Search results for ""Author Christopher Collard""
Franz Steiner Verlag Wiesbaden GmbH Colloquial Expressions in Greek Tragedy: Revised and Enlarged Edition of P.T. Stevens's 'Colloquial Expressions in Euripides'
£83.01
Oxford University Press Oresteia
Agamemnon *Libation Bearers *Eumenides Aeschylus' Oresteia is the only trilogy to survive from Greek tragedy, and the religious and moral ideas it enacts afterwards influenced a great dramatic genre, as well as giving its three plays their lasting significance. In this family history, Fate and the gods decree that each generation will repeat the crimes and endure the suffering of their forebears. When Agamemnon is murdered by his wife, Clytemnestra, their son Orestes must avenge his father's death. Only Orestes' appeal to the goddess Athena saves him from his mother's Furies, breaking the bloody chain; together gods and humans inaugurate a way of just conduct that will ensure stable families and a strong community. The Oresteia is majestic as theatre and as literature, and this new translation seeks to preserve both these qualities. The introduction and notes emphasize the interconnection of scenes, ideas, and language that distinguishes this unique work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
£8.42
Harvard University Press Fragments: Aegeus-Meleager
Eighteen of the ninety or so plays composed by Euripides between 455 and 406 bce survive in a complete form and are included in the preceding six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.This edition, in a projected two volumes, offers the first complete English translation of the fragments together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.
£24.95
Liverpool University Press Augustine: The City of God Books XV and XVI
The volume continues P. G. Walsh's admired translation with commentary of Augustine's The City of God Books I-XIV which have been published in eight earlier volumes between 2003 and 2016, and this ninth volume in the collection looks at books XV and XVI. After completing the first ten books of De Civitate Dei, in which Augustine sought to refute the claim that pagan deities had ensured that Rome enjoyed unbroken success and prosperity in this life and guaranteed its citizens a blessed life after death, Augustine devoted the remaining twelve books to discuss the origins, development and destiny of the two cities of Babylon and Jerusalem, with the predominant emphasis on the city of God. This is the only edition of these books in English which provides not only a text but also a detailed commentary on one of the most influential documents in the history of western Christianity. Latin text with facing-page English translation, introduction and commentary.
£32.99
Harvard University Press Fragments: Oedipus-Chrysippus. Other Fragments
Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BCE survive in a complete form and are included in the first six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians.This edition of the fragments, concluded in this second volume, offers the first complete English translation together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.
£22.95
Liverpool University Press Euripides: Selected Fragmentary Plays I
The fragmentary plays of Euripides are a body of texts still regularly increasing in number and extent. They are of very great interest in themselves, apart from the significant aid they give to the fuller appreciation of the surviving complete plays. This two-volume edition brings together for the first time for English readers the more substantial and important of the plays, about fifteen in all. Each play is introduced by a summary bibliography and an appreciative essay which analyses the mythic background and plot: reconstructs the play as far as the fragmentary text and secondary evidence allow; and discusses themes, characterisation, staging, date, reflections of the story in art and other dramatisations. For each play the fragmentary texts are presented as conveniently and succinctly as possible, together with a brief critical apparatus of sources and readings. An English translation stands on the facing page. The text and translation of each play are followed by a short, primarily interpretative commentary. Text with facing translation, commentary and notes.
£25.29
Liverpool University Press Euripides: Cyclops and Major Fragments of Greek Satyric Drama
Satyric is the most thinly attested genre of Greek drama, but it appears to have been the oldest and according to Aristotle formative for tragedy. By the 5th Century BC at Athens it shared most of its compositional elements with tragedy, to which it became an adjunct; for at the annual great dramatic festivals, it was performed only together with, and after, the three tragedies which each poet was required to present in competition. It was in contrast with them, aesthetically and emotionally, its plays being considerably shorter and simpler; coarse and half-way to comedy, it burlesqued heroic and tragic myth, frequently that just dramatised and performed in the tragedies. Euripides'Cyclops is the only satyr-play which survives complete. It is generally held to be the poet's late work, but its companion tragedies are not identifiable. Its title alone signals its content, Odysseus' escape from the one-eyed, man-eating monster, familiar from Book 9 of Homer's Odyssey. Because of its uniqueness, Cyclops could afford only a limited idea of satyric drama's range, which the many but brief quotations from other authors and plays barely coloured. Our knowledge and appreciation of the genre have been greatly enlarged, however, by recovery since the early 20th Century of considerable fragments of Aeschylus, Euripides' predecessor, and of Sophocles, his contemporary - but not, so far, of Euripides himself. This volume provides English readers for the first time with all the most important texts of satyric drama, with facing-page translation, substantial introduction and detailed commentary. It includes not only the major papyri, but very many shorter fragments of importance, both on papyrus and in quotation, from the 5th to the 3rd Centuries; there are also one or two texts whose interest lies in their problematic ascription to the genre at all. The intention is to illustrate it as fully as practicable.
£25.29
Liverpool University Press Augustine: The City of God Books XV and XVI
The volume continues P. G. Walsh's admired translation with commentary of Augustine's The City of God Books I-XIV which have been published in eight earlier volumes between 2003 and 2016, and this ninth volume in the collection looks at books XV and XVI. After completing the first ten books of De Civitate Dei, in which Augustine sought to refute the claim that pagan deities had ensured that Rome enjoyed unbroken success and prosperity in this life and guaranteed its citizens a blessed life after death, Augustine devoted the remaining twelve books to discuss the origins, development and destiny of the two cities of Babylon and Jerusalem, with the predominant emphasis on the city of God. This is the only edition of these books in English which provides not only a text but also a detailed commentary on one of the most influential documents in the history of western Christianity. Latin text with facing-page English translation, introduction and commentary.
£109.50
