Search results for ""Author Carrie"

From the bestselling author of MALIBU RISING, DAISY JONES & THE SIX and THE SEVEN HUSBANDS OF EVELYN HUGO'It made me cry twice, and when I finished reading, I had to sit for a minute with the hole it left in my chest . . . just order it' EMILY HENRY'A crowd-pleaser. Taylor Jenkins Reid captures all the sweat, rivalry and glamour of elite sport' THE TIMES'Jenkins Reid has written yet another page turner . . . [it] will have you hooked' INDEPENDENTCarrie Soto is the greatest player the world has ever seen.But six years after her last match, she watches a young British tennis player steal her world record - and Carrie knows she has to go back and reclaim her rightful place at the top. Even if the world doesn't believe in her. Even if it almost breaks her.This is a story about the cost of greatness and the burden of fame.The fight for a place in history is about to begin . . .'It artfully combines the heady glamour of elite sport with questions about what happens when we find ourselves winning professionally, but losing personally' STYLIST'A portrait of female ambition in all its raw and divine glory, Carrie Soto will stay with you long after the last page is turned' ERIN KELLY

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Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.Carrie White is no ordinary girl.Carrie White has the gift of telekinesis.To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the firststep towards social acceptance by her high school colleagues.But events will take a decidedly macabre turn on that horrifying and endless night as sheis forced to exercise her terrible gift on the town that mocks and loathes her . . .

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A beautiful hardback classic edition of King''s first published novel, CARRIE, produced for the fiftieth Anniversary, with a new introduction by Margaret Atwood. Carrie White is no ordinary girl. Carrie White has the gift of telekinesis. To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues. But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her terrible gift on the town that mocks and loathes her . . .

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Brian De Palma's adaptation of Stephen King's debut novel, Carrie (1976), is one of the defining films of 1970s "New Hollywood" style and a horror classic. The story of a teenage social outcast who discovers she possesses latent psychic powers that allow her to deliver retribution to her peers, teachers, and abusive mother, Carrie was an enormous commercial and critical success and is still one of the finest screen adaptations of a King novel. This contribution to the Devil's Advocates series not only breaks the film down into its formal componenets--its themes, stylistic tropes, technical approaches, uses of color and sound, dialogue, and visual symbolism--but also considers a multitude of other factors contributing to the work's classic status. The act of adapting King's novel for the big screen, the origins of the novel itself, the place of Carrie in De Palma's oeuvre, the subsequent versions and sequel, and the social, political, and cultural climate of the era (including the influence of second wave feminism, loosening sexual norms, and changing representations of adolescence), as well as the explosion of interest in and the evolution of the horror genre during the decade, are all shown to have played an important part in the film's success and enduring reputation.

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Sister Carrie is a first novel by a woman writer possessing such an original voice and slashing, surrealistic wit that she is sure to take her place at the forefront of cutting-edge fiction writers. Carrie Meeber leaves her stifling Florida home for Chicago, where she enters the related fields of advertising and prostitution. As an unflappable narrator makes inquiries into her bizarre life, a cartoonish, hyperkinetic, blaring street world envelops the reader. Depraved characters parade themselves and their crass literary leanings; many keep journals, out of which Carrie is revealed with stylistic pyrotechnics. Fairbanks's scrappy, fantastic, debauched characters reveal themselves as well in hot rapid monologue and dialogue. There is something of Kathy Acker in Sister Carrie, something of Ronald Firbank, William Burroughs, Mark Leyner perhaps, even the Joyce of Finnegans Wake. (And Theodore Dreiser's Sister Carrie? revamped, accessorized, given riot grrrl attitude). But it is finally a tour de force from a young woman writer with a voice all her own and a sardonic world-view perfect for the irony-clad nineties.

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`When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.' The tale of Carrie Meeber's rise to stardom in the theatre and George Hurstwood's slow decline captures the twin poles of exuberance and exhaustion in modern city life as never before. The premier example of American naturalism, Dreiser's remarkable first novel has deeply influenced such key writers as William Faulkner, F. Scott Fitzgerald, Saul Bellow, and Joyce Carol Oates. This edition uses the 1900 text, which is regarded as the author's final version. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A landmark in American literature, presented in its complete and unexpurgated version. Dreiser's unsparing story of a country girl's rise to riches as the mistress of a wealthy man marked the beginning of the naturalist movement in America. Both its subject matter and Dreiser's objective, nonmoralizing approach made it highly controversial, and only a heavily edited version could be published in 1900. In this restored version, the truly revolutionary nature of Sister Carrie is made fully evident.

