Search results for ""Author Constant J. Mews""

New essays shed light on the mysterious St Samson of Dol and his Vita. The First Life of St Samson of Dol (Vita Prima Samsonis) is a key text for the study of early Welsh, Cornish, Breton and indeed west Frankish history. In the twentieth century it was the subject of unresolved scholarly controversy that tended to limit its usefulness. However, more recent research has firmly re-established its significance as a historical source. This volume presents the results of new, multi-disciplinary, assessment of the textand its context. What emerges from the studies collected here is a context of greater plausibility for the First Life of St Samson of Dol as an early and essentially historical text, potentially at the centre of early British Christianity and its influence on the Continent. The landscape of that Christianity is gradually emerging from the shadows and it is a landscape in which the career of St Samson, the first Insular peregrinus, is shown to be of considerable importance. LYNETTE OLSON is an Honorary Associate of the Department of History, University of Sydney. Contributors: Caroline Brett, Karen Jankulak, Constant J. Mews, Lynette Olson, Joseph-Claude Poulin, Richard Sowerby, Ian N. Wood, Jonathan M. Wooding.

Read more less

Christine de Pizan, one of the earliest known women authors, wrote the Livre de paix (Book of Peace) between 1412 and 1414, a period of severe corruption and civil unrest in her native France. The book offered Pizan a platform from which to expound her views on contemporary politics and to put forth a strict moral code to which she believed all governments should aspire. The text’s intended recipient was the dauphin, Louis of Guyenne; Christine felt that Louis had the political and social influence to fill a void left by years of incompetent leadership. Drawing in equal parts from the Bible and from classical ethical theory, the Livre de paix was revolutionary in its timing, viewpoint, and content. This volume, edited by Karen Green, Constant J. Mews, and Janice Pinder, boasts the first full English translation of Pizan’s work along with the original French text. The editors also place the Livre de paix in historical context, provide a brief biography of Pizan, and offer insight into the translation process.

Read more less

Ars musice, composed in Paris during the late thirteenth century, reflects Johannes de Grocheio's awareness of the complexity of the task of describing music. As the editors note in their introduction, "Grocheio is aware of the enormous range of types of music performed in different ways in different places. How can he impose order on this enormous subject matter? He decided to resolve this question by structuring his discussion around the practice of music that he observed in the city of Paris, organized into three main 'branches': music of the people (musica vulgalis), composite or regular, 'which they call measured music' (musica mensurata), and ecclesiastical music (musica ecclesiastica), which he claims derives from the other two (AM 6.2). The originality of Grocheio's treatise has attracted considerable scholarly interest. It has long been recognized as a unique source of information about musical life in medieval Paris. Through his treatise, Grocheio enables a modern reader to become aware of the complex auditory environment of that city in the late thirteenth century as well as of its intellectual vitality at a particularly vibrant moment in its history."

Read more less

The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified. Guy's treatise presents itself as a synthetic overview of both the theory and practice of plainchant in a way that combines the practical reflection of Guido of Arezzo with ideas of more Aristoteleian inspired theorists such as Johannes de Grocheio and Peter of Auvergne.

Read more less

The Tractatus de tonis of Guy of Saint-Denis (written ca. 1300-10) differs from other treatises on plainchant in the depth of its analysis of the various tones into which chant was traditionally classified. The treatise of Guy of Saint-Denis is preserved as the concluding item in an anthology of texts about plainchant that Guy compiled (now London, British Library, MS Harley 281), beginning with some writings of Guido of Arezzo and a Cistercian tonary, but also including the Ars musice of Johannes de Grocheio and the Tractatus de tonis of Petrus de Cruce. Guy's treatise presents itself as a synthetic overview of both the theory and practice of plainchant in a way that combines the very practical reflection of Guido of Arezzo with ideas of more Aristoteleian inspired theorists such as Johannes de Grocheio and Peter of Auvergne.

Read more less