Search results for ""Author C. C. Lockwood""

In the early 1970s, two idealistic young people -- Gwen Carpenter Roland and Calvin Voisin -- decided to leave civilization and re-create the vanished simple life of their great-grandparents in the heart of Louisiana's million-acre Atchafalaya River Basin Swamp. Armed with a box of crayons and a book called How to Build Your Home in the Woods, they drew up plans to recycle a slave-built structure into a houseboat. Without power tools or building experience they constructed a floating dwelling complete with a brick fireplace. Towed deep into the sleepy waters of Bloody Bayou, it was their home for eight years. This is the tale of the not-so-simple life they made together -- days spent fishing, trading, making wine, growing food, and growing up -- told by Gwen with grace, economy, and eloquence.Not long after they took up swamp living, Gwen and Calvin met a young photographer named C. C. Lockwood, who shared their ""back to the earth"" values. His photographs of the couple going about their daily routine were published in National Geographic magazine, bringing them unexpected fame. More than a quarter of a century later, after Gwen and Calvin had long since parted, one of Lockwood's photos of them appeared in a National Geographic collector's edition entitled 100 Best Pictures Unpublished -- and kindled the interest of a new generation.With quiet wisdom, Gwen recounts her eight-year voyage of discovery -- about swamp life, wildlife, and herself. A keen observer of both the natural world and the ways of human beings, she transports readers to an unfamiliar and exotic place.

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Louisiana is in a desperate battle to save what remains of its coastal wetlands, which are disappearing at the rate of a football field--size area every 38 minutes. Most people are unaware of the devastating transformation of this remote region, though the effects are detrimental for the entire country economically, culturally, and environmentally. Hoping that art will inspire concern where statistics have not, and focusing on the marshlands' beauty rather than their destruction, nature photographer C. C. Lockwood and painter Rhea Gary have joined together in Marsh Mission to show that a picture is worth at least a thousand words. Their rapturous thirty photographs and thirty paintings may well leave one speechless.For an entire year, C.C. immersed himself in the wetlands, living on a houseboat -- the Wetland Wanderer -- with his wife, Sue, a schoolteacher, who created an interactive classroom from the boat via the Internet. They covered more than 5,000 miles, taking the pulse of their environs and documenting everything from oil rigs to egrets and vivid setting suns. Rhea sometimes joined the Lockwoods and other times ventured out in her own bateau, designed to hold an easel for making oil-on-paper sketches. She produced the final oil paintings on canvas in her studio.In his photographs, C.C. captures the quiet, hidden activity of the wetlands in all their paradisaical aspects. Breathtaking detail -- the reward of day-in and day-out vigilance. Rhea conveys her emotional response to the light, color, and mood of the landscape with bold impressionistic strokes in raspberry, tangerine, lime, fuchsia, azure, and yellow. Hot -- like the culture and the climate of south Louisiana. Together, the two impart an aesthetic experience that explains better than any map or scientific data the irreplaceable treasure being lost. A narrative by each artist enhances their visual testimony and gives a rare glimpse into the creative process.Formed by silt deposits from the Mississippi River, Louisiana's coastal region constitutes 40 percent of all U.S. marshlands, but it is sinking at an alarming rate because the river's leveed banks -- while essential for flood control and ship navigation -- obstruct silt replenishment. With Marsh Mission, C. C. Lockwood and Rhea Gary offer a visionary tribute to this endangered, national natural resource. Their images should arouse awareness, appreciation, and, especially, action.

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This remarkable book, first published twenty years ago, continues to offer a singular window into the customs, politics, and places of twentieth-century Louisiana. This dazzling collection of landscapes and portraits drawn from the lifework of internationally renowned photographer Fonville Winans (1911- 1992) grants readers the opportunity to see his memorable photographs of the people- from oystermen to beauty queens- and the places- from salt mines to cane fields- that exemplify the Pelican State's enchanting culture and ecology. Featuring more than 100 black-and-white photographs spanning Winans' career, this book showcases his eye for authenticity as he captures a wide array of subjects, from politicians to ordinary citizens, and exotic locales to classic Louisiana landscapes. Providing commentary and historical background, Cyril E. Vetter contextualizes Winans' popular images of the state's icons, including Huey P. Long and Edwin Edwards; depictions of festival revelers and fishing rodeos; and glimpses into the Creole and Cajun communities that skirted the Gulf Coast. Yet the photographer's most critical legacy, as Vetter contends in a new introduction, may lie in his scenes of swamps and seascapes that either no longer exist or are currently threatened with extinction. Both nostalgic and refreshing, the perceptive and intriguing images found in Fonville Winans' Louisiana feature the state at its best, as a place of diversity and distinction.

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