Search results for ""Author C. D. Wright""

C.D. Wright’s work is enormously varied: she was an experimental writer, a Southern writer, and a socially committed writer, yet she continuously reinvented herself with each new volume. Much of her poetry is rooted in the landscape and people of her childhood in the Ozark Mountains of Arkansas. Long admired for the honed ferocity of her vision, she wrote with a distinctive Southern accent and a cinematic eye, cut with a secular wit that only slightly tempers her exigency. The resulting poems are hypnotic documentaries that offer what she called ‘a once-and-for-all thing, opaque and revelatory, ceaselessly burning’. Like Something Flying Backwards was the first UK edition of her work, and presents a wide range of her lyrics, narratives, prose poems and odes. Based on Steal Away: Selected and New Poems (2003), a finalist for the Griffin Poetry Prize, its selection was expanded to include more later work as well as new poems not then published in book form in the US, and the complete text of her book-length poem, Deepstep Come Shining.

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C.D. Wright’s work is enormously varied: she was an experimental writer, a Southern writer, and a socially committed writer, yet she continuously reinvented herself with each new volume. Much of her poetry is rooted in the landscape and people of her childhood in the Ozark Mountains of Arkansas. Long admired for the honed ferocity of her vision, she wrote with a distinctive Southern accent and a cinematic eye, cut with a secular wit that only slightly tempers her exigency. The resulting poems are hypnotic documentaries that offer what she called ‘a once-and-for-all thing, opaque and revelatory, ceaselessly burning’. Bloodaxe published her first UK retrospective Like Something Flying Backwards: New & Selected Poems in 2007. In One with Others, Wright returned to her native Arkansas and examines an explosive incident grounded in the Civil Rights Movement. In her signature style, she interweaves oral histories, hymns, lists, interviews, newspaper accounts, and personal memories – especially those of her incandescent mentor, V (Mrs Vittitow) – with the voices of witnesses, neighbours, police, activists and a group of black students who were rounded up and detained in an empty public swimming pool. This is a history told by many voices, and it leaps howling off the page. Both a book-length poem and a probing work of investigative journalism, One with Others won the National Book Circle Critics Award.

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Spring and All is a manifesto of the imagination — a hybrid of alternating sections of prose and free verse that coalesce in dramatic, energetic, and beautifully cryptic statements of how language re-creates the world. Spring and All contains some of Williams’s best-known poetry, including Section I, which opens, “By the road to the contagious hospital,” and Section XXII, where Williams penned his most famous poem, “The Red Wheelbarrow.” Now, almost 90 years since its first publiction, New Directions publishes this facsimile of the original 1923 Contact Press edition, featuring a new introduction by C. D. Wright.

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