Search results for ""Author Christine"

With a stunning new cover look, King's bestselling supernatural tale about a boy, his girlfriend and a possessed '58 Plymouth Fury called Christine.This is the story of a lover's triangle . . . It was bad from the start. And it got worse in a hurry.Christine is eating into his mind, burrowing into his unconscious.Christine, blood-red, fat, and finned, is twenty. Her promise lies all in her past. Greedy and big, she is Arnie's obsession, a '58 Plymouth Fury. Broken down but not finished.There is still power in her - a frightening power that leaks like sump oil, staining and corrupting. A malign power that corrodes the mind and turns ownership into Possession.

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Christine Granville, G.M., O.B.E. and Croix de Guerre, one of the most successful women agents of the Second World War and said to have been Churchill's 'favourite spy', was murdered, aged 37, in a London Hotel in 1952. Her actions as a British secret agent in Poland, Hungary and France were legendary even in her lifetime and she repeatedly risked her life to undertake dangerous missions. Her exploits began after the fall of Poland when she became a British agent; organising the escape of British prisoners-of-war, Polish pilots and refugees and returning to Poland, her homeland, to set up escape routes and report on German troop movements. Her capture by the Gestapo led to a dramatic escape from Budapest in the boot of a car followed by travels through Turkey and Syria to Cairo. Christine is an inspiring and unforgettable true story.

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Introducing Quirke: a pathologist uncovering darkness in 1950s Dublin. Christine Falls is the first in the enthralling literary crime series from John Banville, writing as Benjamin Black. Now major TV series: Quirke, starring Gabriel Byrne and Michael Gambon.‘His control and pacing cannot be faulted, and the final outcome is almost unbearably moving’ – Michael Dibdin, GuardianQuirke’s pathology department, set deep beneath the city, is his own gloomy realm: always quiet, always night, and always under his control. Until, late one evening, he stumbles across a body that should not be there – and his brother-in-law falsifying the corpse’s cause of death.This is the first time Quirke has encountered Christine Falls, but the investigation he opens into her life and death uncovers a dark secret at the heart of Dublin’s high Catholic network. A secret with the power to shake his own family and everything he holds dear.‘Succeeds sensationally . . . An absorbing plot, beguiling characters and evocative settings’ – Marcel Berlins, The Times‘A gripping, beautifully crafted thriller . . . A one sitting-read, an all-night enticement’ – ScotsmanContinue the spellbinding crime series with The Silver Swan.

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A magnificent volume and a journey through time: This is Christine Turnauer's black and white photo series from 1986, first published in book form. North American indigenous peoples travel thousands of miles to participate in traditional dance contests called powwows. Christine Turnauer visited them from northern Alberta to southern Montana with her mobile studio tent. The result was very authentic and extraordinary portraits. The dancers were completely themselves and when they wear their traditional costumes, it becomes a spontaneous expression of pride and inner freedom. It seems as if they have a connection to their ancestors. What at first glance may seem like the black-and-white photographs of an Edward S. Curtis and other classics of Indian portrait photography of the late 19th and early 20th centuries, is experiencing a new perspective with Turnauer. For the poses are not posed by the photographer, but arise from the active participation of those photographed.

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Sculpture as states of matter: Christine Corday's ingenious adaptations of natural processes This monograph covers the past 20 years of New York-based artist Christine Corday's (born 1970) practice. Corday combines her interests in the sciences and fine arts to paint, sculpt, draw and design. Her artistic approach consists of manipulation of matter into different states, producing massive sculptures that viewers are meant to experience through touch, leaving memories on the surface of her work. Her most recent work includes the “Sans Titre”/ITER project, which includes Corday’s sculptures within the world’s first star built on earth; the Protoist Series, a group of metal alloy sculptures designed to change and rust with human interaction (the first was displayed under the High Line in New York City and subject of a solo exhibition at Los Angeles County Museum of Art); the black iron oxide color selected to cover the National September 11 Memorial; abstract charcoal drawings; and abstract synthetic polymer and pigment paintings. The term “protoist,” coined by the artist, is meant to describe forms in and out of a solid state.

