Search results for ""Author Bruno""

An economic and cultural revolution has shaken the photobook world in the last five years: self-publishing. An army of photographers operating as publishers have had an instrumental role in today’s photobook renaissance. This book offers a do-it-yourself manual and a survey of key examples of self-published success stories, as well as a self-publishing manifesto and list of resources. The manual portion of this volume offers insight, advice, and rudimentary how-tos for the photographer interested in self-publishing. The survey offers an overview of the contemporary self-publishing landscape and includes a contribution by the Museum of Modern Art’s art librarian and bibliographer David Senior, which grounds today’s activities in a legacy of artists’ books and collectives. The case studies themselves will each illustrate a particular theme and genre of self-publishing (such as diary, documentary, or conceptual object), and will be accompanied by personal testimonies from the artists who created them. Author Bruno Ceschel, founder of the Self Publish, Be Happy organization, provides a rallying cry for all those involved in the contemporary photobook revolution—a moment in which the photobook, in all its infinitesimal manifestations, has never before been so omnipresent in our cultural landscape, nor so critical to the photographer’s practice. Self Publish, Be Happy, founded by Bruno Ceschel in 2010, collects, studies, and celebrates self-published photobooks through an ongoing program of workshops, live events, and on/ offline projects. Its London-based collection contains more than two thousand publications. Self Publish, Be Happy is the physical manifestation of a worldwide online community formed of a new, ever-evolving generation of young artists, who experiment, stretch, and play with the medium of photography.

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Aufhebung est l'un des noms majeurs de la philosophie et l'auteur y cherche les chances d'une ultime transformation de l'esprit. Interrogeant ce noud conceptuel qui, a la fois, signifie destruction et depassement, sursaut et releve, catastrophe et metamorphose, il y cherche le chiffre d'une ultra-modernite qui regne d'abord par son pouvoir de destruction. Elucider la part de sursaut qui demeure encore accessible quand tout se fait decombre, ce n'est pas seulement interroger le plus puissant systeme philosophique de l'Occident, celui de Hegel, c'est demander a des constellations en apparence secondaires ou depassees dans l'economie du savoir: l'instant, la langue, la substance, le secret ou l'analogie de temoigner pour une faculte d'interiorisation et de synthese qui echappe aux desespoirs de l'heure, quand bien meme elle ne s'exercerait dans l'histoire que sous des formes parcellaires, decevantes ou dramatiques. Mais pour ce faire, il faut accepter d'entrer a nouveau, par-dela les certitudes communes de l'espace et du temps, dans le romantisme d'une dialectique absolue qui n'epargne rien, mais eclaire toute chose en s'imposant comme la metaphysique meme de toute destruction.

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Se limiter, comme l'a fait B. Halflants, en presence d'une edition critique deja realisee avec beaucoup de soin, a l'etude approfondie du moyen arabe d'un seul manuscrit arabe essentiel des Mille et Une Nuits, comme celui dit A" de Galland A", permet non seulement de mettre en evidence un grand nombre de traits communs au moyen arabe des juifs, des chretiens et des musulmans, mais aussi de traits propres au moyen arabe des Mille et Une Nuits. Nul doute que cette approche fructueuse sera appliquee a l'avenir a d'autres textes de moyen arabe et qu'elle permettra d'offrir aux arabisants un corpus de textes aussi etendu pour le moyen arabe des musulmans que pour celui des juifs et des chretiens.

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F.C. Gundlach, one of the most important German fashion photographers of the post-war period, has created a remarkable collection of photographs and multimedia art by famous contemporary artists. This publication provides the first opportunity to reconstruct the view of the medium of photography in juxtaposition with paintings and sculptures by these artists. “The medium of photography has the right to be thought provoking”: that was the extent of it according to Albert Oehlen’s view of the medium in 1986. This inspired the photographer and passionate collector F. C. Grundlach to make additional acquisitions by important artists, from Büttner to Förg and from Oehlen to Polke. Their anarchic will to express themselves, their wit and caustic criticism were shaped into works of art that span a variety of media. This publication uses numerous illustrations to provide an atmospheric insight into the spirit of the conditions under which they were produced and gives an overview of the fascinating breadth of the medium of photography. A Who’s Who of the “gods of contemporary art”: Georg Baselitz, Werner Büttner, Günther Förg, Richard Hamilton, Georg Herold, Hubert Kiecol, Martin Kippenberger, Jürgen Klauke, Meuser, Albert Oehlen, Sigmar Polke and Franz West.