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#1 NEW YORK TIMES BESTSELLER • “An epic adventure about a female athlete perhaps past her prime, brought back to the tennis court for one last grand slam” (Elle), from the author of Malibu Rising, Daisy Jones & The Six, and The Seven Husbands of Evelyn Hugo“A heart-filled novel about an iconic and persevering father and daughter.”—Time“Gorgeous. The kind of sharp, smart, potent book you have to set aside every few pages just to catch your breath. I’ll take a piece of Carrie Soto forward with me in life and be a little better for it.”—Emily Henry, author of Book Lovers and Beach ReadONE OF THE BEST BOOKS OF THE YEAR: Time, NPR, PopSugar, Glamour, Reader’s DigestCarrie Soto is fierce, and her determination to win at any cost has not made her popular. But by the time she retires from tennis, she is the best player the

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THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLER From the bestselling author of MALIBU RISING, DAISY JONES & THE SIX and THE SEVEN HUSBANDS OF EVELYN HUGO''There''s something about Carrie I will take forward with me in my life, and be a little better for. This book comes out in a few short weeks and you should preorder it. It made me cry twice, and when I finished reading, I had to sit for a minute with the hole it left in my chest . . . just order it'' EMILY HENRY''This Nineties tennis romp is a crowd-pleaser. Taylor Jenkins Reid captures all the sweat, rivalry and glamour of elite sport'' THE TIMES''A portrait of female ambition in all its raw and divine glory, Carrie Soto will stay with you long after the last page is turned'' ERIN KELLYCarrie Soto is fierce, and her determination to win at any cost has not made her popular.By the time Carrie retires from ten

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Carrie Kills A Man* is about growing up in a world that doesn't want you, and about how it feels to throw a hand grenade into a perfect life. It's the story of how a tattooed transgender rock singer killed a depressed suburban dad, and of the lessons you learn when you renounce all your privilege and power. When more people think they've seen a ghost than met a trans person, it's easy for bad actors to exploit that - and they do, as you can see from the headlines and online. But here's the reality, from someone who's living it. From coming out and navigating trans parenthood to the thrills of gender-bending pop stars, fashion disasters and looking like Velma Dinkley, this is a tale of ripping it up and starting again: Carrie's story in all its fearless, frank and funny glory. *"Spoiler: That man was me." - Carrie

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Cash & Carrie return in all-new adventures! It’s all fun and games at Summer Camp Sobol until strange things start happening. Campers go missing, Bigfoot might exist, and does anyone know what's really in the coleslaw? With no Wi-Fi and the mosquito repellent not cutting it, our detective duo will have to stick together to solve these mysteries on their own. Will Cash & Carrie survive this spooky summer camp of supreme superstition? And who will win the Camp Sobol Summer Games? You'll have to read Book Two: Summer Sleuths to find out!

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Power, Desire, Social Justice, Representation, Beauty and Compassion Widely considered to be one of the most influential American living artists, Carrie Mae Weems has developed a practice celebrated for her exploration of cultural identity, power dynamics, desire, intimacy and social justice through a body of work that challenges the prevailing representations of race, gender, and class. Defined by the use of photography, installation, film, performance and textile, her remarkably diverse and radical practice questions dominant ideologies and historical narratives created and disseminated within science, architecture, and mass media. Published in the context of her solo exhibitions at Barbican Art Gallery London and Kunstmuseum Basel, this book brings together a selection of Weems’ own writings, lectures, and conversations for the first time, providing personal insights into themes such as the consequences of power, artistic appropriation, music as inspiration, history-making, and the normative role of architecture.

