Search results for ""Author Ben Jonson""

Ben Jonson is overshadowed as a dramatist by Shakespeare, his great contemporary. As a poet, however, he stands high. His polished urbanity, direct expression and classicism have been especially valued in modern times. T.S. Eliot says Jonson "incorporated his erudition into his sensibility", creatively assimilating Horace, Martial and Juvenal into his poetry and hence into English literature. Richard Dutton's introduction illuminates the structure and context of Jonson's "Epigrams" and "The Forest". Dutton shows them to be carefully structured poem sequences that display Jonson's command of poetic forms and involve the reader in evaluating a range of shifting perspectives. Jonson's recurrent theme, the nature of truth and virtue, is as pertinent to day as it was in his own time.

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Complete and unabridged, with an introduction by Felix E. Schelling and a new timeline of the life and times of Ben Jonson, this elegantly designed, jacketed hardcover edition of The Alchemist is an essential collectible. First performed in 1610, The Alchemist was part of a quartet of comedies known for their wit, brilliant dialogue, and shrewd caricatures. Thought to be Jonson’s best comedy, The Alchemist follows the satirical trail of deception when the gentleman Lovewit leaves his London home due to the plague, leaving behind his servant, Face, who endeavors to dupe all manner of folks—and relieve them of their funds—with the aid of fellow con artists. What ensues is a brilliant depiction of human folly. Essential volumes for the shelves of every classic literature lover, the Chartwell Classics series includes beautifully presented works and collections from some of the most important authors in literary history. Chartwell Classics are the editions of choice for the most discerning literature buffs. Other titles in the Chartwell Classics Series include:The Essential Tales & Poems of Edgar Allen Poe; The Essential Tales of H.P. Lovecraft; The Federalist Papers; The Inferno; The Call of the Wild and White Fang; Moby Dick; The Odyssey; Pride and Prejudice; Grimm’s Fairy Tales; Emma; The Great Gatsby; The Secret Garden; Anne of Green Gables; The Phantom of the Opera; The Communist Manifesto and Das Kapital; The Republic; Frankenstein; Twenty Thousand Leagues Under the Sea; The Picture of Dorian Gray; Meditations; Alice’s Adventures in Wonderland and Through the Looking-Glass; A Tales of Two Cities; Beowulf; The Strange Case of Dr. Jekyll and Mr. Hyde; Adventures of Huckleberry Finn; Little Women; Wuthering Heights; Peter Pan; Persuasion; Aesop’s Fables; The Constitution of the United States and Selected Writings; Crime and Punishment; Dracula; Great Expectations; The Iliad; Irish and Fairy Folk Tales; The Legend of Sleepy Hollow; The War of the Worlds; and The Time Machine and The Invisible Man.

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Volpone, Or, The Fox is Ben Jonson's great parable of greed, self-interest and inheritance. Using animal fable to satirize the wealthy and the greedy, it remains one of his most distinctive and compelling dramatic works.Jonson wrote the play for performance in 1606, and orchestrated its publication the following year. In it, the wealthy Venetian Volpone pretends to be on his deathbed, encouraging Voltore, Corbaccio and Corvinothe vulture, raven and crowto compete for his fortune. With unflinching harshness and biting humour, Jonson portrays a society damningly hollowed out by over-monetization.This edition has been prepared by leading textual expert, John Jowett. With incisive scholarship, he explores the play's craftsmanship and examines how theatre practitioners and critics engage with it. Detailed notes explicate an authoritative text and breathe new life into it for readers today.Arden Early Modern Drama editions offer the best in contempora

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Drama Classics: The World's Great Plays at a Great Little Price Face, Subtle and Dol Common are three rogues intent on conning the gullible out of their money. Setting up a quack-doctor's practice in Lovewit's house they promise miraculous services that cost their customers dear. Everything goes swimmingly, until Lovewit returns and the three turn against each other. Ben Jonson's classic comedy The Alchemist was first performed by the King's Men in 1610. This edition of the play in the Nick Hern Books Drama Classics series is edited by Simon Trussler, with an introduction by Colin Counsell.

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Drama Classics: The World's Great Plays at a Great Little Price Ben Jonson's comedy, one of the finest of the Jacobean era. Volpone is a Venetian aristocrat, a loveable rogue who enjoys the cunning pursuit of wealth more than money itself. Pretending to be mortally ill, he watches as his greedy neighbours swarm around him with expensive gifts in the hope of inheriting his fortune. Volpone was premiered by the King's Men at the Globe Theatre, London, in 1606. This edition of Volpone, in the Nick Hern Books Drama Classics series, is edited by R.B.Parker, and introduced by Colin Counsell.

