Search results for ""Author Claude McKay""

VINTAGE CLASSICS' HARLEM RENAISSANCE SERIES Celebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'Why did I want to mix mahself up in a white folk's war? It ain't ever was any of black folks' affair'When Jake Brown joins the army during the First World War, he is treated more like a slave than a soldier. After deserting his post to escape the racial violence he is facing, Jake travels back home to Harlem. But despite the distance, Jake cannot seem to escape the past and the explosive ways in which it can culminate. Written with brutal accuracy, Home to Harlem is an extraordinary work, and was the first American bestseller by a Black writer. 'One of the most gifted writers of the Harlem Renaissance' Washington Post

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While stowed away on a transatlantic freighter, Lafala is discovered and locked away in an icy-cold closet, resulting in the loss of his frostbitten legs. When his successful lawsuit against the shipping company brings big bucks, Lafala returns to Marseille to resume his affair with Aslima, a Moroccan prostitute. With its scenes of black bodies seeking pleasure and fighting for freedom even when stolen, shipped, and sold for parts, Romance in Marseille explores the heritage of slavery amid a predatory modern economy.

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With sensual, often brutal accuracy, Claude McKay traces the parallel paths of two very different young men struggling to find their way through the suspicion and prejudice of American society. At the same time, this stark but moving story touches on the central themes of the Harlem Renaissance, including the urgent need for unity and identity among blacks.

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Claude McKay (1889–1948) was one of the most prolific and sophisticated African American writers of the early twentieth century. A Jamaican-born author of poetry, short stories, novels, and nonfiction, McKay has often been associated with the “New Negro” or Harlem Renaissance, a movement of African American art, culture, and intellectualism between World War I and the Great Depression. But his relationship to the movement was complex. Literally absent from Harlem during that period, he devoted most of his time to traveling through Europe, Russia, and Africa during the 1920s and 1930s. His active participation in Communist groups and the radical Left also encouraged certain opinions on race and class that strained his relationship to the Harlem Renaissance and its black intelligentsia. In his 1937 autobiography, A Long Way from Home, McKay explains what it means to be a black “rebel sojourner” and presents one of the first unflattering, yet informative, exposés of the Harlem Renaissance. Reprinted here with a critical introduction by Gene Andrew Jarrett, this book will challenge readers to rethink McKay’s articulation of identity, art, race, and politics and situate these topics in terms of his oeuvre and his literary contemporaries between the world wars.

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