Search results for ""Author Charlotte Perkins Gilman""

Diantha, una mujer joven y tan valiente como capaz, sabe cómo salir de una situación económica que le impide casarse y, con ello, ser feliz junto a su amado. Pero poner en práctica su idea supone enfrentarse a lo establecido, a la sociedad más tradicional (representada a menudo por mujeres) e incluso a ese futuro esposo al que adora y la adora. Pero también tendrá ayuda, a veces de origen inesperado?Charlotte Perkins Gilman es un referente del primer feminismo, tanto norteamericano como de Europa occidental. Del feminismo que luchaba por tener derechos tan básicos como votar o poder decidir en aspectos que hoy nos puede parecer que siempre han estado al alcance. En su obra, escrita en unos Estados Unidos a caballo entre los siglos XIX y XX, se anima a las mujeres a tomar la iniciativa, contando con su creatividad y su trabajo. También se juzga duramente a aquellas que se posicionan, activa o, casi peor, pasivamente contra el imparable progreso de la mujer en su camino hacia la igua

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“In place of happy love, lonely pain. In place of motherhood, disease. Misery and shame, child. Medicine and surgery, and never any possibility of any child for me." First published in her magazine The Forerunner, Charlotte Perkins Gilman’s The Crux is an emotive tale on the nuances of female independence, social expectation and love in early 20th century America. Following an all-female group who move west to open a boarding house for men, The Crux focuses on the experience of Vivian ― and her desire for the undesirable. Deeply in love with Morton, a charismatic young man infected with both syphilis and gonorrhea, Vivian’s expected journey through her ‘marriage’ years is abruptly turned upside down. Torn by her personal intuition, the advice provided by her female companions and the knowledge that Morton will never give her healthy children, Vivian is faced with a permanent choice ― to forfeit love for the benefit of future generations. Balancing female and male perspectives on illness, personal preservation and nationalism, The Crux tracks Vivian’s path through heart break, emotional development and female camaraderie. As an allegory for Gilman’s own branch of utopian feminism, The Crux is a story of sacrifice and partnership deliberation within the framework of 20th century disease hysteria, eugenic ideology and developing modernism. Often omitted from her writing canon, The Crux is an integral aspect to understanding not only Gilman’s own writing ― but the history of feminism as a whole.

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Wonderfully sardonic and slyly humorous, the writings of landmark American feminist and socialist thinker Charlotte Perkins Gilman were penned in response to her frustrations with the gender-based double standard that prevailed in America as the twentieth century began. Perhaps best known for her chilling depiction of a woman's mental breakdown in her unforgettable 1892 short story 'The Yellow Wall-Paper', Gilman also wrote Herland, a wry novel that imagines a peaceful, progressive country from which men have been absent for 2,000 years. Both are included in this volume, along with a selection of Gilman's major short stories and her poems.

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Esta novela narra las peripecias de tres jóvenes exploradores estadounidenses, Van, Terry y Jeff. Atraídos por las leyendas que les transmiten los salvajes sobre un país remoto y desconocido, habitado tan solo por mujeres, deciden investigar por sí mismos.En sus divagaciones previas al descubrimiento sueñan con un festín sexual permanente, con multitud de mujeres, jóvenes y atractivas, deseosas de ser sometidas a la superioridad del ingenio masculino.Sin embargo, cuando por fin alcanzan El país de las mujeres lo que encuentran es muy distinto de lo que habían imaginado. Lejos de desearles sexualmente, las mujeres del país recientemente descubierto son capaces de organizarse cooperativamente a fin de desplegar todas sus potencialidades, facultades y talentos. Como los hombres??El país de las mujeres constituye un verdadero manifiesto de la ideología de género, en el que se defiende con vigor la igualdad de las mujeres, que no es solo una cuestión a la que aspirar de derecho,

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HarperCollins is proud to present its incredible range of best-loved, essential classics. ‘There are things in that wallpaper that nobody knows about but me, or ever will’ Hailed as one of the most distinctive and compelling literary voices of her era, Charlotte Perkins Gilman is praised today for her ground-breaking, feminist writing. Collected here, both The Yellow Wallpaper and Herland are extraordinary for scrutinising the patriarchal norms of turn-of-the-century America. In The Yellow Wallpaper a woman frantically paces the empty nursery at the top of a secluded mansion. Her husband John, a physician, is of no comfort and she can’t bear to sit with the new baby as his crying makes her much too nervous. And then there’s the putrid, yellow wallpaper which seems to shift and creep around the room before her very eyes… Herland, first published in 1915, follows a group of three men as they arrive in a female-only society. Peace and tranquillity thrive in this utopian land, forcing the explorers to question how their own corrupted, male-dominated world can survive.

