Search results for ""Author Charlotte Jones""

There is hope.You can regain control.There are brighter days ahead.Charlotte Jones knows how it feels to be exhausted all the time and too tired to even lift your head off the pillow. She's experienced first-hand the desperate, debilitating feelings of frustration, despair and sadness that so often accompany chronic fatigue. And she knows how confused, overwhelmed, and lonely you probably feel right now.So, Charlotte has written this book as her gift to you. It's a beautifully illustrated and uplifting story of hope that takes very little effort to read but will guide you on an achievable, manageable road to recovery. As you read, you'll gently uncover ideas and approaches that you can use right away to start your own journey from fatigue to freedom.The fascinating characters you'll encounter in this story will each equip you with a toolbox of powerful ideas, techniques and solutions. Through their experiences you'll discover how to manage your energy levels, understand the importance of rest and repair and start to feel empowered with the belief that recovery is not only possible, but entirely in your hands.There's no baffling science or confusing jargon, just an inspiring and motivating tale that's brimming with helpful and hopeful golden nuggets that you can collect and use to support you as you heal.So lay back, relax and read your way to a better energy and a faster recovery!Charlotte has written this book as her gift to anyone suffering from chronic fatigue. It's a beautifully illustrated and uplifting story of hope that takes very little effort to read but will guide you on an achievable, manageable road to recovery. As you read, you'll gently uncover ideas and approaches that you can use right away to start your own journey from fatigue to freedom.

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The real represents to my perception the things that we cannot possibly not know, sooner or later, in one way or another', wrote Henry James in 1907. This description, riven with double negatives, hesitation, and uncertainty, encapsulates the epistemological difficulties of realism, for underlying its narrative and descriptive apparatus as an aesthetic mode lies a philosophical quandary. What grounds the 'real' of the realist novel? What kind of perception is required to validate the experience of reality? How does the realist novel represent the difficulty of knowing? What comes to the fore in James's account, as in so many, is how the forms of realism are constituted by a relation to unknowing, absence, and ineffability. Realism, Form, and Representation in the Edwardian Novel recovers a neglected literary history centred on the intricate relationship between fictional representation and philosophical commitment. It asks how--or if--we can conceptualize realist novels when the objects of their representational intentions are realities that might exist beyond what is empirically verifiable by sense data or analytically verifiable by logic, and are thus irreducible to conceptual schemes or linguistic practices--a formulation Charlotte Jones refers to as 'synthetic realism'. In new readings of Edwardian novels including Conrad's Nostromo and The Secret Agent, Wells's Tono-Bungay, and Ford's The Good Soldier, this volume revises and reconsiders key elements of realist novel theory--metaphor and metonymy; character interiority; the insignificant detail; omniscient narration and free indirect discourse; causal linearity--to uncover the representational strategies by which realist writers grapple with the recalcitrance of reality as a referential anchor, and seek to give form to the force, opacity, and uncertain scope of realities that may lie beyond the material. In restoring a metaphysical dimension to the realist novel's imaginary, Realism, Form, and Representation in the Edwardian Novel offers a new conceptualization of realism both within early twentieth-century literary culture and as a transhistorical mode of representation.

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This first collection of plays by Charlotte Jones includes her multi-award winning Humble Boy (Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002).'Charlotte Jones . . . one of our most accomplished and entertaining young playwrights.' Financial TimesAirswimming'The structure and writing - admirably clear and unsentimental - both trip the light fantastic too, effortlessly gliding from the desperately funny to the desperately sad.' GuardianIn Flame'Watching Charlotte Jones's play, In Flame, is an experience of pleasure virtually unalloyed. It is funny, but with depth; painful, but with delicacy.' Financial Times'A play about life and death, love and lust, guilt and hope and dreams and the whole damn thing. It has some of the best writing I have come across recently: vigorous, poetic and lethally funny, probing hearts with warmth, compassion and irony.' Sunday TimesMartha, Josie and the Chinese Elvis'What strikes one is the play's generosity of spirit and belief in human potential . . . confirms that Jones has a great future.' GuardianHumble Boy'Sad, very sad: funny, very very funny . . . this is a seriously wonderful play.' Sunday Times'Rich, original, intelligent, funny and touching . . . I can't recommend this lovely play too highly.' Daily Telegraph

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When Madeleine L'Engle was very small, she marvelled at the stars. They guided her throughout her life, making her feel part of a big and exciting world, even when she felt alone. They made her want to ask big questions - Why are we here? What is my place in the universe? - and let her imagination take flight. Books, too, were like stars - asking questions and proposing answers. Books kept Madeleine company, and soon, she began to write and share her own. But would other people see the wonder she found in the world?

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