Search results for ""Author Charles Watkins""

In this superbly illustrated book, Charles Watkins explores the myth and magic of arboreal art. Enter the groves of the classical world, from Daphne's metamorphosis into a laurel tree to the gardens of Pompeii. The tree in sacred art is represented in master works by Botticelli and Michelangelo. The oak as a symbol of nationhood and liberty across Europe is revealed. The mystery and drama of forest interiors, the formal beauty of avenues of trees, the representation of forestry over the ages and the world of `more than real' trees in the fantastic and surreal art of Arcimboldo, William Blake, Arthur Rackham and Salvador Dali are each illuminated in fascinating detail, coming right up to date with Giuseppe Penone and Ai Wei Wei. Watkins also elucidates the practice of genius in how artists learned to draw trees. Each thematic chapter takes a breathtaking journey through centuries of artists' engagement and fascination with a natural form that seems to allegorize or mirror the human journey through life. Drawing on the author's deep knowledge of the history and ecology of trees, Trees in Art shows that we can learn much about ourselves from the art of trees.

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Forest is the natural vegetation of most of Europe. Although the majority has been destroyed by human activity over the centuries, a considerable amount remains and has been managed to varying degrees and for a wide variety of reasons. This has resulted in a large number of natural and semi-natural landscapes and habitat types over the region and a high diversity of plant and animal communities adapted to them. The growing interest in natural history and the environment in recent years has resulted in a greater demand for information on the complex ecological history of European forest. This book is unique in providing wide ranging and detailed case studies on specific aspects, including grazing, management practices and conservation and overviews, from recognised authorities, of the latest research on the ecological history of forests and woodland in Europe. It consists of selected papers given at an international conference of forest historians organised in association with the British Ecological Society and the International Union of Forest Research Organizations at Nottingham University in September 1996. Contributions come from the UK, Ireland, Scandinavia, the Low Countries, Germany, France, Spain, Italy and Turkey. This book is essential reading for ecologists, conservationists, landscape historians, foresters and geographers. It will also be of interest to advanced students in these areas.

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Throughout human history our relationship with trees, woods and forests has remained central to the development of our technology, culture and expansion as a species. In this engaging book Charles Watkins examines and challenges our historical andmodern attitudes to wooded environments, and our continuing anxiety about humanity's impact on these natural realms.

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Analysis of hundreds of art works from the period provides insights into forgotten landscapes and hidden geographies. After the Napoleonic wars many wealthy British women and men settled along the coast in Liguria and travelled in Piedmont and Valle d'Aosta in search of warmth and health. They established English-speaking colonies of retired clerics, colonial officials, aristocrats and industrialists at places such as Alassio, Bordighera, Sanremo and Portofino. Many were keen artists. This book assesses hundreds of topographical drawings, paintings and photographs of north-west Italy produced by these British visitors and residents in the nineteenth and early twentieth century. Through the identification and analysis of these works, scattered today in private and public collections in Italy and Britain, it provides insights into the way Italian landscapes were understood and appreciated. Considered in conjunction with historical photography, maps, archives and fieldwork, they deepen our knowledge of past land management traditions and recover how the contemporary landscape looked. The artists are placed in their intellectual and geographical contexts; and interconnections between British and Italian artists and between topographical art and photography are explored. Different chapters assess the main subjects depicted, including mountains, seascapes, rivers, agriculture, trees and woodland, castles, churches, villages, industries and landscapes of luxury.

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