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“In book form, Kitchen Table is more intimate…. Unlike the experience of meandering through a museum, stepping back to appreciate the images and nearing the text panels to skim them, the pace of exploration is now in a person’s hands.” –Hilary Moss, New York Times This publication is dedicated solely to the early and canonical body of work by American artist Carrie Mae Weems (born 1953). The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman’s life, as conducted in the intimate setting of her kitchen. The kitchen, one of the primary spaces of domesticity and the traditional domain of women, frames her story, revealing to us her relationships—with lovers, children, friends—and her own sense of self, in her varying projections of strength, vulnerability, aloofness, tenderness and solitude. As Weems describes it, this work of art depicts “the battle around the family ... monogamy ... and between the sexes. Weems herself is the protagonist of the series, though the woman she depicts is an archetype. Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility of people of color, and has to do with, in the artist’s words, “unrequited love.”

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Sidney and Carrie return in this uplifting Little Gem by award-winning author Lisa Thompson as Carrie embarks on a mission to discover her special talent. Carrie’s best friend Sidney is planning to show off his tap-dancing skills during Friday Fun Time at school and Carrie wants to join in. She plans an amazing routine where Sidney will dance and she will roller skate. But there’s one big problem … Carrie has never roller skated before. Will the performance end in disaster or will their friendship help them to dazzle the audience?

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A visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and power Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles. Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey’s writings on his own and others’ work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of art and Distinguished College Artist at Columbia College Chicago. Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome.

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Sidney and Carrie’s friendship is being put to the test. Can Lisa Thompson’s uplifting duo learn to compromise in time for their joint birthday party? Best friends Sidney and Carrie are really excited about having a joint birthday party! But excitement turns to disappointment when they can’t agree about the invitations, the entertainment or even the kind of cake they’d like to have. Will the birthday party be a disaster or can the two friends find a way to compromise that will make them both happy?

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The NIV Thinline Bible Carrie Collection is lightweight, fashionable and includes the complete NIV text. Featuring the latest colour combinations and a handle, customers can carry it like a purse, but read it like a Bible. It is a smart choice to take to church, travelling, retreats, or any place life takes you.

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A grand panorama of race and civil unrest in America’s past and present Carrie Mae Weems has often confronted the uncomfortable truths of racism and race relations over the course of her nearly 40-year career. In The Shape of Things she focuses her unflinching gaze at what she describes as the circuslike quality of contemporary American political life. For this new work, Weems created a seven-part film projected onto a Cyclorama—a panoramic-style cylindrical screen that dates to the 19th century—where she addresses the turmoil of current events in the United States and the “long march forward.” Drawing on news and TV footage from the civil rights era to today, elements of previous films such as The Madding Crowd (2017) and new film projects that bring us into our tumultuous present, the films in The Shape of Things combine documentary directness with poetic rhythm to create an enveloping experience. The films are narrated by Weems, and the layering of her resonant voice with these images articulates the dangerous mounting resistance to the “browning of America.” As Weems shows in these powerful works, America is irreversibly changed and changing. Carrie Mae Weems (born 1953) has received numerous awards, grants and fellowships, and is represented in public and private collections around the world, including the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Houston; and the Museum of Modern Art and the Museum of Contemporary Art, Los Angeles. Weems lives in Brooklyn and Syracuse, New York.

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The most comprehensive survey of Weems’ genre-defying oeuvre yet published One of the most influential American artists working today, Carrie Mae Weems has investigated narratives around family, race, gender, sexism, class and the consequences of power for more than 40 years. Her complex oeuvre—always ahead of its time, and profoundly formative for younger generations of artists—has employed photography (for which she is best known), fabric, text, audio, digital images, installation and video. Writing in the New York Times, Holland Cotter succinctly described Weems as “a superb image maker and a moral force, focused and irrepressible.” This volume, spanning four decades of work, is the most thorough survey yet published. It includes Weems’ earliest series, such as Family Pictures and Stories, for which she photographed her relatives and close friends; the legendary Kitchen Table Series, in which she posed in a domestic setting; and other critically acclaimed works and series such as Ain’t Jokin’, Colored People, From Here I Saw What Happened and I Cried, Not Manet’s Type, The Jefferson Suite, Monuments, Roaming, Museums, Constructing History (A Class Ponders the Future), Slow Fade to Black and the Obama Project, among many others. Contextualizing these pieces are essays by LaCharles Ward and Fred Moten and a chronology by Raul Muñoz. The book also includes a visual essay by Weems that presents a personal selection of her own works from the artist's perspective. The accompanying exhibition is organized by Fundación MAPFRE in collaboration with Fundación Foto Colectania, Barcelona and Württembergischer Kunstverein, Stuttgart, where the exhibition Carrie Mae Weems. The Evidence Of Things Not Seen took place from April 2 through July 10, 2022. Carrie Mae Weems (born 1953) has received numerous awards, grants and fellowships, and is represented in public and private collections around the world, including the Metropolitan Museum of Art, the Museum of Fine Arts, Houston, the Museum of Modern Art and the Museum of Contemporary Art, Los Angeles. Weems lives in Brooklyn and Syracuse, New York.