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Christine Rebet is fascinated by sleight of hand and optical illusions, the principal forms of entertainment before the invention of motion pictures. She combines history and fiction by creating fantasy universes that play with her viewers’ unconscious by means of deceptive measures, still employed in contemporary politics and the media. Drawing is at the heart of her artistic process and is closely linked to language and mime, as well as to sound and music. Christine Rebet uses animation, a hybrid medium in which the repetition of a drawing gives the illusion of movement, creating what she calls her ‘paper cinema’. Text in English and French.

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A monumental installation from the American artist known for her fusion of art and science This book accompanies New York–based artist Christine Corday's (born 1970) site-specific installation at CAM St. Louis. Corday's 12 monumental sculptures—made from 10,000 pounds of compressed elemental metal—are arranged throughout the gallery in constellations, exhibited alongside a painting series.

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We all know the fairy-tale. An everyday girl meets her Prince Charming, they get married, have children and ride off into the sunset. Sadly, this isn't always the case and Christine McGuinness is keen to change the stereotype that marriage, fame and fortune brings an easy and blissful life... This is Christine's first book, where she tells the world her life story for the very first time. As well as outlining the difficulties and joys of being a mother to three autistic children, the autobiography delves into her anorexia battle, fertility troubles, her marriage, modelling career and tough childhood, subjects which are sensitive and many of which she hasn't spoken about before. She is a mum of three to eight-year-old twins Leo and Penelope and four-year-old Felicity, all of whom have been diagnosed with autism. In this frank and candid read, Christine reveals the struggles she's overcome in her life and still battles with today, but at the heart of it, she's on a mission to learn more about autism and to educate others and change the stigma around the condition. Christine wants to campaign to improve rights for those with invisible disabilities. She wants her children to be able to get a job, have relationships and live independent lives. Alongside writing her book, Christine and her husband Paddy are filming a BBC documentary about autism. It will air this Autumn. In the book, Christine will give readers a detailed insight into what being a full-time mum with three autistic children is like.

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The first professional female writer, Christine de Pizan (1363-1431) was widowed at age twenty-five and supported herself and her family by enlisting powerful patrons for her poetry. Her Livre de la Cité des Dames (1405) is the earliest European work on women's history by a woman. An allegorical poem that revises masculine traditions, it asserts and defends the authority of women in general and of its author in particular. In this generously illustrated book, Maureen Quilligan provides a persuasive and penetrating interpretation of the Cité.

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Christine Brennan, the USA Today sports columnist, author, and commentator, uses her voice to advocate for diversity and equality in the world of sports, and her wisdom to encourage future journalists. Her passion for sports was sparked by her dad, who encouraged her to participate in athletics and, as he said, “smell the game”—go watch baseball and football games together. As a child, Christine wrote daily entries in her diary and listened to play-by-play coverage on her radio. She pursued this love of words through journalism school and applied her passion for sports by reporting on them for various newspapers. Since then, she has portrayed the setbacks and triumphs of athletes, all the while fighting her own battles for success—and respect—as a female journalist. From knocking down barriers in NFL locker rooms to covering every Olympics since 1984 to being the go-to commentator whenever scandal occurs in the sports world, Christine Brennan has done it all. Eye to Eye invites young readers to learn more about this remarkable journalist and perhaps to nurture their own dreams of investigating and telling important stories.

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Christine Brennan, the USA Today sports columnist, author, and commentator, uses her voice to advocate for diversity and equality in the world of sports, and her wisdom to encourage future journalists. Her passion for sports was sparked by her dad, who encouraged her to participate in athletics and, as he said, “smell the game”—go watch baseball and football games together. As a child, Christine wrote daily entries in her diary and listened to play-by-play coverage on her radio. She pursued this love of words through journalism school and applied her passion for sports by reporting on them for various newspapers. Since then, she has portrayed the setbacks and triumphs of athletes, all the while fighting her own battles for success—and respect—as a female journalist. From knocking down barriers in NFL locker rooms to covering every Olympics since 1984 to being the go-to commentator whenever scandal occurs in the sports world, Christine Brennan has done it all. Eye to Eye invites young readers to learn more about this remarkable journalist and perhaps to nurture their own dreams of investigating and telling important stories.

