Search results for ""Author Claire Messud""

Nora Eldridge has always been a good girl: a good daughter, colleague, friend, employee. She teaches at an elementary school where the children and the parents adore her; but her real passion is her art, which she makes alone, unseen. One day Reza Shahid appears in her classroom: eight years old, a perfect, beautiful boy. Reza's father has a fellowship at Harvard and his mother is a glamorous and successful installation artist. Nora is admitted into their charmed circle, and everything is transformed. Or so she believes. Liberation from her old life is not quite what it seems, and she is about to suffer a betrayal more monstrous than anything she could have imagined.

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*A TIME MAGAZINE MOST ANTICIPATED BOOK OF 2024 **AN OPRAH DAILY MOST ANTICIPATED BOOK OF 2024**AN OBSERVER 2024 PICK**A GUARDIAN 2024 PICK*''An epic family odyssey... ambitious and compelling'' Guardian Book of the DayJune 1940. As Paris falls to the Germans, Gaston Cassar - honorable servant of France, devoted husband and father, currently posted as naval attache in Salonica - bids farewell to his beloved wife, aunt and children, placing his faith in God that they will be reunited after the war. But escaping the violence of that cataclysm is not the same as emerging unscathed. The family will never again be whole.A work of breathtaking historical sweep and vivid psychological intimacy, This Strange Eventful History charts the Cassars'' unfolding story as its members move between Salonica and Algeria, the US, Cuba, Canada, Argentina, Australia and France - their itinerary shaped as much by a search

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Arranged in three parts, Kant's Little Prussian Head and Other Reasons Why I Write opens with Claire's most personal essays - reflections on a childhood divided between cultures, and between dueling models of womanhood. It is here, in these early years, that we see the seeds of Messud's inquiry into the precarious nature of girlhood, the role narrative plays in giving shape to a life and the power of language. As the book progresses, we then see how these questions translate into Messud's rich body of criticism. In sections on literature and visual arts, Claire opens up the 'radical strangeness' of childhood in Kazuo Ishiguro's NEVER LET ME GO; the search for the self in Saul Friedlander; the fragility and danger of girlhood captured by Sally Mann; and the search for justice in Valeria Luiselli's THE LOST CHILDREN ARCHIVE. But it is the idea of the relationship between form and meaning to which this collection returns again and again. It is 'the tension between form and freedom - the paradox that fierce constraint, or restraint, [that] can allow for the greatest liberty'. As she writes, in a time 'in which our ideals appear shattered and abandoned', it is in the return to language and to stories that 'we return to the essentials that make us human. It is to find the past and the present restored, and with them, the possibility of the future'.

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CLASSIC THRILLER BEHIND THE HITCHCOCK FILM AND HIGHSMITH'S FIRST NOVELBy the bestselling author of The Talented Mr Ripley and Carol 'Her books have stylistic texture, psychological depth, mesmeric readability' SUNDAY TIMES 'The original, the best, the gloriously twisted Queen of Suspense' MARK BILLINGHAM 'A gem . . . A magnificent suspense' DAILY MAILThe psychologists would call it folie a deux . . .'Bruno slammed his palms together. "Hey! Cheeses, what an idea! I kill your wife and you kill my father! We meet on a train, see, and nobody knows we know each other! Perfect alibis! Catch?'''Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he'll murder Haines's wife if Haines will murder Bruno's father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith's perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. From this moment, almost against his conscious will, he is trapped in a nightmare of shared guilt and an insidious merging of personalities.

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'An uplifting work: complex, precise and bracing' Susie Boyt, Financial Times'A profound book about the intrication of literature and life, about the modest, miraculous ways art helps us to live' Garth GreenwellIn twenty-nine intimate, brilliant and funny essays, Claire Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk and Valeria Luiselli; examines three facets of Albert Camus and The Stranger; and tours her favorite paintings at Boston's Museum of Fine Arts. Crafting a vivid portrait of a life in celebration of the power of literature, Messud proves once again 'an absolute master storyteller' (Rebecca Carroll, Los Angeles Times).'I can think of few writers capable of such thrilling seriousness expressed with so lavish a gift' Rachel Cusk, Evening Standard

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On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone. "From this new and intimate perspective, she learned a simple, obvious thing she had always known, and everyone knew; that a person is, among all else, a material thing, easily torn, not easily mended.”

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With an introduction by Neel Mukherjee.In Manhattan, just after the century's turn, three thirty-year-old friends, Danielle, Marina and Julius, are seeking their fortunes. But the arrival of Marina's young cousin Bootie - fresh from the provinces and keen, too, to make his mark - forces them to confront their own desires and expectations.The Emperor's Children by Claire Messud is an American classic: a sweeping portrait of one of the most fascinating cities in the world, and a haunting illustration of how the events of a single day can change everything, for ever.

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Readers everywhere were introduced to the work of Irène Némirovsky through the publication of her long-lost masterpiece, Suite Française. But Suite Française was only a coda to the brief yet remarkably prolific career of this nearly forgotten, yet hugely talented novelist, who fled Russia for Paris after the Revolution and died at Auschwitz at the age of 39. Here in one volume are four of Némirovsky's other novels - all of them newly translated by the award-winning Sandra Smith, and all, except David Golder, available in English for the first time. David Golder is the book that established Némirovsky's reputation in France in 1929 when she was twenty-six. It is a novel about greed and loneliness, the story of an ageing Russian Jewish businessman,an exile in France, learning to confront death and the knowledge that wealth has not brought him happiness. The Ball is both a sensitive exploration of adolescenceand a mercilessexposure of bourgeois social pretension. Snow in Autumn is an evocative tale of White Russian emigrés in Paris, while in The Courilof Affair a retired Russian revolutionary recalls an infamous assassinationcommitted in his youth. Introduced by novelist Claire Messud.

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