Search results for ""Author Christopher Joll""

Over the last seven hundred years the United Kingdom has acquired a staggering array of treasures as a direct result of its military activities – from Joan of Arc’s ring to the Rock of Gibraltar to Hitler’s desk. Spoils of War describes these spoils and how they came to be acquired as well as telling the tales of some of the extraordinary (and extraordinarily incompetent) men and women, now mostly forgotten, who had a hand in the rise and fall of the British Empire. Along the way the book debunks a significant number of myths, exposes a major fraud perpetrated on a leading London museum, reveals previously unknown spoils of war and casts light on some very dark corners of Britain’s military history.

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On the evening of 18th March 1925, a devastating fire ripped through the Marylebone premises of Madame Tussaud’s. By the time the fire was extinguished the following morning, little was left of the world-famous waxworks beyond a few grotesquely distorted models and a pile of scrap iron, which was the remnants of one of Napoléon’s carriages. Those who now visit the waxworks probably assume that what was lost in 1925 was no very different to the present displays. However, the catalogues pre-dating the fire tell a very different story, for there was so much more to Madame Tussaud & Sons’ Exhibition than wax representations of the famous and the notorious. The fact is that the French model maker, and the three generations of her family who managed the business after her, were avid collectors of works of art, memorabilia and trivia relating to their displays: Madame Tussaud’s was, in fact, more of a cabinet of historical curiosities than a wax works. This is evidenced by the lost collection, which ranged from the bloodstained shirt of King Henri IV, worn when he was assassinated in 1610, to the blade of the original guillotine, via a large collection of 18th and 19th century pictures and sculptures by many of the leading artists of their day, furniture, clothing, and a priceless collection of Napoléonica from the Emperor’s tooth to three of his own carriages. Using contemporary accounts, the pre-fire catalogues, insurance inventories, and with unique access to the Madame Tussauds archives, Christopher Joll’s and Penny Cobham’s new illustrated book describes in chronological order the extraordinary items that were lost in 1925, set in the context of Madame Tussaud’s own story and the historical events surrounding the items in the lost collection – and, along the way, uncovers many fakes and forgeries, as well as a wealth of irreplaceable and priceless historical treasures.

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To give political legitimacy to his Empire, in just fifteen years Emperor Napoléon I created an enduring image of Napoléonic France as the contemporary equivalent of Imperial Rome. He did this by the deft use of iconography and what today would be called ‘branding’, which he applied to every aspect of his family, the government, the military, the monuments to his achievements, his palaces and their furnishings. The tangible remains of this grand, imperial ‘theatre’ has excited royal and other collectors ever since. The Imperial Impresario take a wholly new look at Napoléon and the First Empire by interpreting the era in theatrical terms: the players, the sets, the props, the costumes, the tours and the script, much of which has survived. The fully illustrated book includes a wide range of Napoléonica in royal, national, regimental and private collections, as well as lost treasures such as the Emperor’s campaign carriage, captured in the immediate aftermath of Waterloo and destroyed in a fire at Madame Tussaud’s in 1925. For readers coming to the subject for the first time, The Imperial Impresario is a fascinating and informative introduction to the Napoléonic era; for those already steeped in the period, it is an invaluable companion to existing books about Napoléon and his Empire.

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In this highly entertaining and informative book, Christopher Joll and Anthony Weldon have captured the careers, accomplishments, follies and the occasional crimes of over three hundred of the officers and men who have served in the seven Regiments (two Household Cavalry and five Foot Guards) of the sovereign's personal troops. The pages of The DRUM HORSE IN THE FOUNTAIN will reveal a whole parade of remarkable and unusual characters... In the world of the arts - theatre, film, music, and writing - and sport there are many notable, and some surprising, Guardsmen including * two Oscar winning film stars - one of whom was drunkenly responsible for dispatching a Drum Horse into "The Fountain" in front of Buckingham Palace. And some of the most eccentric men ever to have been let loose on the public including * The irresponsible officer in charge of the Tower of London guard who had to break back into the Tower by climbing the mast of a barge on the Thames and then onto Traitor's Gate; * The VC who rallied his troops with a hunting horn; * The officer who dressed as a nun to entertain the Duke of Wellington; * The unfortunate officer who Queen Victoria thought was addressing her when he was actually trying to admonish his unruly horse - she was not amused; * Traitors, conmen, bigamists, a purveyor of `honours for cash' and three accused of murder - as well as at least five murder victims, one of whom died in a Chicago bootleggers' shoot-out. On military service the officers and men of the Household Division have * earned forty-four Victoria Crosses; * been founding members of SOE, SAS, Commandos, operated behind enemy lines and pioneered military parachuting; * acted as spies, double agents and spy masters; * been supported through the fiercest fighting of WW2 by a remarkably loayl tea-lady in her NAAFI wagon. As well as Prime Ministers and politicians, churchmen also feature prominently with * a Cardinal who, had he lived, might have been Pope; an Archbishop of Canterbury, known as `Killer', with an MC (as well as four padres awarded MCs), a bishop, two monks, three Lord Priors of the Order of St John, and two Grand Masters of the Sovereign Military Order of Malta (who rank as Cardinals). Were this not enough, amongst actual, as well as aspiring, royalty and their progeny - legitimate and otherwise, there was * the aristocratic candidate for the throne of Albania (who, although almost blind, fought as a regimental officer in WW1 without actually enlisting). ...and, not to be forgotten, are * one regimental wolfhound in the 1930s which dispatched the Italian Ambassador's greyhound, three bears (one stuffed), two WW1 milking cows who took part in the 1919 Victory Parade, one monkey with the rank of Corporal of Horse and a very alert goose called Jacob.

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