Search results for ""Author Bruce Hainley""

A recent film trilogy addressing the insidious and violent nature of whiteness, privilege and misogyny New York–based artist Jordan Strafer (born 1990) makes highly narrative films that are absurd and fantastical meditations on power and violence. This volume presents her latest trilogy of videos, drawing from autobiography and cultural sources to create a "Mad Libs–like" collage of visual and textual references.

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Born in Germany and based in London, Tomma Abts has received considerable acclaim for her paintings and drawings. Her work has been shown at such major international exhibitions as the Berlin Biennial (2006) and the Carnegie International (2004), as well as at prestigious museums across Europe, including Kunsthalle Basel (2005) and Van Abbemuseum (2004). In 2006 she was awarded the Turner Prize.Each Tomma Abts painting is the result of an intuitive process, a complex operation of addition and substraction. Within rigid parameters – unvarying materials and size – she conjures a progression of shapes and colours, building layer upon layer of seemingly spontaneous geometry until the work reaches its culmination: an abstract arrangement in perfect tension.This volume, the artist's first extensive monograph, provides a comprehensive survey of her work, with full-colour images of thirty-seven paintings, and eighteen drawings, as well as three specially commissioned essays. In the first essay, Laura Hoptman dismantles abstraction's historical framework to illustrate the uniqueness of Abts' approach. Jan Verwoert meditates on the subversive power of contemplation, findind in Abts' artistic process a validation of "the beauty of latency." And Bruce Hainley gazes at Abts' work through the fictional eyes of Margit Carstensen – actress, muse, and star of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant.

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A prolific social critic, Paul McCarthy is best known for his work in performance, installation, film, and sculpture. His works reference American cultural archetypes such as Disneyland, B movies, soap operas, comic books, and contemporary politics. His drawings and films skewer, often profanely, mass media and consumer-driven American society by pointing to its hypocrisy, double standards, and repression. McCarthy’s work is also deeply influenced by European avant-garde art, especially by figures such as Joseph Beuys and Samuel Beckett, and Viennese Actionism. McCarthy’s drawings share the same visual language as his three-dimensional works: violence, humour, sex, politics, art history, and popular culture. Featuring 50 years of works on paper in charcoal, pencil, pen and ink, and collage, this selection includes pieces from McCarthy’s renowned “White Snow” series, his contributions to the “Plato in L.A.” project at the Getty Museum, and recent sketches in which, unsurprisingly given the current political climate, McCarthy’s gloves-off approach feels both necessary and inevitable. This book reveals an important aspect of his drawing techniques, and situates his works on paper as one of the most significant in contemporary art.

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Lapinski’s gorgeously produced objects constitute a symbolic universe exploring the production of desire and meaning This is the most comprehensive monograph to date on Los Angeles–based artist Lisa Lapinski (born 1967), celebrated for her formally complex sculpture in a variety of mediums—including wood, wire, cement and clay—in addition to painting, photography, drawing and found material, often containing philosophical and historical references. Published on the occasion of Lisa Lapinski: Drunk Hawking, her 2020 midcareer survey at the Visual Arts Center (VAC) at the University of Texas at Austin, Lisa Lapinski: Miss Swiss includes previously unpublished images of Lapinski’s exhibitions and artworks from 2000 to the present. It also features contributions by Bruce Hainley, Graham Bader, Kyle Dancewicz, Sabrina Tarasoff and MacKenzie Stevens, as well as a conversation between the artist and linguist Viola Schmitt.

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