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Featuring contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this ‘horror of a Broadway musical’ lived, died and was subsequently resurrected as a mainstream success story. In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King’s Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide. Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world. Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and ‘Friends of Carrie’ alike.

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Jasmine Stirling, author of A Most Clever Girl: How Jane Austen Discovered Her Voice, delivers a powerful, poetic picture book biography about suffragist Carrie Chapman Catt, perfect for fans of I Dissent: Ruth Bader Ginsburg Makes Her Mark and the Rebel Girls series. As a child, Carrie Chapman Catt asked a lot of questions: How many stars are in the sky? Do germs have personalities? And why can't Mama vote? Catt's curiosity led her to college, to a career in journalism, and finally to becoming the president of The National American Woman Suffrage Association. Catt knew the movement needed a change-and she set to work mobilizing women (and men) across the nation to dare to question a woman's right to vote. On August 18, 1920, Catt pinned a yellow rose to her dress and waited while lawmakers in Tennessee cast their deciding votes to ratify the 19th Amendment to the Constitution of the United States of America. After a seventy-year campaign, had women finally won the right to vote? Stirling's suspenseful retelling of the dramatic final "yea" that changed the history of women's rights brings the past to life for young readers.

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Featuring contributions from over eighty original cast members, creatives, crew and audience members, Out For Blood pieces together the surprising, hilarious and often-moving inside story of Carrie The Musical to discover how this ‘horror of a Broadway musical’ lived, died and was subsequently resurrected as a mainstream success story. In 1988, following the success of its production of Les Misérables and in the wake of the commercial success of mega-musicals such as Cats, Phantom of the Opera and Chess, the Royal Shakespeare Company agreed to co-produce a musical based on Stephen King’s Carrie, written by the team behind Fame. The result was one of Broadway's most infamous disasters. Plagued by technical problems, on-stage chaos and a critical savaging, Carrie would soon become the by-word for musical theatre flops. But thanks to the efforts of a vocal army of fans and the impact of bootleg trading and emerging online communities, the show reinvented itself as a mainstream success story with thousands of productions worldwide. Patching together memories, archive material and contemporary reports, Out For Blood dives into the origins and development of this infamous show and examines how a promising entertainment product can swiftly gain a notorious reputation, what makes or breaks a Broadway show, and how even the most unlikely of musicals can find its place in the hearts of fans around the world. Based on the hit ten-part podcast, Out For Blood will delight theatregoers, flop aficionados and ‘Friends of Carrie’ alike.

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Until the posthumous publication of the Millennium Trilogy, Stieg Larsson was probably best known for his commitment to left-wing causes, and his tireless work as an anti-fascist activist. Horrified by the rise of far-right extremism in Sweden, he threw himself into monitoring and exposing these often shadowy and violent groups and gained an international reputation for the depth of his achievements and knowledge. However his work carried substantial risks and he and his partner Eva Gabrielsson lived in constant fear for their lives. Jan Erik-Pettersson shows how Stieg's activism and energetic championing of social justice and women's rights characterised his life, as well as demonstrating how these concerns animated his huge-selling Millennium Trilogy, in particular the unforgettable character of Lisbeth Salander. He also persuasively establishes Stieg's place within the explosion of Scandinavian crime with which his novels are so closely associated, showing that in many ways his fiction stands somewhat apart from the work of other authors in this tradition. In Stieg: From Activist to Author, Jan Erik-Pettersson portrays a man willing to put his life at risk in order to fight for the things in which he believed, and an author whose inimitable work was energized by the causes to which he was so strongly committed.