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HarperCollins is proud to present its incredible range of best-loved, essential classics. ‘There are things in that wallpaper that nobody knows about but me, or ever will’ Hailed as one of the most distinctive and compelling literary voices of her era, Charlotte Perkins Gilman is praised today for her ground-breaking, feminist writing. Collected here, both The Yellow Wallpaper and Herland are extraordinary for scrutinising the patriarchal norms of turn-of-the-century America. In The Yellow Wallpaper a woman frantically paces the empty nursery at the top of a secluded mansion. Her husband John, a physician, is of no comfort and she can’t bear to sit with the new baby as his crying makes her much too nervous. And then there’s the putrid, yellow wallpaper which seems to shift and creep around the room before her very eyes… Herland, first published in 1915, follows a group of three men as they arrive in a female-only society. Peace and tranquillity thrive in this utopian land, forcing the explorers to question how their own corrupted, male-dominated world can survive.

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'The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torturing.'Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalized nineteenth-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Charlotte Perkins Gilman (1860-1935). Gilman's work is available in Penguin Classics in The Yellow Wall-Paper, Herland and Selected Writings.

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Van Jennings, a sociology student, and his two friends, Terry Nicholson and Jeff Margrave, set out one day to explore an uncharted area said to be home to a colony consisting entirely of women. Their biplane suitably hidden in the surrounding forest, the men begin their search for civilisation. But it is not long before they are discovered, and they are captured and taken in by the society they set out to study. As boundaries are broken down and the web of mystery is brushed aside, the men soon begin to realise that there is much to be envied about this society, and perhaps it is they that have some reckoning to do. Dealing with the powerful themes of consent, consumerism and colonialism, Herland is a thought-provoking tale that trains a lens on our own concepts of society.

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In 1892 a furious Charlotte Perkins Gilman put pen to paper and created the avant-garde feminist work The Yellow Wallpaper as a warning – in this haunting Gothic tale, a woman is confined to a room and forbidden to do anything interesting – and she loses her mind. In 1887, following a severe nervous breakdown, Gilman had been sent to a leading neurologist, she explains in ‘Why I Wrote The Yellow Wallpaper’, also included in this volume. He was a ‘wise man’ who ‘put me to bed and applied the rest cure… and sent me home with solemn advice to “live as domestic a life as far as possible”… and “never to touch pen, brush or pencil again” as long as I lived. I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.’ The Yellow Wallpaper is both a haunting illustration of the treatment of mental health and a chilling Gothic tale, and this new edition makes it ready to enchant another generation of readers.

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What would happen if society was run by women? Charlotte Perkins Gilman imagines the result...When three American men discover a community of women, living in perfect isolation in the Amazon, they decide there simply must be men somewhere. How could these women survive without man's knowledge, experience and strength, not to mention reproductive power? In fact, what they have found is a civilisation free from disease, poverty and the weight of tradition. All alone, the women have created a society of calm and prosperity, a feminist utopia that dares to threaten the very concept of male superiority. WITH AN INTRODUCTION BY LINDY WEST

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INTRODUCED BY MAGGIE O'FARRELL'A great work of literature, the product of a questing, burning intellect' MAGGIE O'FARRELL 'Even if the themes being explored might seem irrelevant . . . this is not the case' GUARDIAN'I loved the unnerving, sarcastic tone, the creepy ending' PARIS REVIEW Based on the author's own experiences, The Yellow Wallpaper is the chilling tale of a woman driven to the brink of insanity by the 'rest cure' prescribed after the birth of her child. While she is isolated in a crumbling mansion, in a room with bars on the windows, the tortuous pattern of the yellow wallpaper winds its way into the recesses of her mind. Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century and a brilliant writer, editor and speaker. The Yellow Wallpaper is her masterpiece.

