Search results for ""Author Chris Hedges""

Featuring works by Francisco Goya, Sergei Eisenstein and Robert Longo, Proof offers insight into the singularity of vision through which artists can reflect the social, cultural and political complexities of their times. Spanning eras and continents, each of these artists witnessed the turbulent transition from one century to another, experiencing the seismic impacts of revolution, civil rights movements and war. While Goya served church and king, Eisenstein the state, and Longo emerged during the rise of the contemporary art market--the dominant benefactors of each period--they all rose to prominence through developing nuanced practices that challenged expectations. With commissioned essays by journalist, activist and author Chris Hedges, artist Vadim Zakharov and Garage Chief Curator Kate Fowle, plus an interview with Longo, this book is published to accompany the exhibition of the same name.

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Acclaimed journalist and Pulitzer Prize winner Chris Hedges is one of the great moral voices of our age. He has the rare combination of decades of experience reporting from conflict zones in Central America, the Middle East, Africa, and the Balkans, and the erudition one would expect from a student of Christian ethics and the classics at Harvard University. He prizes the truth over news and facts. And in the pursuit of truth he has risked his career even his life. I never sought to be objective," he writes. How can you be objective about death squads in El Salvador, massacres in Iraq, or Serbian sniper fire that gunned down unarmed civilians including children in Sarajevo? How can you be neutral about the masters and profiteers of war who lie and dissemble to hide the crimes they commit and the profits they make? How can you be objective about human pain? And finally, how can you be objective about those who are responsible for this suffering?" The World As It Is is a collection of Hedges essays originally published by Truthdig, the Webby award-winning progressive news website. Hedges lyrically and fearlessly dissects the most controversial issues of the day: America's wars of self-destruction in Iraq and Afghanistan, the decay of American empire (at home and abroad), Israel's ghettoization of Palestinians in the West Bank and Gaza, and the failure of American liberalism. His essays draw on his extraordinary experiences as a journalist but also his conviction that the centres of power in America have been seized and hijacked by corporations, something the American media pays deference to. Because the press is not concerned with distinguishing truth from news, because it lacks a moral compass, it has become nothing more than courtiers to the elite, shameless hedonists of power and absurd court propagandists."Chris Hedges insists that unless we begin to stand fast around moral imperatives, ones we cannot abandon and must be willing to fight the formal systems of power to advance, we will be complicit in our self-annihilation.

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We now live in two Americas. One,now the minority,functions in a print-based, literate world that can cope with complexity and can separate illusion from truth. The other,the majority,is retreating from a reality-based world into one of false certainty and magic. To this majority,which crosses social class lines, though the poor are overwhelmingly affected,presidential debate and political rhetoric is pitched at a sixth-grade reading level. In this other America," serious film and theatre, as well as newspapers and books, are being pushed to the margins of society. In the tradition of Christopher Lasch's The Culture of Narcissism and Neil Postman's Amusing Ourselves to Death , Pulitzer Prize-winner Chris Hedges navigates this culture,attending WWF contests, the Adult Video News Awards in Las Vegas, and Ivy League graduation ceremonies,to expose an age of terrifying decline and heightened self-delusion.

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As a veteran war correspondent, Chris Hedges has survived ambushes in Central America, imprisonment in Sudan, and a beating by Saudi military police. He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies,corrupting politics, destroying culture, and perverting basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force that Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.

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Named a Best Book of the Year by Amazon.com and the Washington Post Three years ago, Pulitzer Prize-winner Chris Hedges and award-winning cartoonist and journalist Joe Sacco set out to take a look at the sacrifice zones, those areas in America that have been offered up for exploitation in the name of profit, progress, and technological advancement. They wanted to show in words and drawings what life looks like in places where the marketplace rules without constraints, where human beings and the natural world are used and then discarded to maximize profit. Days of Destruction, Days of Revolt is the searing account of their travels.

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Doctors at War is a candid account of a trauma surgical team based, for a tour of duty, at a field hospital in Helmand, Afghanistan. Mark de Rond tells of the highs and lows of surgical life in hard-hitting detail, bringing to life a morally ambiguous world in which good people face impossible choices and in which routines designed to normalize experience have the unintended effect of highlighting war's absurdity. With stories that are at once comical and tragic, de Rond captures the surreal experience of being a doctor at war. He lifts the cover on a world rarely ever seen, let alone written about, and provides a poignant counterpoint to the archetypical, adrenaline-packed, macho tale of what it is like to go to war.Here the crude and visceral coexist with the tender and affectionate. The author tells of well-meaning soldiers at hospital reception, there to deliver a pair of legs in the belief that these can be reattached to their comrade, now in mid-surgery; of midsummer Christmas parties and pancake breakfasts and late-night sauna sessions; of interpersonal rivalries and banter; of caring too little or too much; of tenderness and compassion fatigue; of hell and redemption; of heroism and of playing God. While many good firsthand accounts of war by frontline soldiers exist, this is one of the first books ever to bring to life the experience of the surgical teams tasked with mending what war destroys.