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Carrie Johnson is not only the consort of the Prime Minister, Boris Johnson; she is also considered by some to be the second most powerful unelected woman in Britain after the Queen. Since she moved into Downing Street in July 2019, questions have been raised about her perceived influence, her apparent desire to control events, and the number of her associates who have been appointed to positions of standing in the government machine. So, are these concerns justified? In this carefully researched unauthorised biography, Michael Ashcroft charts the extraordinary ascent of Mrs Johnson, speaking to multiple sources who have been close to her and to Boris Johnson in recent years to produce a fascinating portrait of a woman who is still under the age of thirty-five. The book scrutinises Mrs Johnson's colourful family, her attempt to become a professional actress, and her early decision to work in politics. Long before she moved into No. 10, Mrs Johnson made a name for herself as a Conservative Party press aide before becoming a special adviser to two Cabinet ministers and eventually director of communications at Conservative campaign headquarters. Aside from politics, she is also the mother of two young children and campaigns in the fields of the environment and animal welfare. Carrie Johnson is without doubt a very modern prime ministerial spouse. This examination of her career and life offers the electorate the chance to assess exactly what role she plays in Boris Johnson's unpredictable administration and why that matters.

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This hot, two-in-one biography examines the complicated co-dependencies of the greatest but most dysfunctional mother-daughter act in showbiz, Debbie Reynolds and her talented, often traumatized daughter, Carrie Fisher. After years of feuds and separations, they reunited at the end of their lives. Today, their legions of fans like to think they're each doing fine, together in some galaxy far, far away. Debbie Reynolds and Carrie Fisher were the greatest mother-daughter act in show business. Frank Sinatra stole her virginity, but she married pop singer Eddie Fisher for the “official deflowering” (her words). Through storm and rain, Debbie battled on, hitting a high point when she starred as Tammy in 1957 and her most memorable role was in 1964, when she was cast in the rags-to riches saga of The Unsinkable Molly Brown. Each of her three marriages was a disaster, the second one to a millionaire shoe manufacturing mogul who bankrupted both of them. Impoverished after the divorce, she ended up sleeping in her car. Debbie mingled with the élite of Hollywood in the dying days of its Golden Age. Luminaries included Clark Gable (“if I were only twenty years younger….); Judy Garland (who propositioned her); Lana Turner; Bette Davis (“she was my daughter”) and Glenn Ford, who fell in love with her. A rebellious daughter, Carrie grew up to endure a life of living hell—pill popping, drug abuse, chronic anxiety, failed love affairs, bipolar disorder, and electroshock therapy. Carrie sometimes protested: “I don’t want to be the daughter of Debbie Reynolds. I battled demons that set my brain on fire.” International celebrity came in 1977, when she played Princess Leia in Star Wars as an elaborately coiffed intergalactic princess, spearheading “The Force,” and strong enough to oppose the villainy of Darth Vader.

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Discover the journey that led to the No. 1 international bestseller Untamed, from the life-changing guru that every woman needs'Do it. Read it. Live it. Practice it.' ADELE'Profound. I can't stop thinking about this book' Brene Brown'What an absolute guru of a woman' ELIZABETH DAY, author of HOW TO FAIL 'Here's my hunch: nobody's secure, and nobody feels like she completely belongs. Those insecurities are just job hazards of being human. On my deathbed, I'm not going to wish I had danced like JLo; I'm just going to wish I had danced more.' On Mother's Day, 2002, Glennon Doyle was unmarried, addicted to drugs, booze, food and bad love.But by a strange twist of fate, it was on this day that she discovered she was pregnant.After twenty years of wilful self-destruction, how could Glennon rise to the challenge of looking after the helpless, innocent child growing within her, when she couldn't even look after herself? This is the inspiring story of Glennon Doyle; the mother who, for the love of her child, was determined to change her life forever.Carry On, Warrior is the life-changing book by Glennon Doyle about the power of the love we hold for our family, and for ourselves.Praise for Glennon Doyle'This book will shake your brain and make your soul scream' Adele'Some books shake you by the shoulders while others steal your heart. Glennon does both at the exact same time' Brené Brown 'Remarkable' Fearne Cotton'A testament to the power of vulnerability...words that anyone who's ever known pain or shame can relate to' Oprah Winfrey'This book will change lives, and I am incredibly grateful that it exists' Elizabeth Gilbert, bestselling author of EAT PRAY LOVE

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A new edition of the third book in Michael Bond's classic series about the unstoppable and much-loved guinea-pig, Olga da Polga. From the author of Paddington Bear, Michael Bond's little guinea-pig with a big imagination has been charming readers for over 50 years. There are new arrivals in the Sawdust family and Olga is very keen to meet them. Who are the mysterious creatures living in a palace upstairs in the bedroom? It isn't long before Olga finds out - and the lucky newcomers are just in time to hear her very first poetry recital!