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Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. The Yellow Wall-Paper and Other Stories makes available the fullest selection of her short fiction ever printed. In addition to her pioneering masterpiece, `The Yellow Wall-Paper' (1890), which draws on her own experience of depression and insanity, this edition features her Impress `story studies', works in the manner of writers such as James, Twain, and Kipling. These stories, together with other fiction from her neglected California period (1890-5), throw new light on Gilman as a practitioner of the art of fiction. In her Forerunner stories she repeatedly explores the situation of `the woman of fifty' and inspires reform by imagining workable solutions to a range of personal and social problems. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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It is stripped off - the paper - in great patches ...The colour is repellent ...In the places where it isn't faded and where the sun is just so - I can see a strange, provoking, formless sort of figure, that seems to skulk about ...' Based on the author's own experiences, 'The Yellow Wallpaper' is the chilling tale of a woman driven to the brink of insanity by the 'rest cure' prescribed after the birth of her child. Isolated in a crumbling colonial mansion, in a room with bars on the windows, the tortuous pattern of the yellow wallpaper winds its way into the recesses of her mind. Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. In addition to her masterpiece 'The Yellow Wallpaper', this new edition includes a selection of her best short fiction and extracts from her autobiography.

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Charlotte Perkins Gilman’s progressive views on feminism and mental health are powerfully showcased in her two most famous stories. The Yellow Wallpaper skillfully charts one woman's struggle with depression whilst Herland is an entertaining imagining of an all female utopia.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by journalist and author Lucy Mangan.Confined to her attic bedroom and isolated from her newborn baby, the nameless narrator of The Yellow Wallpaper keeps a secret diary in which she records the sprawling and shifting patterns of the room’s lurid yellow wallpaper as she slowly sinks into madness. This chilling story is based on the author’s own experience of depression. In Herland, a trio of men set out to discover an all-female community rumoured to be hidden deep in the jungle. What they find surprises them all; they’re captured by women who, for two thousand years, have lived in a peaceful and prosperous utopia without men.

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Charlotte Perkins Gilman's The Home is a scathing attack on the domesticity of women in the early 20th century. Her central argument, that 'the economic independence and specialization of women is essential to the improvement of marriage, motherhood, domestic industry, and racial improvement' resonates in this work. Throughout, she maintains that the liberation of women—and of children and of men, for that matter—requires getting women out of the house, both practically and ideologically. AltaMira Press is proud to reprint this provocative work and introduce Charlotte Perkins Gilman to a new generation of students and feminist scholars.

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What happens when a woman is pushed too far? Is she able to express her thoughts and feelings, or is she forced towards the expectation of behaving 'normally' again soon? A woman travels with her husband to an old colonial mansion after a nervous breakdown triggered by the birth of their child. Confined to the nursery and allowed only to breathe fresh air, eat well and rest in line with a regimented ‘cure’, she slowly begins to unravel at the seams. Her only distraction is writing in secret – that, and the woman she begins to see trapped inside the yellow wallpaper of the room itself. Isolated and breaking apart, she sets herself a task: to free the woman, and to become one with her temporary confinement. Charlotte Perkins-Gilman's 'The Yellow Wallpaper' presents a harrowing, disturbing account of mental stress, confinement and female turmoil - within which the only available solace can be found inside four peeling, sickly yellow walls...

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Charlotte Perkins Gilman’s provocative utopian novel Herland, first published in 1915, tells its story through the observations of three male explorers who discover a land inhabited solely by women; the women reproduce through parthenogenesis (asexual reproduction). Initially skeptical, the explorers come to realize that Herland has evolved into an ideal, cooperative, matriarchal society—fertile, peaceful, and clean—by selectively reproducing the women’s best attributes. As the explorers study Herland culture, they also rethink their own.This edition reproduces the text originally published in The Forerunner in 1915, including several passages omitted from other editions. Stories, poetry, and nonfiction writing by Gilman on topics such as birth control, capital punishment, and eugenics provide a rich context for the novel. Materials originally published alongside Herland in 1915, many of which have never before been republished, are also included, as is an excerpt from the sequel, With Her in Ourland.

