Search results for ""Author Cormac O'Malley""

`Nobody's Business': The Aran Diaries of Ernie O'Malley presents new insights into the contradictions and complexities of the mind of Ernie O'Malley, one of mid-twentieth century Ireland's foremost cultural critics. In 1941, 1955 and 1956, the former revolutionary leader and author of the acclaimed memoir of the War of Independence, On Another Man's Wound, visited the Aran Islands. While on the islands, O'Malley kept diaries recounting his daily conversations and interactions with other visitors and islanders including Elizabeth Rivers, with whom he stayed on one occasion, Charles Lamb and Sean Keating. The diaries, devoid of sentiment and often highly critical, reveal his views on art, literature, history and contemporary Irish life and international affairs as well as his thoughts on the economic, religious and daily life of the Aran islanders. His unvarnished observations on the inconsistencies and hypocrisies of life in post-Independence Ireland make his diaries absorbing and provocative. Edited with introductory essays by Cormac O'Malley and Roisin Kennedy and an afterword by Luke Gibbons, `Nobody's Business': The Aran Diaries of Ernie O'Malley offers fascinating insights into the mind and opinions of a key figure in Irish cultural nationalism.

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Ernie O’Malley was a revolutionary republican and writer. One of the leading figures in the Irish independence and civil wars, he survived wounds, imprisonment and hunger strike, before going to the USA in 1928 to fundraise on de Valera’s behalf. Broken Landscapes tells of his subsequent journeys, through Europe and the Americas, where O’Malley moved in wide social circles that included Paul Strand, Edward Weston, Hart Crane and Jack B. Yeats. Back in Mayo he took up farming. In 1935 he married Helen Hooker, an American heiress, with whom he had three children, Cathal, Etain and Cormac, before a bitter separation. His literary reputation was established with a magnificent memoir, On Another Man’s Wound (1936). In later years he was close to John Ford, and worked on The Quiet Man (1952). This vibrant new collection of letters, diaries and fragments opens up the broad panorama of his life to readers. It enriches the history of Ireland’s troubled independence with reflections on loss and reconciliation. It links the old world to the new – O’Malley perched on the edge of the Atlantic, a folklore collector, art critic and radio broadcaster; autodidact, modernist and intellectual. It conducts a unique conversation with the past. In Broken Landscapes, we travel with O’Malley through Italy, the American Southwest, Mexico and points inbetween. In Taos, he mingled wiht the artistic set around D. H. Lawrence. In Ireland, he drank with Patrick Kavanagh, Liam O’Flaherty and Louis MacNiece. The young painter Louis le Brocquy was his guest on his farm in Burrishoole, Co. Mayo. These places and people remained with O’Malley in his private writing, assembled for the first time from family and institutional archives. Reading these letters, dairies and fragments is to see Ireland in the tumultuous world of the twentieth century, as if for the first time, allowing us to view the intellectual foundations of the State through the eyes of its leading chronicler.

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