Search results for ""Author Constance Garnett""

Nominated as one of America’s best-loved novels by PBS’s The Great American ReadA desperate young man plans the perfect crime—the murder of a despicable pawnbroker, an old women no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime, to transgress moral law—if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, a fascinating detective thriller infused with philosophical, religious and social commentary. Raskolnikov, an impoverished student living in a garret in the gloomy slums of St. Petersburg, carries out his grotesque scheme and plunges into a hell of persecution, madness and terror. Crime and Punishment takes the reader on a journey into the darkest recesses of the criminal and depraved mind, and exposes the soul of a man possessed by both good and evil . . . a man wh

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In this extraordinary collection of twenty tales, Richard Ford, a master short-story writer in his own right, has selected his personal favourites from among more than two hundred of Chekhov's tales and novellas. Included are the familiar masterpieces 'The Kiss', 'The Darling' and 'The Lady with the Dog' as well as several brilliant lesser-known tales such as 'A Blunder', 'Hush!' and 'Champagne'. These stories, written between 1886 and 1899, are drawn from Chekhov's most prolific years as a short-story writer. Introduced by Richard Ford's perceptive observations on 'Why We Like Chekhov', The Essential Tales of Chekhov is an indespensable anthology.

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"Pain and suffering are always inevitable for a large intelligence and a deep heart…” Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime. The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world’s harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.

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Complete and unabridged.A towering classic of Russian literature, Fyodor Dostoevsky's Crime and Punishment is a compelling story of a brutal double murder and its aftermath. An impoverished ex-student, Rodion Raskolnikov, kills a pawnbroker and her sister, apparently for financial gain. But as he encounters friends and family, strangers and adversaries, Raskolnikov is compelled to face the true forces that have led him to murder. His struggle with himself and those around him becomes a battle of the individual against society, radicalism against tradition, and ultimately the will of man against the mysteries of divine providence. A sensation in its day, Crime and Punishment has left an indelible stamp on the world of literature. This beautiful Macmillan Collector's Library edition of Crime and Punishment is translated from the Russian by Constance Garnett, with an afterword by Oliver Francis.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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Translated by Constance Garnett with an Introduction by A.D.P. Briggs. In 1869 a young Russian was strangled, shot through the head and thrown into a pond. His crime? A wish to leave a small group of violent revolutionaries, from which he had become alienated. Dostoevsky takes this real-life catastrophe as the subject and culmination of Devils, a title that refers the young radicals themselves and also to the materialistic ideas that possessed the minds of many thinking people Russian society at the time. The satirical portraits of the revolutionaries, with their naivety, ludicrous single-mindedness and readiness for murder and destruction, might seem exaggerated - until we consider their all-too-recognisable descendants in the real world ever since. The key figure in the novel, however, is beyond politics. Nikolay Stavrogin, another product of rationalism run wild, exercises his charisma with ruthless authority and total amorality. His unhappiness is accounted for when he confesses to a ghastly sexual crime - in a chapter long suppressed by the censor. This prophetic account of modern morals and politics, with its fifty-odd characters, amazing events and challenging ideas, is seen by some critics as Dostoevsky's masterpiece.

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Translated by Constance Garnett with an introduction by Anthony Briggs. Dostoevsky's fascination for mental breakdown and violence (20 murders in his four main novels) was based on his own life, and these two unmistakably autobiographical works bear this out. The House of the Dead is fiction, but based on his four years in a Siberian prison. An educated upper-class man is condemned to live among criminals and brutal guards, with arbitrary punishments, lousy food, disgusting living conditions, hard toil and many floggings. Somehow he avoids bitterness and recrimination; faith in humanity survives. With its breadth of characterisation, acute sense of detail and strong narrative interest, this work can still shock, entertain and inspire. In The Gambler we see the Russian community in a German spa town. Drawn to the casino, Alexey becomes obsessed with roulette. In a gripping story, full of psychological interest, his growing mania eclipses even his interest in Polina, a heroine of demonic and vibrant sexuality. Dostoevsky himself was rescued from a similar gambling obsession by the young stenographer who took down this work at his dictation and married him soon afterwards.

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Dostoevsky's disturbing and groundbreaking novella appears in this new annotated edition with an Introduction by Charles Guignon and Kevin Aho. An analogue of Guignon's widely praised Introduction to his 1993 edition of "The Grand Inquisitor," the editors' Introduction places the underground man in the context of European modernity, analyzes his inner dynamics in the light of the history of Russian cultural and intellectual life, and suggests compelling reasons for our own strange affinity for this nameless man who boldly declares, "I was rude and took pleasure in being so.”

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This new edition presents The Grand Inquisitor together with the preceding chapter, Rebellion, and the extended reply offered by Dostoevsky in the following sections, entitled The Russian Monk. By showing how Dostoevsky frames the Grand Inquisitor story in the wider context of the novel, this edition captures the subtlety and power of Dostoevsky's critique of modernity as well as his alternative vision of human fulfillment.

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Primarily known as a dramatist, Chekhov also wrote short stories. This selection of his work includes "The Swedish Match", "Easter Eve", "Mire", "On the Road", "Verotchka", "Volodya", "The Kiss", "Sleepy" and "The Steppe".

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Translated by Constance Garnett, with an Introduction by A. D. P. Briggs. As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writhings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships. At the same time he shows - from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil - that his dramatic skills have lost nothing of their edge. The Karamazov Brothers, completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise. It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.