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When Laura Curtis Bullard wrote the novel Christine in 1856, she created one of antebellum America’s most radical heroines: a woman’s rights leader. Addressing the major social, political, and cultural issues surrounding women from within an unusually overt feminist framework for its time, Christine openly challenges a social and legal system that denies women full and equal rights. Christine defies her family, rejects marriage, and leaves a job as a teacher to embark on her career, rewriting the script for a successful nineteenth-century heroine. Along the way, she recreates domesticity on her own terms, helping other young women gain economic independence so that they, too, have the autonomy to make their own choices in love and life. One of the triumphs of the novel is the author’s ability to create a sympathetic heroine and a fast-paced plot that intertwines vivid scenes of suicide, destitution, and an insane asylum with theoretical and political discussions—so skillfully that the novel successfully appealed to otherwise hesitant middle-class readers.

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In Christine de Pizan and the Fight for France, Tracy Adams offers a reevaluation of Christine de Pizan’s literary engagement with contemporary politics. Adams locates Christine’s works within a detailed narrative of the complex history of the dispute between the Burgundians and the Armagnacs, the two largest political factions in fifteenth-century France. Contrary to what many scholars have long believed, Christine consistently supported the Armagnac faction throughout her literary career and maintained strong ties to Louis of Orleans and Isabeau of Bavaria. By focusing on the historical context of the Armagnac-Burgundian feud at different moments and offering close readings of Christine’s poetry and prose, Adams shows the ways in which the writer was closely engaged with and influenced the volatile politics of her time.

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In her own words, the life of the beautiful young model and dancer who helped to bring down the Tory government of Harold Macmillan - the 'Profumo Affair' remains the greatest political sex scandal in recent British history.Following Christine Keeler's death in December 2017, it is now possible to update her book to include revelations that she did not wish to be published in her lifetime. The result is a revised and updated book containing material that has never been officially released, which really does lift the lid on just how far the Establishment will go to protect its own.Published to coincide with the BBC's major new six-part TV drama series, The Trial of Christine Keeler, starring Sophie Cookson as Keeler and James Norton as Stephen Ward

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The first popular biography of a pioneering feminist thinker and writer of medieval Paris. The daughter of a court intellectual, Christine de Pizan dwelled within the cultural heart of late-medieval Paris. In the face of personal tragedy, she learned the tools of the book trade, writing more than forty works that included poetry, historical and political treatises, and defenses of women. In this new biography-the first written for a general audience-Charlotte Cooper-Davis discusses the life and work of this pioneering female thinker and writer. She shows how Christine de Pizan's inspiration came from the world around her, situates her as an entrepreneur within the context of her times and place, and finally examines her influence on the most avant-garde of feminist artists, through whom she is slowly making a return into mainstream popular culture.

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Christine de Pizan, one of the earliest known women authors, wrote the Livre de paix (Book of Peace) between 1412 and 1414, a period of severe corruption and civil unrest in her native France. The book offered Pizan a platform from which to expound her views on contemporary politics and to put forth a strict moral code to which she believed all governments should aspire. The text’s intended recipient was the dauphin, Louis of Guyenne; Christine felt that Louis had the political and social influence to fill a void left by years of incompetent leadership. Drawing in equal parts from the Bible and from classical ethical theory, the Livre de paix was revolutionary in its timing, viewpoint, and content. This volume, edited by Karen Green, Constant J. Mews, and Janice Pinder, boasts the first full English translation of Pizan’s work along with the original French text. The editors also place the Livre de paix in historical context, provide a brief biography of Pizan, and offer insight into the translation process.