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Die bew hrte Einf hrung in die Gaschromatographie von Bruno Kolb enth lt jetzt auch einen Abschnitt ber die GC-MS-Kopplung. Praktiker, Studenten und Auszubildende k nnen sich durch dieses Buch schnell und einfach mit der GC vertraut machen. Der Autor beschreibt neben den Grundlagen und Begriffen die Teile des GC-Systems (Injektionssysteme, Trenns ulen und Detektoren), die zahlreichen M glichkeiten der Probenaufgabe speziell f r Kapillars ulen, Betriebs-und Trennbedingungen, sowie ausf hrlich die quantitative Auswertung. Aus Rezensionen der ersten Auflage "Dieses didaktisch und graphisch gut gestaltete Buch kann den Anwendern der Kapillar-GC w rmstens empfohlen werden; es kann auch in der Ausbildung sehr gut eingesetzt werden." Chromatographia "Dem Autor ist es gelungen, ohne komplizierte Theorien zu beschreiben, in anschaulicher Weise pr zise ber die wesentlichen Grundlagen der GC zu informieren. Herausragend ist dabei die Gegen berstellung von verst ndlichen Abbildungen mit dem dazugeh rigen Text auf jeder Doppelseite des Buches. [...] Das Werk sollte deshalb in keinem GC-Labor fehlen und ist dem neuen Anwender oder den 'alten Hasen' u erst zu empfehlen." Lebensmittelchemie ber den Autor: Bruno Kolb war lange Jahre in der Perkin-Elmer Firmengruppe als Leiter der GC-Anwendung t tig und war massgeblich an der Entwicklung von GC-Detektoren und insbesondere der Headspace-Technik beteiligt. Er hat zahlreiche GC-Einf hrungs- und Anwendungskurse gegeben, ist Herausgeber und Autor mehrerer B cher sowie von ber 50 wissenschaftlichen und technischen Publikationen.

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On a monetary basis, Magdala must be considered as one of the most important and active settlements between the 1st century BC and most of the 3rd century AD on Lake Kinneret, a place of production and trade, of supply for military forces, certainly in contact with other trading centres, probably located on the Mediterranean coast, however in a 'market' perspective quite different from our current experience and even from the semantic content of this word, often abused with a semantic extension that does not correspond to the experience of the ancients. Its monetary decline started on the early 4th century, when the economic and monetary strategies of the Constantinian era shifted the flow of money to other routes, especially between the great port cities of the Mediterranean.The welcome contribution of Callegher's study derives from the new data published, which allows us to overcome "clichés" and a stereotypical view of both the archaeological site and the economy of the Upper Galilee.

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This striking portrait of our world in numbers makes statistics fun and accessible to children and their grown-ups. Every second, somewhere across the globe, an aeroplane takes off and another one lands. Two people die, and four babies enter the world. 15,000 plastic bottles are produced and 1,600 are recycled. 8,000 scoops of ice cream are eaten, 200,000 text messages are sent. This book of remarkable facts, lushly illustrated with memorable infographics, reveals the incredible things that happen each and every second in our world.

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In the arenas, the Campton kids have won their citizenship' of the In-Between-World's strange society. Now free to come and go as they please, they've left town for the mountains, following Dodzi without really knowing why. When the young boy explains to them that he is in fact trying to discover whether he is the herald of Evil - the Midnight Child - a violent dispute ensues. Meanwhile, hidden nearby, the soldiers of the First Families await an opportunity to attack...

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A sharp vision of our changing world order as Covid and climate breakdown usher in a new ‘survival of the fittest’. How well have different cultures and societies responded, and could this become a turning point in the flow of history? Before Covid, a new competition was already arising between alternative geopolitical models–but the context of this clash wasn’t yet clear. What if it takes place on neutral ground? In a state of nature, with few or no political rules, amid quickly evolving chaos? When the greatest threat to national security is no longer other states, but the environment itself, which countries might rise to the top? This book explores how Covid-19 has already transformed the global system, and how it serves as a prelude to a planet afflicted by climate change. Bruno Maçães is one of the first to see the pandemic as the dawn of a new strategic era, heralding a profoundly changed world-political landscape. Cover image: Ludwig Meidner, ‘Apocalyptic City’, 1913. © Ludwig Meidner-Archiv, Jüdisches Museum der Stadt Frankfurt am Main

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China’s Belt and Road strategy is acknowledged to be the most ambitious geopolitical initiative of the age. Covering almost seventy countries by land and sea, it will affect every element of global society, from shipping to agriculture, digital economy to tourism, politics to culture. Most importantly, it symbolises a new phase in China’s ambitions as a superpower: to remake the world economy and crown Beijing as the new centre of capitalism and globalisation. Bruno Maçães traces this extraordinary initiative’s history, highlighting its achievements to date, and its staggering complexity. He asks whether Belt and Road is about more than power projection and profit. Might it herald a new set of universal political values, to rival those of the West? Is it, in fact, the story of the century?

