Search results for ""Author Constantine Petridis""
Cleveland Museum of Art,The,U.S. South of the Sahara: Selected Works of African Art
South of the Sahara opens with general observations on the immensely rich and diversified artistic heritage of sub-Saharan Africa. Constantine Petridis examines the relationship between contemporary and so-called traditional African arts, and presents examples showing that many African works were originally part of an ensemble or one element of a performance. He discusses how works relate to ideas about leadership and the supernatural and then relates the many misunderstandings that still exist concerning the history and the chronology of African art. After dissecting the complex issue of style, he concentrates on the relationship between styles and both time and geography. Finally, Petridis considers the little-known issue of African aesthetics, investigating how the aesthetic preferences of the makers and users of the works differ from those of the Western museum audience and art lovers. Forty-two important works from thirty different cultures are featured in color, including objects from the ancient kingdom of Benin and examples of two of Africa’s oldest archaeological art traditions: Nok in Nigeria and Djenne in Mali. Enriched with many field photographs and much ethnographical information, this presentation emphasizes the extraordinary formal invention and spiritual power of the objects.
£23.39
Yale University Press Luluwa: Central African Art between Heaven and Earth
Living in the region between the Lubudi and Kasai rivers in south central Democratic Republic of the Congo, the Luluwa people are known for their elaborately carved male and female figure sculptures, masks, and decorative arts. Constantine Petridis draws on first-hand accounts of numerous explorers, missionaries, colonial servants, anthropologists, and art historians who visited the region between the 1880s and the 1970s, to comprehensively situate the Luluwa’s ornate art in its original environment of production and use. Through a close study of published and unpublished sources as well as museum objects and archival photographs, this book sheds new light on the historical context of one of central Africa’s most spectacular artistic legacies, whose creation presumably dates back to the second half of the 19th century. Distributed for Mercatorfonds
£75.00
Five Continents Editions The Art of Daily Life: Portable Objects from Southeast Africa
Front cover image The Art of Daily Life Portable Objects from Southeast Africa Constantine Petridis, with an essay by Karel Nel In stock 9788874395781 Paperback with flaps 5 Continents Editions Territory: World excluding Italy Size: 285 mm x 240 mm Pages: 112 Illustrations: 150 colour RRP £20.00 Features 78 exceptional works - many never published before - drawn from the Cleveland Museum of Art, the National Museum of African Art in Washington, D.C., and a large number of American private collections The arts of southeast Africa embrace astounding diversity and limitless inventiveness in materials, forms, and styles. Small and portable in nature - snuff containers, pipes, headrests, staffs, clubs, beer vessels, beaded garments - they were created by semi-nomadic pastoral peoples and primarly intended for daily use. Whether figurative or abstract, carved out of wood, ivory, or horn, or made of cloth, glass beads, or clay, most of these works were much more than exquisitely designed functional objects. Some signalled status, gender, or age; others served as symbolic intermediaries between the world of humans and the realm of the ancestors.
£18.00
Yale University Press Speaking of Objects: African Art at the Art Institute of Chicago
A lavishly illustrated selection of highlights from the Art Institute of Chicago’s extraordinary collection of the arts of Africa Featuring a selection of more than 75 works of traditional African art in the Art Institute of Chicago’s collection, this stunning volume includes objects in a wide variety of media from regions across the continent. Essays and catalogue entries by leading art historians and anthropologists attend closely to the meanings and materials of the works themselves in addition to fleshing out original contexts. These experts also underscore the ways in which provenance and collection history are important to understanding how we view such objects today. Celebrating the Art Institute’s collection of traditional African art as one of the oldest and most diverse in the United States, this is a fresh and engaging look at current research into the arts of Africa as well as the potential of future scholarship.Distributed for the Art Institute of Chicago
£30.00