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The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. ‘The Things They Carried’ is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme. But while Vietnam is central to ‘The Things They Carried’, it is not simply a book about war. It is also a book about the human heart – about the terrible weight of those things we carry through our lives.

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As a little girl, brought up in an orphanage, Caroline Parker had always been told that Dept Ford was the place her disgraced mother had come from. So when years later her husband dies, leaving her penniless and with three young children to support, Caroline's first thought is to head for the place she has envisaged as home: Dept Ford. But to her horror, she finds that Dept Ford is not the country village she'd imagined, but in the middle of London, a huge, teeming city the likes of which she's never seen.Luckily a kindly passer-by takes pity on her weary children and puts them on the tram to a place where she might find lodgings which, as it turns out, is in Rotherhithe, not Deptford. And so it is Culver Road that becomes her true home, where Carrie - as her neighbours call her - and her family, helped out by the irrepressible Flo and her soft-hearted docker husband Alf, find themselves battling through times both good and bad. And it is in Culver Road that Carrie meets Jim, the enigmatic sailor who is to change her life ...

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Set in her native southwest Ontario, they include 'Royal Beatings', in which a young girl, her father and her stepmother release the tension of their circumstances in a ritual of punishment and reconciliation; 'Friend of My Youth', in which a woman comes to understand that her difficult mother is not so very different from herself; and 'The Love of a Good Woman', in which, when an old crime resurfaces, a woman has to choose whether to believe in the man she intends to marry. Like the World War I soldier of the title story, whose letters from the front to a small-town librarian he doesn't know change her life for ever, Munro's unassuming characters take permanent hold of our imaginations. Her incomparable empathy for the people she writes about, the depth of her understanding of human nature, and the grace and surprise of her narrative add up to a richly layered and capacious fiction.

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Shortlisted for the Wales Book of the Year award'I loved this... Magda is a real stand-out character for me in books I've read recently, I can't quite stop thinking about her' Jane Garvey, BBC Woman's Hour 'Brilliant... A truly convincing state-of-the-nation novel' Daily Mail 'Packs a powerful punch and makes you smile while breaking your heart'Woman's Weekly 'Fierce and compassionate'Mail on Sunday 'Conran's work is subtle and complex: there is no one right story about the Empire. Instead we are offered multiple views, ironies and contradictions that only one of most talented, tender writers in Wales could portray'New Welsh Review 'Fierce, compassionate, angry, but above all, heart-breakingly real. I was drawn in from the very first page'Claire Fuller, author of Bitter Orange 'An Indian household can no more be governed peacefully without dignity and prestige, than an Indian Empire' The Complete Indian Housekeeper and Cook, Flora Annie Steel & Grace Gardiner Magda is a former scientist with a bad temper and a sharp tongue, now living alone in a huge house by the sea. Confined to a wheelchair, her once spotless home crumbling around her, she gets through carers at a rate of knots. Until Susheela arrives, bursting through the doors of Magda's house, carrying life with her: grief for her mother's recent death; worry for her father; longing for a beautiful and troubled young man.The two women strike up an unlikely friendship: Magda's old-fashioned, no-nonsense attitude turns out to be an unexpected source of strength for Susheela; and Susheela's Bengali heritage brings back memories of Magda's childhood in colonial India and resurrects the tragic figure of her mother, Evelyn, and her struggle to fit within the suffocating structure of the Raj's ruling class. But as Magda digs deeper into her past, she unlocks a shocking legacy of blood that threatens to destroy the careful order she has imposed on her life - and that might just be the key to give the three women, Evelyn, Magda and Susheela, a place they can finally call home.'An exquisite novel: compassionate, beautiful and unflinching. I'm full of admiration for the skill with which it draws connections between the past and present, and manages to feel both timeless and achingly contemporary'Fiona McFarlane, author of The Night Guest

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