Search results for ""Author Cello Mr"

Before Mr. Lemoncello became everyone’s favorite game maker, he was a kid who liked to roll the dice . . . Discover the origins of what James Patterson calls “the coolest library in the world” in this PREQUEL to the New York Times bestselling Escape from Mr. Lemoncello’s Library.Go back to the START and meet thirteen-year-old, PUZZLE-obsessed Luigi Lemoncello!Luigi has a knack for games and puzzles. But sometimes it feels like the cards are stacked against him. UNTIL a carnival arrives in town and Luigi gets the CHANCE OF A LIFETIME—the opportunity to work for the world-famous Professor Marvelmous--a dazzling, banana-hat-wearing barker who puts the SHOW in SHOWMAN! When the carnival closes, Professor Marvelmous leaves behind a mysterious puzzle box along with a clue. A clue that will lead Luigi and his friends on a fantastical treasure hunt to a prize beyond anything they could imagine--if they can find it!Can Luigi crack the codes and unlock the box's secrets? Will there be puzzles? Of course! Balloons? You bet! Will it be fun? Hello! It’s a Lemon-cello! BONUS! Can YOU crack the hidden puzzle inside?!

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Classical music can be a dangerous pastime… What with love affairs, their conductor dropping dead, a stolen cello and no money, Stockwell Park Orchestra is having a fraught season. After Mrs Ford-Hughes is squashed and injured by a dying guest conductor mid-concert, she and her husband withdraw their generous financial backing, leaving the orchestra broke and unsure of its future. Cellist Erin suggests a recovery plan, but since it involves their unreliable leader, Fenella, playing a priceless Stradivari cello which then goes missing, it’s not a fool-proof one. Joshua, the regular conductor, can’t decide which affair to commit to, while manager David’s nervous tic returns at every doom-laden report from the orchestra’s treasurer. There is one way to survive, but is letting a tone-deaf diva sing Strauss too high a price to pay? And will Stockwell Park Orchestra live to play another season?

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From the author of Mrs Engels and The Sisters Mao, an intimate family memoir about filial love and its limits, separation, and loss. Gavin is spending the quarantine with his eighty-year-old mother, whose mind is slowly slipping away. He has returned home to care for her and to write a novel. But all he can write about is her. In this frank and revealing memoir, he unspools an intimate story of his upbringing and early adulthood: feeling out of place as a child, homophobic bullying at school, his brother’s mental illness and drug addiction, his father’s sudden death, his own devastating diagnosis, his struggles and triumphs as a writer, and above all, his relationship with his mother. Her brightness shines a light over his childhood, but her betrayal of his teenage self leads to years of resentment and disconnection. Now, he must find a way to reconcile with her, before it is too late.

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BY THE BESTSELLING AUTHOR OF THE TALENTED MR RIPLEY, CAROL AND STRANGERS ON A TRAIN 'Highsmith writes about men like a spider writing about flies' OBSERVER 'For eliciting the menace that lurks in familiar surroundings, there's no one like Patricia Highsmith' TIME 'The Glass Cell has lost little of its disturbing power . . . Highsmith was a genuine one-off' DAILY TELEGRAPH Based on a true story, The Glass Cell is Highsmith's deeply disturbing fictionalisation of everything she learned. Falsely convicted of fraud, the easy-going but naive Philip Carter is sent to prison. Despite his devotion to Hazel, his wife, and the support of David Sullivan, a lawyer and friend who tries to avenge the injustice done to him, Carter endures six lonely and drug-ravaged years. Upon his release, Carter is a much more discerning, suspicious, and violent man. His beautiful wife is waiting for him. He has never had any reason to doubt her. For those around him, earning back his trust can mean the difference between life and death.

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After a brief and disastrous Resident Poet episode, Stockwell Park Orchestra is invited to take part in a TV competition for classical music. For a £50,000 prize some competitors are tempted to stretch the genre to ‘crossover’ and beyond. Can a full concert orchestra compete with jazz bands, horn quartets, harp ensembles, and Mrs Ford-Hughes singing in Portuguese with nine cellos? Or will the competition be derailed by the poet’s return, this time sporting live Ambient Sounds? The TV producers aren’t worried: they know a good fight means great ratings. What was supposed to be a quirky diversion threatens to take over the orchestra’s rehearsals for their own concert, but discovering a voting scam means they must fix things in the TV studio first.

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