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The desire to be recognized is a basic human trait. In contemporary society, social media platforms play a key role in defining how processes of recognition take shape. To post, to like, or to comment have become daily practices of expressing individual recognition. On the one hand, social media platforms make it easier for individuals to be visible and to be recognized; on the other hand, they control the structure of these dynamics. This timely and original book reflects on processes of recognition on social media platforms. Revisiting traditional discussions on recognition theory, Bruno Campanella investigates how the field of media and communication has used the concept and poses new questions raised by the omnipresence of social media. He argues that existing work does not fully explore the impact of platforms on contemporary processes of recognition. Individuals must learn new skills to make themselves visible online, but how to achieve this changes as a consequence of the role played by platforms: what is seen depends on decisions taken by their algorithms, which impacts how individuals and social groups are valued in society. Recognition in the Age of Social Media is a key contribution to the field, and a must-read for students and scholars of media and communication, sociology, and politics.

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Assistive technologies for the old and people with disabilities is now a very active field of research. It also constitutes a very profitable market (expected to reach US $60 billion p.a. by 2018). The book covers key aspects of this important field and provides guidelines for developing assistive technologies in smart environments. The book also presents the new paradigm of open innovation used by the most prolific research teams around the world. The latest developments in the field are given. Overall this book will be a reference for researchers, practitioners and engineers.

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Meet Bruno Tonioli - Strictly Come Dancing judge, wildcat choreographer and stardust magnet. With his irrepressible personality and Italian exuberance, Bruno has become a TV sensation, settling the fate of Britain's ballroom hopefuls during the nation's favourite Saturday night show.Bruno's journey is mind-blowing. He fled from home at eighteen to join the dance company La Grande Eugene and travelled around Europe; he later coached the actress Goldie Hawn as a dance instructor, and orchestrated lavish productions for TV, film and pop videos, where he worked alongside The Rolling Stones, Freddie Mercury, Duran Duran and Tina Turner.Along the way Bruno has Tangoed with high fashion, performed the Cha Cha Cha with untameable pop vixens Bananarama and danced an emotional Waltz with bereavement and breakdown before settling in the perfect location - a seat on the judging panel of Strictly Come Dancing, where he wowed the nation at home and in Hollywood with his passion for dance and an excitable turn of phrase.My Story tears away the glittery wrapping of this most exuberant and loveable of TV stars. Strap yourselves in for a wild and sexy ride with more frills than Versailles.

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'He's a total rock 'n' roller. There's a bit of Mario in all of us - well, maybe not Gary Neville - but the rest of us most definitely.' Noel GallagherHe may be football's latest superstar, but Mario Balotelli is just as famous off the pitch for his eccentricity and extraordinary antics. From the time he let off fireworks in his bathroom to the notorious bib incident, he's rarely out of the news. But in his secret diary*, as we follow Mario through one turbulent football season and the trail of mayhem he leaves in his wake, we discover that the headlines only tell half the story. Whether he's hiding Silvio Berlusconi in his basement, patrolling the streets of Manchester as a caped crusader or trying to be the first Premiership footballer to go to the moon, the truth is stranger, and much funnier, than we could have expected.*not the actual diary of Mario Balotelli

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This concise textbook gathers together key concepts and modern results on the theory of holomorphic foliations with singularities, offering a compelling vision on how the notion of foliation, usually linked to real functions and manifolds, can have an important role in the holomorphic world, as shown by modern results from mathematicians as H. Cartan, K. Oka, T. Nishino, and M. Suzuki.The text starts with a gentle presentation of the classical notion of foliations, advancing to holomorphic foliations and then holomorphic foliations with singularities. The theory behind reduction of singularities is described in detail, as well the cases for dynamics of a local diffeomorphism and foliations on complex projective spaces. A final chapter brings recent questions in the field, as holomorphic flows on Stein spaces and transversely homogeneous holomorphic foliations, along with a list of open questions for further study and research. Selected exercises at the end of each chapter help the reader to grasp the theory.Graduate students in Mathematics with a special interest in the theory of foliations will especially benefit from this book, which can be used as supplementary reading in Singularity Theory courses, and as a resource for independent study on this vibrant field of research.

