Search results for ""Author D.H. LAWRENCE""

Nellie March and Jill Banford manage an ailing Berkshire farm at the time of the First World War, a task which is made all the more complicated by the frequent rampages of a local fox through their chicken coop. When a young soldier turns up and begins to interfere with the farm and the lives of the two women, they must find ways to react to this new fox in their midst. A compelling study of the question of power, gender and sexuality, as well as a realistic portrayal of wartime rural England, The Fox showcases Lawrence’s inimitable gift for psychological observation and dramatic description.

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First encountered in Lawrence’s novel The Rainbow, sisters Ursula and Gudrun Brangwen are now grown-up women living in the English Midlands at the time of the First World War. Each becomes involved in a love affair: Ursula with the misanthropic intellectual Rupert Birkin, and Gudrun with Gerald Crich, a successful industrialist. The contrast between the two relationships – the former happy and fulfilling, the latter tempestuous and violent – facilitates an examination of both the regenerative and destructive aspects of human passion, while the novel’s Alpine climax is revelatory of the intensity of close male friendship. Heavily revised by the author in an attempt to avoid a repeat of the controversy surrounding the publication of The Rainbow, which had been suppressed on grounds of obscenity, Women in Love appeared first in the US in 1920, with a British edition following the next year. Straddling the boundary between nineteenth-century realism and modernism, it was regarded by Lawrence as his most accomplished work, and is considered by many to be the author’s masterpiece.

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As the sensitive and delicate Gertrude begins to shrink from her drunken and violent husband, their marriage becomes a battleground. Gertrude turns increasingly towards her two eldest sons, William and Paul, and determines that they will not grow up to be coalminers living in poverty like their father. Yet soon William falls ill, and Paul seeks to escape his mother's suffocating influence through a series of relationships. Closely autobiographical, and widely considered to be the first English novel with a truly working-class background, Sons and Lovers is the affecting portrait of a mining family torn apart by class divisions and the conflict between filial love and the urge to follow one's own desires.

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Trapped in a marriage which has become sterile and joyless since her husband's return from the trenches of the First World War, partially paralysed and confined to a wheelchair, Connie seizes the chance of sexual fulfilment she had thought lost to her forever. First published privately in Florence in 1928, it only became a world-wide best-seller after Penguin Books had successfully resisted an attempt by the British Director of Public Prosecutions to prevent them offering an unexpurgated edition. The famous ‘Lady Chatterley trial’ heralded the sexual revolution of the coming decades and signalled the defeat of Establishment prudery.

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With an Introduction and Notes by David Ellis, University of Kent at Canterbury. Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.

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Known as a distinctly English author, D.H. Lawrence is reevaluated as a creator and critic of American literature in this imaginative study. From 1922 to 1925, during his "savage pilgrimage" in Mexico and New Mexico, D.H. Lawrence completed the core of what Lee Jenkins terms his "American oeuvre" - including his major volume of criticism, Studies in Classic American Literature.By examining Lawrence's experiences in the Americas, including his fascination with indigenous cultures, Jenkins illustrates how the modernist writer helped shape both American literary criticism and the American literary canon. Reassessing Lawrence's relationship to American modernism and his literary contemporaries in the New World, Jenkins portrays Lawrence as a transatlantic writer whose significant body of work embraces and adapts both English and American traditions and innovations.

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Though we all face a tug of war between dependency and autonomy while growing up, British author D.H. Lawrence (1885–1930) experienced the struggle with particular intensity. Later in life, his acute observational skills, high emotional intelligence, and expressive abilities would allow him to articulate this conflict in his works as few other writers have.Applying concepts from attachment theory, D.H. Lawrence and Attachment presents innovative readings of a broad swath of Lawrence’s fiction. Ronald Granofsky teases out hidden patterns in Lawrence’s work, deepening our understanding of his fictional characters and revealing new significance to key thematic concerns like gender identification, marriage, and class. Lawrence’s too-close relationship with his own mother, in particular, was the foundation for his lifelong interest in attachment, as well as the impetus for his literary exploration of the delicate balance between the desire for closeness and the need for separation. While the theories of Margaret S. Mahler, D.W. Winnicott, John Bowlby, and others were developed after Lawrence’s death, his writing about relationships - and how they are influenced by early childhood experiences - bears a striking resemblance to the concepts of attachment theory.The Lawrence who emerges from D.H. Lawrence and Attachment is a psychological writer of great power whose intuitive insights into the vagaries of attachment resulted in rich, complex fiction.

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