Search results for ""Author D. M. Thomas""

Shortlisted for the Man Booker Prize, THE WHITE HOTEL is a modern classic of searing eroticism and sensuality set against the broad sweep of twentieth-century history.Now a BBC radio play starring Anne-Marie Duff and Bill Paterson, dramatised by Dennis Potter.'A novel of blazing imaginative and intellectual force' Salman Rushdie It is a dream of electrifying eroticism and inexplicable violence, recounted by a young woman to her analyst, Sigmund Freud. It is a horrifying yet restrained narrative of the Holocaust. It is a searing vision of the wounds of our century and an attempt to heal them. Interweaving poetry and case history, fantasy and historical truth-telling, THE WHITE HOTEL is a modern classic of enduring emotional power that attempts nothing less than to reconcile the notion of individual destiny with that of historical fate.'A remarkable and original novel . . . there is no novel to my knowledge which resembles this in technique or ideas. It stands alone' Graham Greene'Astonishing . . . A forthright sensuality mixed with a fine historical feeling for the nightmare moments in modern history, a dreamlike fluidity and quickness' John Updike'I quickly came to feel that I had found that book, that mythical book, that would explain us to ourselves' Leslie Epstein, New York Times

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Alexander Pushkin’s epic magic-realist tale is brought vividly to life in this superb translation by D. M. Thomas. Drawing on the Russian folklore of Pushkin’s childhood, the poem recounts the abduction of Princess Ludmila by the evil wizard Chernomor and the attempt by the brave knight Ruslan to rescue his bride. Ruslan must embark on a perilous quest, encountering an intriguing cast of characters – including a hermit, a witch and a pugnacious floating head – before he can be reunited with his love.Ruslan and Ludmila is a vibrantly colourful blend of traditional chivalry, outrageous humour and exciting escapades: a gorgeous display of the poet's astonishing imagination.

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From her appearance in a small magazine in 1906 to her death in 1965, Anna Akhmatova was a dominant presence in Russian literary life. But this friend of Pasternak and Mandelstam was a poet in a country where poetry was literally a matter of life and death, as she found when Mandelstam and her own husband, Gumilyev, were executed, and her son imprisoned for many years in the Gulag. Akhmatova's first collection, Evening, appeared in 1912. Rosary (1914) made her a household name. After the Revolution she went in and out of favour with the authorities, who sometimes allowed her to publish, sometimes banned her work. She is now most celebrated in the West for Poem Without A Hero and Requiem, a sequencemourning the victims of Stalin's Terror which was only published (and then outside Russia) in 1963.

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