Search results for ""Author Claude Calame""

El libro hace un recorrido por las principales representaciones del Eros y prácticas sexuales y amatorias en la Grecia clásica a partir de los poemas y la literatura sobre el tema. Está acompañado de una bibliografía actualizada, un amplio cuerpo de notas y un índice de nombres.

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Philosophers have often reflected on the Ancient Greeks' concepts of time, but an anthropological approach is necessary to understand their practical concept of time as tied to space. The Greeks not only spoke of time unfolding in a specific space, but also projected the past upon the future in order to make it active in the social practice of the present. Hesiod's history of humanity was intended to establish justice in the modern city; Bacchylides sang the celebration of the Athenian hero Theseus in a present-day cultic and ideological framework; the city of Cyrene used the heroic act of its founding to reaffirm its civic identity; and the Greeks embossed poetic texts on leaves of gold to ensure the ritual passage of the dead to a blessed afterlife. Explicating these examples, Poetic and Performative Memory in Ancient Greece shows how the Ancient Greeks' collective memory was based on a remarkable faculty for the creation of ritual and narrative symbols.

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Surely the ancient Greeks would have been baffled to see what we consider their "mythology." Here, Claude Calame mounts a powerful critique of modern-day misconceptions on this front and the lax methodology that has allowed them to prevail. He argues that the Greeks viewed their abundance of narratives not as a single mythology but as an "archaeology." They speculated symbolically on key historical events so that a community of believing citizens could access them efficiently, through ritual means. Central to the book is Calame's rigorous and fruitful analysis of various accounts of the foundation of that most "mythical" of the Greek colonies--Cyrene, in eastern Libya. Calame opens with a magisterial historical survey demonstrating today's misapplication of the terms "myth" and "mythology." Next, he examines the Greeks' symbolic discourse to show that these modern concepts arose much later than commonly believed. Having established this interpretive framework, Calame undertakes a comparative analysis of six accounts of Cyrene's foundation: three by Pindar and one each by Herodotus (in two different versions), Callimachus, and Apollonius of Rhodes. We see how the underlying narrative was shaped in each into a poetically sophisticated, distinctive form by the respective medium, a particular poetical genre, and the specific socio-historical circumstances. Calame concludes by arguing in favor of the Greeks' symbolic approach to the past and by examining the relation of mythos to poetry and music.

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In this groundbreaking work, Claude Calame argues that the songs sung by choruses of young girls in ancient Greek poetry are more than literary texts; rather, they functioned as initiatory rituals in Greek cult practices. Using semiotic and anthropologic theory, Calame reconstructs the religious and social institutions surrounding the songs, demonstrating their function in an aesthetic education that permitted the young girls to achieve the stature of womanhood and to be integrated into the adult civic community. This first English edition includes an updated bibliography.

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In this groundbreaking work, Claude Calame argues that the songs sung by choruses of young girls in ancient Greek poetry are more than literary texts; rather, they functioned as initiatory rituals in Greek cult practices. Using semiotic and anthropologic theory, Calame reconstructs the religious and social institutions surrounding the songs, demonstrating their function in an aesthetic education that permitted the young girls to achieve the stature of womanhood and to be integrated into the adult civic community. This first English edition includes an updated bibliography.

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