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This title was first published in 2002: Christine de Pizan held no political office and her work was not influencial on any political theorist living today. However, in the disciplines of women's studies and French literature she has inspired intellectual debate, so much that the two sides of the debate are referred to as Christinophiles and Christinoclasts. This book persents the political paradoxes of Christine de Pizan. She was a woman in a man's world, an Italian at a French court, and the daughter of a civil servant in a world structured by social class. Her corpus of political works include five works designed to educate the male ruling class, two works expressly princesses and a treatise on warfare. The goal of this book is to outline the political theory of Christine de Pizan and situate her ideas within the history of political ideas in general.

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This Norton Critical Edition presents selections from eighteen of Christine’s major works in fresh, contemporary translations. Each text is fully annotated and is accompanied by an introduction placing it in the context of Christine’s oeuvre and tracing the literary developments and the historical situation of the period. The Book of Fortune’s Transformation and The Book of the City of Ladies include manuscript illuminations. "Criticism" collects seven important interpretations of the literary and historical aspects of Christine’s work, by Jacqueline Cerquiglini, Beatrice Gottlieb, Renate Blumenfeld-Kosinski, Sheila Delany, Patricia A. Phillippy, Joel Blanchard, and Kevin Brownlee. A Selected Bibliography is included.

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It is unexpected in any era to find a woman writing a book on the art of warfare, but in the fifteenth century it was unbelievable. Not surprisingly, therefore, Christine de Pizan's The Book of Deeds of Arms and of Chivalry, written around 1410, has often been regarded with disdain. Many have assumed that Christine was simply copying or pilfering earlier military manuals. But, as Sumner Willard and Charity Cannon Willard show in this faithful English translation, The Book of Deeds of Arms and of Chivalry contains much that is original to Christine. As a military manual it tells us a great deal about the strategy, tactics, and technology of medieval warfare and is one of our most important sources for early gunpowder weapon technology. It also includes a fascinating discussion of Just War.Since the end of the fifteenth century, The Book of Deeds of Arms and of Chivalry has been available primarily through Antoine Vérard's imprint of 1488 or William Caxton's 1489 translation, The Book of the Order of Chivalry. Vérard even suggested that the work was his own translation of the Roman writer Vegetius, making no mention of Christine 's name. Caxton attributed the work to Christine, but it is impossible to identify the manuscript he used for his translation. Moreoever, both translations are inaccurate. The Willards correct these inaccuracies in a clear and easy-to-read translation, which they supplement with notes and an introduction that will greatly benefit students, scholars, and enthusiasts alike. Publication of this work should change our perception both of medieval warfare and of Christine de Pizan.

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Christine Ljubanovic’s portrait photographs of famous artists, curators, critics and writers lie between classic portraits and experience reports. Developed as a complete contact sheet, they are living reports of the artists’ encounters and also include the environment of the subject of the portrait. The publication shows for the first time an overview of conversation portraits by Christine Ljubanovic which have been created over the past forty years. During this time she met, amongst others, Thomas Hirschhorn, Gisèle Freund, Yoko Ono, Peter Weibel, Arnulf Rainer, Hans-Ulrich Obrist, Alfred Pacquement and Raoul Schrott, who has also contributed a poem to the volume. With the selection of 60 portraits she has thus produced a comprehensive picture of today’s artistic and cultural scene. In each case the artist and the subject of the portrait chose the meeting place together, so that it provides the framework for the photographic conversation.

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Showcasing one of the Caribbean's most original and innovative poets, this anthology exemplifies sharp observation, disarming honesty about the human heart's complexities, and a most sophisticated sense of landscape and space. These are poems about Jamaica, venturing far beyond references that create local color to express an often troubled and uncertain love for the island and how its creative power spreads to those beyond its shores. Offering a compelling immersion into what can best be described as Caribbean metaphysical poetics, this collection contains an indigenous secular spirituality that obscures the divide between the spiritual and the sensual.Christine Craig is a former tutor at the University of the West Indies, an adjunct professor at Barry University and the former Miami editor of the Jamaica Gleaner. She is the author of Bird Gang, Emanuel and His Parrot, Emanuel Goes to Market, and Mint Tea and Other Stories. She lives in Fort Lauderdale, FloridaChristine Craig is a well known Jamaican short story writer and poet who also writes children's fiction. She was born in Kingston, Jamaica and spent much of her early years in rural St. Elizabeth, Jamaica.

