Search results for ""Author Chris Charlesworth""

This updated and expanded edition of Tommy at Fifty is the definitive illustrated companion to the album that made the Who one of the greatest and most influential bands of the rock era. Written by two leading experts on, and close associates of, the group—journalist and author Chris Charlesworth and original album cover designer Mike McInnerney—it considers the album from four distinct angles, examining the mood of its creation, the origins of its music, the look of the artwork and its subsequent film adaptation, and its enduring legacy. With a foreword by Pete Townshend and cover art created exclusively for this book by McInnerney, Tommy at Fifty offers an unparalleled window into the Who’s finest hour. With the exception perhaps of My Generation, Tommy remains the work with which the Who are most closely associated. It’s the album that turned Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon into millionaire superstars, and, like its Messiah figure title character, it casts a long shadow over both their subsequent work together and the canon of 20th‐century rock music.

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Caught in a Trap draws back the veil of secrecy on the most dramatic event in the life of Elvis Presley. In October of 1975, Elvis was abducted and spirited away to a cabin in the Kentucky mountains where he was made to sing for his supper. After a week in captivity, a ransom was paid to ensure his release, a bizarre episode that was hushed up on orders from the White House, no less. This psychological thriller not only reveals the dramatic details of how Elvis was snatched but also delves into the innermost thoughts of the King of rock'n'roll. How does Elvis react when he is treated like an ordinary person, told to sweep floors and chop wood? How does he interact with his kidnappers? Will his songs grant him his freedom? And how do those close him, among them ex-wife Priscilla and manager Colonel Tom Parker, respond to the crisis? Caught in a Trap is so believable you'll be asking yourself why it has taken so long for the story to get out.

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A quietly spoken, true English eccentric with something of a rebellious streak, Tony Stratton Smith initially charmed and blustered his way into the music business as a manager during the early 1960s and a few years later, when the record labels stopped playing by what he believed to be the rules, he simply went and formed his own -The Famous Charisma Label - and set about spinning the record business on its head. An independent label like no other, it is fair to say that without Strat's total belief and unwavering long-term support there would be no Genesis - Phil Collins has said as much - and a long line of artists owe Tony a similar debt of gratitude, from Monty Python to Malcolm McLaren, Lindisfarne to Sir John Betjeman, Vivian Stanshall to Julian Lennon. A former sports journalist and close friend to Jimmy Greaves and Sir Matt Busby (Strat narrowly missed a seat in the Munich Air crash) he later became a popular figure in the horse racing world. But making money was never very high on Tony's agenda, simply a means to an end that enabled him to fund the music and mayhem that brought him so much enjoyment. Strat was never happier than when the artists that he had so carefully nurtured were fulfilling their creative potential, delighting in working with the talents of Peter Gabriel, Alan Hull, Clifford T. Ward, Howard Werth and Peter Hammill. Ultimately, what he really cared about were the people, the creativity, about imagination, inspiration and risk, and the sheer joy to be had in bringing all those elements together, lighting the Charisma-pink touch paper and standing back, glass in hand, to watch what might happen when the sparks began to fly.

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