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Reassembling the Social is a fundamental challenge from one of the world's leading social theorists to how we understand society and the 'social'. Bruno Latour's contention is that the word 'social', as used by Social Scientists, has become laden with assumptions to the point where it has become misnomer. When the adjective is applied to a phenomenon, it is used to indicate a stablilized state of affairs, a bundle of ties that in due course may be used to account for another phenomenon. But Latour also finds the word used as if it described a type of material, in a comparable way to an adjective such as 'wooden' or 'steely'. Rather than simply indicating what is already assembled together, it is now used in a way that makes assumptions about the nature of what is assembled. It has become a word that designates two distinct things: a process of assembling; and a type of material, distinct from others. Latour shows why 'the social' cannot be thought of as a kind of material or domain, and disputes attempts to provide a 'social explanations' of other states of affairs. While these attempts have been productive (and probably necessary) in the past, the very success of the social sciences mean that they are largely no longer so. At the present stage it is no longer possible to inspect the precise constituents entering the social domain. Latour returns to the original meaning of 'the social' to redefine the notion, and allow it to trace connections again. It will then be possible to resume the traditional goal of the social sciences, but using more refined tools. Drawing on his extensive work examining the 'assemblages' of nature, Latour finds it necessary to scrutinize thoroughly the exact content of what is assembled under the umbrella of Society. This approach, a 'sociology of associations', has become known as Actor-Network-Theory, and this book is an essential introduction both for those seeking to understand Actor-Network Theory, or the ideas of one of its most influential proponents.

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Four Calabrian artists who trained during the 1970s, four different poetic paths and a communion of intentions. After Marginalia, the first group exhibition held in 1979, their path split across Italy, to reunite in 2021 in an exhibition bearing the same title. Francesco Correggia held the chair of Decoration Department in Brera Academy of Fine Arts in Milan. He initially focused on performances and site- specific actions, before turning to painting. Luigi Magli lives in Cosenza. He’s interested in semiotics and the language of art, investigating matter and its expressive possibilities through his ‘personal expressionism’. Rocco Pangaro lives in Rende. He teaches Artistic Anatomy at the Academy of Fine Arts in Catanzaro. His research is wedged in the relationship between the artistic intervention and the place that hosts it. Giovanni Vatrella moved to Gorizia. He incorporates reality in his works, showing and concealing it at the same time behind thin canvases. The book, edited by Bruno Corà, highlights the affinities and divergences of these artists. It is accompanied by a rich apparatus of significant archive images.

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This volume presents the artistic career of Klaus Münch through a selection of his work, ahead of an exhibition opening in Spoleto, Italy in October 2023. Born in Freiburg, Germany, after attending the Academy of Fine Arts in Carrara, where he graduated in sculpture, he studied in Munich, specialising in painting. Since then, he has chosen to live and work in Italy, where he pursues his personal artistic investigation of the world. His work moves in the fertile furrow between sculpture and painting. Starting from the examples of Mario and Marisa Merz, Gilberto Zorio, Giovanni Anselmo and comparing himself with artists of the same age such as Vittorio Messina and Eduard Winklhofer, Münch analyses the complex relationship between creation and space, between colour and shape. Includes essays by Marco Tonelli, Ivo Iori and the curator Bruno Corà himself. Text in English and Italian.

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Sicilian post-war and contemporary artist Vittorio Messina (b.1946), graduated from the Valle Giulia Faculty of Architecture in Rome, and his career incorporates a life-long interest in forms and materials linked with architecture. He is known for his striking installations, sculptures, and videos, and his work is often rooted in a space where the physical and the philosophical meet in cell-like constructions that are primarily formed from everyday objects that embody elusive and subtle uneasiness. His early training in architecture is seen in projects that reflect on the conditions, emotional as well as concrete, of urban life. This well-illustrated overview of his career is presented in three essays by noted art historians.

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The first monograph dedicated to the artistic journey of Sicilian-born Antonino Bove (b.1945), one of Italy’s most multifaceted contemporary artists, and his research into the sphere of dreaming and death. In the early 1960s, Antonino Bove began using a photographic camera to produce prints, and assembled images and texts, integrating materials like wax, tar, gauze, and different pigments into his paintings in addition to small objects and glass. His work is charged with an ethereal, psychological, and metaphysical sense of poetry. During the following decade, this orientation was intensified with deeper research into ethno-anthropology, characterised by social, political and historical elements. But the artist’s principal source of fascination was his utopian artistic project aimed at saving mankind from physical death, and at the same time, saving the universe itself. Text in English and Italian.

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