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Le volume se compose de quatre parties: approches théoriques et méthodologiques; pluralité linguistique et pratiques langagières; enjeux glottopolitiques de l’éducation bi-/plurilingue; approches didactiques du bi-/plurilinguisme.

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Essays on the connections between politics and society in the middle ages, showing their interdependence. Christine Carpenter's influential work on late-medieval English society aspires to encompass a wide spectrum of human experience. Her vision of "total" history embeds the study of politics in a multi-dimensional social frameworkwhich ranges from mentalities and ideology to economy and geography. This collection of essays celebrates Professor Carpenter's achievement by drawing attention to the social underpinning of political culture; the articles reflectthe range of her interests, chronologically from the thirteenth century to the sixteenth, and thematically from ideology and culture, through government and its officials, the nobility, gentry and yeomanry, the law and the church, to local society. The connection between centre and locality pervades the volume, as does the interplay of the ideological and cultural with the practical and material. The essays highlight both how ideas were moulded in political debate and action, and how their roots sprang from social pressures and interests. It also emphasises the wider cultural aspects of topics too-easily conceived as local and material. BENJAMIN THOMPSON is Fellow and Tutor in History at Somerville College, Oxford; JOHN WATTS is Professor of Later Medieval History at the University of Oxford and Fellow and Tutor of Corpus Christi College, Oxford. Contributors: Jackson Armstrong, Caroline Burt, Tony Moore, Richard Partington, Ted Powell, Andrea Ruddick, Andrew Spencer, Benjamin Thompson, John Watts, Theron Westervelt, Jenny Wormald.

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‘Our childhood came to an end when our parents parted and from then on Jennifer was placed in the impossible position of having to be a parent to me, her sister. I shall always be grateful for her protection . . .’Millions have fallen in love with Jennifer Worth and her experiences in the East End as chronicled in Call the Midwife, but little is known about her life outside this period. Now, in this moving and evocative memoir, Jennifer’s sister Christine takes us from their early idyllic years to the cruelty and neglect they suffered after their parents divorced, from Jennifer being forced to leave home at fourteen to their training as nurses.After leaving nursing Jennifer took up a career in music, her first love, and Christine became a sculptor, but through marriages and children, joy and heartbreak, their lives remained intertwined. Absorbing and emotional, The Midwife’s Sister by Christine Lee is testimony to an enduring bond between two extraordinary women.

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Christine Ödlund’s (*1963) first monograph is composed as a coherent whole, with each part interacting and resonating with the next. Paying particular attention to the proper way of interacting with the multiple forms of intelligence surrounding us, Ödlund finds an inexhaustible source of inspiration in the concept of Deep Listening which states that listening implies becoming aware of oneself as part of a universal whole. The works are the result of the artist transposing sound into form and image, notably through the use of plant pigments. By contemplating the botanical motifs and the soft colours of these works on paper, we might be able to approach the plant kingdom not only with fresh eyes but possibly also with fresh ears.

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One of the most popular mirrors for princes, Christine de Pizan's Epistre Othea (Letter of Othea) circulated widely in England. Speaking through Othea, the goddess of wisdom and prudence, in the guise of instructing Hector of Troy, Christine advises rulers, defends women against misogyny, and articulates complex philosophical and theological ideals. This volume brings together for the first time the two late medieval English translations, Stephen Scrope's precise translation The Epistle of Othea and the anonymous Litel Bibell of Knyghthod, once criticized as a flawed translation. With substantial introductions and comprehensive explanatory notes that attend to literary and manuscript traditions, this volume contributes to the reassessment of how each English translator grappled with adapting a French woman's text to English social, political, and literary contexts. These new editions encourage a fresh look at how Christine's ideas fit into and influenced the English literary tradition.

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