Search results for ""Author Clément Chéroux""

The coronation of George VI on 12 May 1937 was one of the biggest media events of the interwar period. While other photographers focused on the new King, his family and the ceremonial splendour of the day, Henri Cartier-Bresson turned his lens on the crowds that gathered in the streets of London to watch the pageantry. In a witty reversal of the expected order of proceedings, he shows us ordinary people of all ages and walks of life, some climbing on monuments or each other’s shoulders, others straining to get a better view with cardboard periscopes and mirrors on sticks. A few even slump on the ground, the festivities having proved too much. Presented alongside contemporary news clippings from around the world, these remarkable images reflect Cartier-Bresson’s unmistakeable photographic eye and capture the British public at a unique historical moment.

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Ruth Orkin (1921-1985) was only 17 when she got on her bicycle and began a “bike trip” across the United States in 1939, from Los Angeles to New York. Her crossing and her audacity, quite unusual for the time, aroused the curiosity of people and the local press, which devoted numerous reports to her. On her return, she wrote a manuscript on her adventure which remained published for some time. Her experience was a decisive influence in her life and career. Twelve years later, Ruth became a professional photographer, and produced her most famous image American Girl in Italy (1951) which again returns to the experience of a woman who travels alone. Consisting of photographs, scrapbook pages, excerpts from her diary of the trip, maps and various documents, this book - which accompanies an exhibition at the Fondation Henri Cartier-Bresson - returns to this extraordinary adventure of one of the greatest women photographers of the 20th century.

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Over nearly eight decades, Louis Stettner (1922-2016) defined a singular poetic vision in photography, honing a style influenced by both American street photography and French humanism. Stettner began working in the 1930s, becoming a member of the Photo League in New York and befriending Lisette Model, Paul Strand, and Weegee. After serving in the U.S. Army as a combat photographer, he moved to Paris in 1947, where he met the influential street photographer Brassaï. The following decades were the most important in his career, as he traveled back and forth between Paris and New York and found inspiration in that geographical duality. Published to celebrate a major acquisition of Stettner’s prints by the San Francisco Museum of Modern Art, this beautiful volume presents iconic photographs from the entirety of Stettner’s career, along with 19 essays about photography written by Stettner himself, originally published in the iconic magazine Camera 35 from 1971 to 1979, as well as a transcription of Stettner’s fundamental lecture, “Photography: Style & Reality,” delivered at the International Center of Photography in 2002.

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In this landmark photography publication and accompanying exhibition, Clément Chéroux demonstrates how Magnum Photos owes its pre-eminence to the ability of its photographers to encompass and navigate the points between photography as art object and photography as documentary evidence. A Magnum photograph can be expressive and bear witness at the same time. Magnum Manifesto is organized into three main parts: Part 1 (1947–1968) views the Magnum archive through a humanist lens, focusing on post-war ideals of commonality and utopianism. Part 2 (1969–1989) shows a world fragmenting, with a focus on subcultures, minorities and outsiders. Part 3 (1990–present day) charts the ways in which Magnum photographers have captured – and continue to capture – a world in flux and under threat. Featuring both group and individual projects, the book includes contact sheets, notebooks, magazine spreads and other previously unseen material to accompany the photographs. Complete with extensive texts by Clément Chéroux and photographic historian Clara Bouveresse, Magnum Manifesto is an essential purchase for anyone seeking to understand the very best in photography.

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The perfect primer on acclaimed French artist Sophie Calle. Sophie Calle is a French writer, photographer, installation artist and conceptual artist. Her work is distinguished by its use of arbitrary sets of constraints, and frequently depicts human vulnerability, and examines identity and intimacy. She is renowned for her detective-like ability to follow strangers and investigate their private lives, which she has deployed in her acclaimed works Suite Venitienne, The Hotel and Address Book. She has had major exhibitions all over the world, including at the 2007 Venice Biennale, the Whitechapel Gallery in London, and the Louisiana Museum of Modern Art in Denmark, and has worked closely with the writer Paul Auster. The Guardian called her ‘the Marcel Duchamp of dirty laundry’, and she was among the names in Blake Gopnik's list 'The 10 Most Important Artists of Today', with Gopnik arguing, 'It is the unartiness of Calle's work — its refusal to fit any of the standard pigeonholes, or over anyone's sofa — that makes it deserve space in museums.'

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Henri Cartier-Bresson’s photography came to define the 20th century. This book tells his life story through his images: all the major events from his youth to his death in 2004 are described, contextualized and analysed in the light of his photographic work. From his early encounters with the Surrealists, his film work and his experiences in the SecondWorldWar, to the development of his own personal aesthetic, the concept of the ‘decisive moment’, and the foundation of Magnum Photos, his influence on the world has been profound and unforgettable.

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