshire. She watches a kestrel hunting, helps a farmer with a renegade bull, and plays out with her best friend, Clare. Around her in the village her neighbours are arguing, keeping secrets, caring for one another, trying to hold down jobs. In the woods and quarry there are foxcubs fighting, plants competing for space, ageing machines, and a three-legged deer who likes cake. These local phenomena interconnect and spread out from China to Nicaragua as pesticides circulate, money flows around the planet, and bodies feel the force of distant power. A story of remote violence and a work of praise for a persistently lively world, brilliantly written, surprising, evocative and unsettling, Daisy Hildyard's Emergency reinvents the pastoral novel for the climate change era.

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Overpass is about what it means to move through the landscape. Walking along a vast network of centuries-old footpaths through the English countryside, artist Sam Contis focuses on stiles, the simple structures that offer a means of passage over walls and fences and allow public access through privately owned land. In her immersive sequences of black-and-white photographs, they become repeating sculptural forms in the landscape, invitations to free movement on one hand and a reminder of the history of enclosure on the other. Made from wood and stone, each unique, they appear as markers pointing the way forward, or decaying and half-hidden by the undergrowth. An essay by writer Daisy Hildyard contextualizes this body of work within histories of the British landscape and contemporary ecological discourses. In an age of rising nationalism and a renewed insistence on borders, Overpass invites us to reflect on how we cross boundaries, who owns space, and the ways we have shaped the natural environment and how we might shape it in the future.

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