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Crime and Punishment is the 19th-century psychological thriller by esteemed Russian writer Fyodor Dostoevsky. Now 200 years after his birth, we celebrate this bicentennial with a new introduction by Professor Robin Miller, the perfect lead-in to the celebrated translation by Constance Garnett.

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Translated by Constance Garnett with an Introduction and Notes by Dr Keith Carabine, University of Kent at Canterbury. Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime. The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.

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A man and woman fall in love in a seaside town. The only trouble is, they're both married to other people. A schoolmaster is scandalized by his sweetheart riding a bicycle.A woman falls in love with a series of men, each of whom leave her in different ways. Chekhov's stories capture Russian provincial life in the late nineteenth century while Garnett's translations make these classic works feel as vivid as if they were written yesterday. This exclusive selection by New Yorker writer Janet Malcolm is unmissable for the enthusiast and a brilliant introduction for anyone interested in one of the nineteenth century's greatest writers.

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A young woman struggles to assert herself within a regrettable marriage.A boy learns about life on an epic summer's journey to a new school.A doctor attempts to befriend his most interesting patient.A young man tries to figure out the best way to live.This riverrun edition presents a selection of Chekhov's longer stories - novellas, effectively - in Constance Garnett's timeless translations. These four stories, Ward No.6, The Wife, The Steppe and My Life, tell of characters attempting to create meaning through work, connection with others and art; they deal with misunderstandings and loss; they celebrate brief joys, sudden passions and unsatisfied longings, all underscored by Chekhov's gentle wit and great humanity. This unique collection - selected and introduced by the celebrated Janet Malcolm - is unmissable for the enthusiast and a brilliant introduction to one of the nineteenth century's greatest writers.

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A married woman restlessly seeks a deeper love.An insomniac ponders the meagreness of his life.A man loses the respect of his family because of a counterfeit coin.A duel of wits escalates into a clash of cultures - and more.The Duel and Other Stories is the second in an exclusive three-volume edition of Chekhov's stories. Encompassing the intricacy and range of social connection, these exquisitely crafted stories trace the mutability of our everyday relationships as they stall, separate or entwine. In the strangely lyrical deadpan prose so characteristic of Chekhov's drama, they expose the misplaced affections, broken vows, and brilliant dreams of what it is to be human. This unique collection offers a perfect introduction to one of Russia's - and the world's - greatest writers.

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With an Introduction and Notes by David Rampton, Department of English, University of Ottowa. Notes from Underground and Other Stories is a comprehensive collection of Dostoevsky’s short fiction. Many of these stories, like his great novels, reveal his special sympathy for the solitary and dispossessed, explore the same complex psychological issues and subtly combine rich characterization and philosophical meditations on the (often) dark areas of the human psyche, all conveyed in an idiosyncratic blend of deadly seriousness and wild humour. In Notes from Underground, the Underground Man casually dismantles utilitarianism and celebrates in its stead a perverse but vibrant masochism. A Christmas Tree and a Wedding recounts the successful pursuit of a young girl by a lecherous old man. In Bobok, one Ivan Ivanovitch listens in on corpses gossiping in a cemetery and ends up deploring their depravity. In A Gentle Spirit, the narrator describes his dawning recognition that he is responsible for his wife’s suicide. In short, as a commentator on spiritual stagnation, Dostoevsky has no equal.

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First published in Germany in 1894, after being banned in Russia, The Kingdom of God Is within You reveals Tolstoy’s world outlook after his conversion to Christianity. He argues that the kingdom of God is within reach of all. The core of the book deals with his nonresistance to evil, a principle Tolstoy passionately advocated. Gandhi was won over by the book. Tolstoy clearly describes the hazards that bullying governments and false beliefs produced. “The situation of the Christian part of humanity—with its prisons, forced labor, gallows, saloons, brothels, constantly increasing armaments, and millions of confused people ready like trained hounds to attack anyone against whom their masters set them—this situation would be terrible if it were the product of coercion, but it is above all the product of public opinion.”Abhorring the violence of revolution, Tolstoy calls on Christians to remember that the only guide for their actions is to be found in the divine principle dwelling within them, which in no sense can be checked or governed by anyone or anything else.

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Dostoevsky's disturbing and groundbreaking novella appears in this new annotated edition with an Introduction by Charles Guignon and Kevin Aho. An analogue of Guignon's widely praised Introduction to his 1993 edition of "The Grand Inquisitor," the editors' Introduction places the underground man in the context of European modernity, analyzes his inner dynamics in the light of the history of Russian cultural and intellectual life, and suggests compelling reasons for our own strange affinity for this nameless man who boldly declares, "I was rude and took pleasure in being so.”

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A wounded solider vanishes into notoriety.A nose is found in a loaf of bread.Places - like the Nevesky Prospect - are not what they seem. Nikolai Gogol was one of the nineteenth century's greatest and most influential Russian writers, a realist whose witty and acerbic observations and his taste for the absurd give his writing its strange, comic voice. Selected from the work of Constance Garnett, one of Gogol's earliest translators, this edition presents a new, exclusive collection of Gogol's short fiction, selected and lightly revised by Natasha Randall. Contextualized by Randall's preface, and full of the wit of Garenett's work, this edition is the perfect introduction to Gogol, and a must for the enthusiast.

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Translated by Constance Garnett, with an Introduction and Notes by Agnes Cardinal, Honorary Senior Lecturer in Comparative Literature at the University of Kent. Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

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