Search results for ""Author Cristina Rivera Garza""

A 2023 NATIONAL BOOK AWARD FINALIST A NEW YORK TIMES, WASHINGTON POST, TIME AND NEW YORKER BOOK OF THE YEAR ‘Meticulously written and deeply moving . . . A triumph’ JACKIE KAY ‘Absorbing and poetic’ ECONOMIST ‘Full of tenderness and beauty’ MARIANA ENRIQUEZ From one of Mexico’s greatest contemporary writers, an astonishing work of non-fiction that illuminates an epidemic of femicide in Mexico through the death of one woman. I seek justice, I finally said. I seek justice for my sister . . . Sometimes it takes twenty-nine years to say it out loud, to say it out loud on a phone call with a lawyer at the General Attorney’s office: I seek justice. On the dawn of 16 July 1990, Liliana Rivera Garza, Cristina Rivera Garza’s sister, was murdered by her ex-boyfriend and subsumed into Mexico's dark and relentless history of femicide. She was a twenty-year-old architecture student who had been trying for years to end her relationship with a high school boyfriend who insisted on not letting her go. A few weeks before the tragedy, Liliana made a definitive decision: at the height of her winter she had discovered that, as Albert Camus had said, there was an invincible summer in her. She would leave him behind. She would start a new life. She would do a master's degree and a doctorate; she would travel to London. But his decision was that she would not have a life without him. Returning to Mexico after decades of living in the United States, Cristina Rivera Garza collects and curates evidence – handwritten letters, police reports, school notebooks, voice recordings and architectural blueprints – to defy a pattern of increasingly normalised, gendered violence and understand the life lost. What she finds is Liliana: her sister’s voice crossing time and, like that of so many disappeared and outraged women in Mexico, demanding justice.

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PULITZER PRIZE WINNER • NATIONAL BOOK AWARD FINALIST • A NEW YORK TIMES NOTABLE BOOK • “A searing account of grief and the quest to bring her sister’s murderer to justice years after the fact” (The Boston Globe), from “one of Mexico’s greatest living writers” (Jonathan Lethem).  “Part memoir, part true-crime story, Garza’s chronicle is both personal and political.”—The Washington PostA BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Time, Chicago Public Library, She Reads, Electric LitOctober 18, 2019. Cristina Rivera Garza travels from her home in Texas to Mexico City, in search of an old, unresolved criminal file. “My name is Cristina Rivera Garza,” she writes in her request to the attorney general, “and I am writing to you as a relative of Liliana Rivera Ga

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WINNER OF THE PULITZER PRIZE FOR MEMOIRA 2023 NATIONAL BOOK AWARD FINALISTA NEW YORK TIMES, WASHINGTON POST, TIME AND NEW YORKER BOOK OF THE YEARMeticulously written and deeply moving . . . A triumph' JACKIE KAYAbsorbing and poetic' ECONOMISTFull of tenderness and beauty' MARIANA ENRIQUEZFrom one of Mexico's greatest contemporary writers, an astonishing work of non-fiction that illuminates an epidemic of femicide in Mexico through the death of one woman.I seek justice, I finally said. I seek justice for my sister . . . Sometimes it takes twenty-nine years to say it out loud, to say it out loud on a phone call with a lawyer at the General Attorney's office: I seek justice.On the dawn of 16 July 1990, Liliana Rivera Garza, Cristina Rivera Garza's sister, was murdered by her ex-boyfriend and subsumed into Mexico''s dark and relentless history of femicide.She was a twenty-year-old architecture

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On a dark and stormy night, an unnamed narrator is visited by two women: one a former lover, the other a stranger. They ruthlessly question their host and claim to know his greatest secret: that he is, in fact, a woman. In increasingly desperate attempts to defend his masculinity, perplexed by the stranger’s dubious claims to be the writer Amparo Dávila, he finds himself spiralling deeper into a haunted past that may or may not be his own. This surreal novel enfolds a masterful exploration of gender in taut, atmospheric mystery.

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A fairy tale run amok, The Taiga Syndrome follows an unnamed Ex-Detective as she searches for a couple that has fled to the far reaches of the Earth. A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down - that she wants to be found. He hires the Ex-Detective, who sets out with a translator into a snowy, hostile forest where strange things happen and translation serves to betray both sense and the senses. The stories of Hansel and Gretel and Little Red Riding Hood haunt the Ex-Detective's quest. As she enters a territory overrun with the primitive excesses of capitalism - accumulation and expulsion, corruption and cruelty -the lessons of her journey unfold: that sometimes leaving everything behind is the only thing left to do.

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