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Charlotte Perkins Gilman's Concerning Children reflects her innovative thinking on the social and economic construction of motherhood. In this volume, she takes on American society at its core principles: the betterment of our society through the development of our children. Gilman attacks our conventional model of child rearing, one based on obedience and discipline, rather than on the development of creativity and individuality. She responds to popular practices such as the corporal punishment of children, and proposes new and radical ways of child-rearing including social motherhood, which frees women to pursue careers. Presciently observing more than a century ago that it takes an entire village to raise a child, Gilman's Concerning Children is a must-read for anyone interested in gender and family studies.

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This new edition of Women and Economics highlights the importance of Charlotte Perkins Gilman as a leading public intellectual of the Progressive Era. It contains Gilman's most influential economic analysis, including her signature idea that the relationship between men and women is at core 'sexuo-economic.' Gilman applies ideas and techniques from evolutionary science to the study of marriage and the family. Her highly original approach reveals that female dependency is not a natural but rather a cultivated phenomenon. Women and Economics proposes wide-reaching social and economic reforms that were radical at the time and, as numerous twenty-first-century feminist economists continue to argue, are yet to be achieved today.Related literary works by Gilman and historical documents allow readers to situate Gilman's ideas in relation to larger debates concerning labour relations, the family, and women's role in society.

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A lost-world fantasy in the tradition of Arthur Conan Doyle and the Utopianism of William Morris, Herland inverted expectations with its exclusively female society visited by three men from the Edwardian era. An early example of feminist science fiction, this utopian fantasy explores miracle births, role reversals and concepts of peace and freedom. Flame Tree 451 presents a new series, The Foundations of Feminist Fiction. The early 1900s saw a quiet revolution in literature previously dominated by male adventure heroes. Both men and women moved beyond the norms of the male gaze to write from a different gender perspective, sometimes with female protagonists, but also expressing the universal freedom to write on any subject whatsoever. Each book features a brand new biography and a glossary of literary terms.

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Gilman created a world that could be viewed from the feminist gaze. She focused on how women were not just stay-at-home mothers they were expected to be but also people who had dreams, who were able to travel and work just as men did, and whose goals included a society where women were just as important as men. In the early 1900s this was striking and revolutionary. The stories in this collection are: 'A Coincidence'; 'According To Solomon', 'An Offender', 'A Middle-Sized Artist', 'Martha's Mother', 'Her Housekeeper', 'When I Was A Witch', 'Making a Living', 'A Coincidence, The Cottagette', 'The Boys and the Butter', 'My Astonishing Dodo', and 'A Word In Season'.

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When Charlotte Perkins Gilman's first nonfiction book, Women and Economics, was published exactly a century ago, in 1898, she was immediately hailed as the leading intellectual in the women's movement. Her ideas were widely circulated and discussed; she was in great demand on the lecture circuit, and her intellectual circle included some of the most prominent thinkers of the age. Yet by the mid-1960s she was nearly forgotten, and Women and Economics was long out of print. Revived here with new introduction, Gilman's pivotal work remains a benchmark feminist text that anticipates many of the issues and thinkers of 1960s and resonates deeply with today's continuing debate about gender difference and inequality. Gilman's ideas represent an integration of socialist thought and Darwinian theory and provide a welcome disruption of the nearly all-male canon of American economic and social thought. She stresses the connection between work and home and between public and private life; anticipates the 1960s debate about wages for housework; calls for extensive childcare facilities and parental leave policies; and argues for new housing arrangements with communal kitchens and hired cooks. She contends that women's entry into the public arena and the reforms of the family would be a win-win situation for both women and men as the public sphere would no longer be deprived of women's particular abilities, and men would be able to enlarge the possibilities to experience and express the emotional sustenance of family life. The thorough and stimulating introduction by Michael Kimmel and Amy Aronson provides substantial information about Gilman's life, personality, and background. It frames her impact on feminism since the Sixties and establishes her crucial role in the emergence of feminist and social thought. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

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