Search results for ""Author Clara Calvo""

Essays employing close scrutiny of texts to clarify gender issues in feminist literary criticism. One of the major problems in feminist literary criticism is the tendency to generalise when exploring language and gender. This volume clarifies the issues involved and tests generalisations by specific analysis, and in the process defines a "feminist stylistics" - a fresh, practical approach which will serve as a model for future work in this area. The seven essays in the collection analyse widely varying literary texts, using the framework of linguistic theory to address feminist issues. The texts range from Shakespeare's As You Like It to present-day pop songs, and also cover poetry and contemporary fiction. The feminist critics whose approach is under examination include Cixous, Irigaray, Kristeva, Showalter, Woolf and a number of British feminists; and the linguistic models employed cover discourse analysis, politeness theory, lexicalisation and transitivity. Contributors: Clara Calvo, Lesley Jeffries, Marion Lomax, Sara Mills, Louise Sylvester, Anne Varty, Shan Wareing

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A major new edition of Thomas Kyd's The Spanish Tragedy,an outstanding landmark of Elizabethan drama. In its time, it quickly became a box office success and probably inspired Shakespeare to write Hamlet, as it contains a ghost, murders that demand revenge and a hero that hesitates and contemplates suicide. As a revenge tragedy, it set up the salient features of a dramatic genre that would last decades. Its hero, the aged Marshall of Spain Hieronimo, whose son is murdered at night, soon transcended the play and became the standard stage representation of grief, rhetorical passion and madness. Hieronimo's main antagonist is one of the first Machiavellian characters of English drama. This edition explores the play in relation to its historical context and contemporary Iberian dynastic policy. It also relates the play, as a literary artefact, to other artistic manifestations of the European Renaissance and offers a fresh assessment of the play's stage history. For the first time in the play's textual history, this edition presents an integrated text inviting a reading of the play as it was published both in 1592 and in 1602.

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