Search results for ""Author Cathleen Chaffee""

Eye on a Century celebrates a cornerstone of the Yale University Art Gallery's holdings: the Charles B. Benenson Collection of Modern and Contemporary Art. This major bequest includes works by a veritable pantheon of modern and contemporary artists—among them Jean-Michel Basquiat, Stuart Davis, Fernand Léger, Joan Miró, James Rosenquist, and David Smith. The catalogue provides exciting new scholarship on some of the collection's most significant objects, including works by Alexander Calder, Kurt Schwitters, and Pablo Picasso, alongside lesser-known works, by artists such as Alicia Penalba, David Wojnarowicz, and Martin Wong, several of which have never before been published. The introduction, which examines the context of Benenson's collecting, is followed by more than fifty catalogue entries and an illustrated checklist of the complete collection.Distributed for the Yale University Art Gallery

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Liza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labour, this groundbreaking work subverted standards of art by introducing glass beads as a fine art material. The project blurred the rigid boundary between fine art and craft, and established Lou s long-standing exploration of materiality, process, and beauty. Working within a craft metier has led the artist to work in a variety of socially engaged settings, from community groups in Los Angeles, to a collective she founded in Durban, South Africa in 2005, to a women s prison in Belm, Brazil, and a bead embroidery collective in Mumbai, India. Over the past 15 years, Lou has focused on a poetic approach to abstraction as a way to highlight the process under-lying her work. In this comprehensive volume that considers the entirety of her singular vision, curators, art historians, and artists offer important perspectives on the breadth of her work.

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With nearly 400 pages, this entirely new collection handbook presents over 330 works by 265 artists, arranged alphabetically rather than chronologically, and is the premier souvenir publication for museum visitors and art lovers alike. In late 2019 the Albright-Knox Art Gallery broke new ground on the most significant campus expansion and development project in its 160-year history, reopening in 2023 as the Buffalo AKG Art Museum. The Museum's collections span some of the greatest moments in art through the centuries, beginning with its first acquisition, The Marina Piccola, Capri, 1859, by Albert Bierstadt-both the first painting and the first work gifted by an artist to enter the museum's collection. Impressionism and post-Impressionism are well represented with works by leading nineteenth-century European artists such as Edgar Degas, Paul Gauguin, Claude Monet, Pierre-Auguste Renoir, and Vincent van Gogh. Cubism, Surrealism, Constructivism, and other movements from the revolutionary early years of the 20th century come to life through significant works by Georges Braque, Andre Derain, Frida Kahlo, Fernand Leger, Henri Matisse, Joan Miro, Piet Mondrian, Georgia O'Keeffe, Pablo Picasso, and Alexander Rodchenko. AUTHORS: Cathleen Chaffee, PhD Charles Balbach Chief Curator, joined the Buffalo AKG Art Museum in January 2014 and has been chief curator since September 2017. Pam Hatley is head of publications & digital experience, Buffalo AKG Art Museum. Holly E. Hughes is Godin-Spaulding Senior Curator for the Collection at the Buffalo AKG Art Museum. Janne Siren is the Peggy Pierce Elfvin Director of the Buffalo AKG Art Museum, New York. SELLING POINTS: . A different, and fun, way of looking at great art . A celebration of the opening of the new Buffalo AKG Art Museum, one of the world's best collections of modern and contemporary art . A wonderful souvenir for museum visitors and art lovers 355 colour illustrations

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The most comprehensive volume yet published on the work and legacy of the "forgotten star of Pop art," with previously unpublished materials and new scholarly explorations In the mid-1960s Marisol was lauded as the female artist of her generation and was proclaimed to be "the only girl artist with glamour" for her fashion sense and "the Latin Garbo" for her apparent exoticism, legendary beauty and famed silences. Thousands lined up to see her remarkable life-size Pop art sculptures early in her career, and her celebrity nearly overshadowed her formidable accomplishments. But this attention would fade following her temporary retreat from the art world in the late 1960s and a shift in her work's subject matter. Her 2016 obituary in the Guardian described her as "the forgotten star of Pop art." This catalog, the most comprehensive on Marisol’s work ever assembled, accompanies a major traveling retrospective organized by the Buffalo AKG Art Museum (formerly the Albright-Knox Art Gallery) that reckons with the entirety of her pioneering, multifaceted, 60-year career. While celebrating her satirical and deceptively political sculptures and self-portraits that helped define the 1960s, the book’s essays also examine her works that embody animal intelligence and allude to environmental precarity, testify to interpersonal violence, engage with the immigrant experience, figure postcolonial disenfranchisement and destabilize sexual norms and gender binaries. Her public sculptures and collaborations with choreographers are examined for the first time. Assessments by leading scholars affirm Marisol’s radical legacy for the 21st century. These exciting reflections are presented alongside full-color reproductions of her works, a robust bibliography, an exhibition history and an illustrated chronology. Marisol (1930–2016) was born Maria Sol Escobar in Paris to a Venezuelan family. She drew continually and from a young age adopted the name Marisol. Like many of the artists who emerged in the early 1950s, Marisol was at first influenced by Abstract Expressionism, but after seeing pre-Columbian art in Mexico and New York, she began making sculpture in 1954, and soon began focusing on the totemic figures for which she is best known.

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