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"A highly relevant, inclusive collection of voices from the roots of resistance. . . . Empowering words to challenge, confront, and defy."--Kirkus Reviews"This book fights fascism. This books offers hope. We The Resistance is essential reading for those who wish to understand how popular movements built around nonviolence have changed the world and why they retain the power to do so again."—Jonathan Eig, author of Ali: A Life "This comprehensive documentary history of non-violent resisters and resistance movements is an inspiring antidote to any movement fatigue or pessimism about the value of protest. It tells us we can learn from the past as we confront the present and hope to shape the future. Read, enjoy and take courage knowing you are never alone in trying to create a more just world. Persevere and persist and win, but know that even losing is worth the fight and teaches lessons for later struggles."—Mary Frances Berry, author of History Teaches Us to Resist: How Progressive Movements Have Succeeded in Challenging Times"We the Resistance illustrates the deeply rooted, dynamic, and multicultural history of nonviolent resistance and progressive activism in North America and the United States. With a truly comprehensive collection of primary sources, it becomes clear that dissent has always been a central feature of American political culture and that periods of quiescence and consensus are aberrant rather than the norm. Indeed, the depth and breadth of resistant and discordant voices in this collection is simply outstanding."—Leilah Danielson, author of American Gandhi: A.J. Muste and the History of American Radicalism in the Twentieth Century While historical accounts of the United States typically focus on the nation's military past, a rich and vibrant counterpoint remains basically unknown to most Americans. This alternate story of the formation of our nation—and its character—is one in which courageous individuals and movements have wielded the weapons of nonviolence to resist policies and practices they considered to be unjust, unfair, and immoral. We the Resistance gives curious citizens and current resisters unfiltered access to the hearts and minds—the rational and passionate voices—of their activist predecessors. Beginning with the pre-Revolutionary era and continuing through the present day, readers will directly encounter the voices of protesters sharing instructive stories about their methods (from sit-ins to tree-sitting) and opponents (from Puritans to Wall Street bankers), as well as inspirational stories about their failures (from slave petitions to the fight for the ERA) and successes (from enfranchisement for women to today's reform of police practices). Instruction and inspiration run throughout this captivating reader, generously illustrated with historic graphics and photographs of nonviolent protests throughout U.S. history.

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Democracy is struggling in America--by now this statement is almost cliche. But what if the country is no longer a democracy at all? In Democracy Incorporated, Sheldon Wolin considers the unthinkable: has America unwittingly morphed into a new and strange kind of political hybrid, one where economic and state powers are conjoined and virtually unbridled? Can the nation check its descent into what the author terms "inverted totalitarianism"? Wolin portrays a country where citizens are politically uninterested and submissive--and where elites are eager to keep them that way. At best the nation has become a "managed democracy" where the public is shepherded, not sovereign. At worst it is a place where corporate power no longer answers to state controls. Wolin makes clear that today's America is in no way morally or politically comparable to totalitarian states like Nazi Germany, yet he warns that unchecked economic power risks verging on total power and has its own unnerving pathologies. Wolin examines the myths and mythmaking that justify today's politics, the quest for an ever-expanding economy, and the perverse attractions of an endless war on terror. He argues passionately that democracy's best hope lies in citizens themselves learning anew to exercise power at the local level. Democracy Incorporated is one of the most worrying diagnoses of America's political ills to emerge in decades. It is sure to be a lightning rod for political debate for years to come. Now with a new introduction by Pulitzer Prize-winning journalist Chris Hedges, Democracy Incorporated remains an essential work for understanding the state of democracy in America.

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This poignant play, written by current and formerly incarcerated authors, uses gripping truths and soulful dialogue to reveal the human cost of America’s for-profit justice system. The story follows Omar, pulled back into the prison system after trying to lift his family out of poverty, who struggles to maintain a sense of humanity while fighting to keep his loved ones close. According to NJ.com, “From institutionalized racism to addiction to the prison-industrial complex, this is a play about a great many large, pressing social challenges, but at its core it is a play about one family and its struggles to remain united as their world steadily crumbles. Impactful, warm, and unrelenting, this play that began as an experiment turns out to be an excellent examination of the human cost of a harsh and inhospitable world.” For every print copy of Caged purchased from Haymarket Books through June 1, Haymarket will donate a copy of the book to prisoners and their families working with the New Jersey Scholarship and Transformative Education in Prisons Consortium (NJ-STEP). All profits from the book will go to a prison re-entry fund run by The Second Presbyterian Church of Elizabeth, New Jersey to help the playwrights secure housing and continue their schooling upon release.

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