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The Alchemist is set during a plague epidemic in the Liberty of Blackfriars in 1610 - and was first performed on tour in 1610 by the company whose London home at Blackfriars was temporarily closed due to a plague epidemic. The play is a sublimely accomplished satirical farce about people's diverse dreams of self-refinement: they all want to transform themselves into something nobler, richer, more powerful, more virile, just as base metal was supposed to be transformed into gold in the alchemical process. During their master's absence from the house, the con-artists Face, Subtle and Doll Common dupe a series of 'customers' whose greed leads them to believe in the existence of the fabled Philosopher's Stone. As their equipment boils over and blows up in the offstage kitchen, so their plot heats up and is exploded by the sceptical Surly and the arrival of their master - who quietly pockets their proceeds and marries the rich widow to boot. The lively introduction focuses on the play as a comedy about swindlers and characters on the margins of society. It highlights Jonson's cratft as a dramatist and his masterful use of language, building into the play all actors and directors need to know about its characters and action. With helpful on-page commentary notes, this student edition also discusses the play in its theatrical and historical context and traces its connections to modern theatre, bringing its farcical comedy vividly to life.

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The sharpest, funniest comedy about money and morals in the 17th century is still the sharpest and funniest about those things in the 21st. The full play text is accompanied by incisive commentary notes which communicate the devastating comic energy of Volpone’s satire. The introduction provides a firm grounding in the play’s social and literary contexts, demonstrates how careful close-reading can expand your enjoyment of the comedy, shows the relevance of Jonson’s critique to our modern economic systems, and provides a clear picture of how the main relationships in the play function on the page and stage. Supplemented by a plot summary and annotated bibliography, it is ideal for students of Jonson, city comedy and early modern drama.

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This edition brings together Jonson's four great comedies in one volume. Volpone, which was first performed in 1606, dramatizes the corrupting nature of greed in an exuberant satire set in contemporary Venice. The first production of Epicene marked the end of a year long closure of the theatres because of an epidemic of the plague in 1609; its comedy affirms the consolatory power of laughter at such a time. The Alchemist (1610) deploys the metaphors of alchemical transformation to emphasize the mutability of the characters and their relationships. In Bartholomew Fair (1614) Jonson embroils the visitors to the fair in its myriad tempations, exposing the materialistic impulses beneath the apparent godliness of Jacobean Puritans. Under the General Editorship of Michael Cordner of the University of York the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. Stage directions hvae been added to facilitate the reconstruction of the plays' performance, and there is a scholarly introduction, detailed annotation, and a glossary. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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In this series, a contemporary poet selects and introduces a poet of the past. By their selection of verses and by the personal and critical reactions they express in their introductions, the selectors offer a passionate and accessible introduction to some of the greatest poets in history. Ben Jonson (1572-1637) was born in London, and became a leading poet, playwright and essayist of the Elizabethan age. In 1598he killed an actor in a duel but escaped hanging by pleading benefit of the clergy, and by 1616 had re-established enough Court favour to be awarded a pension by James I - in effect making him the first Poet Laureate.

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The three plays collected in this volume depict the faults, errors and foibles of ordinary people with exuberant humour, savage satire and acute observations. Volpone portrays a rich Venetian who pretends to be dying so that his despised acquaintances will flock to his bedside with extravagant gifts in hope of an inheritance. The Alchemist also deals with greed and gullibility, as a rascally trio of confidence tricksters, claiming to have the legendary Philosopher's Stone, fool a series of victims who are hoping to make some easy money. And in a wonderfully energetic portrait of Jacobean life, Bartholomew Fair shows a diverse group of Londoners sampling the delights and temptations of the Fair - and the traders, prostitutes and cutpurses who set out to exploit them.

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The Alchemist has long been admired as one of Ben Jonson's best dramas-Samuel Taylor Coleridge famously deemed it one of the most 'perfect' plots in literature. Its satiric cleverness and metatheatricality have delighted audiences from its first performance to the present day; readers and play-goers are swept up in the schemes of a fake alchemist and other determined fraudsters whose scams appear to offer easy wealth and immortality to their morally compromised victims. While no characters emerge unscathed by Jonson's satire, and while alchemy itself is revealed as most likely a sham, the play is nonetheless a tribute to the transformative - indeed, the alchemical-powers of the theater.This edition includes a helpful introduction to the play, including discussion of its performance history and background information on alchemy. Thorough annotations to the text are also provided, as are contextual materials, including a selection of Jonson's sources, further materials on alchemy, and an example of the 'rogue' or 'coney-catching' literature that informs Jonson's portrayal of the grifters in the play.

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The Nick Hern Books RSC Classics - a series of rarely performed plays from the 16th and 17th centuries, published alongside their resurrection by the Royal Shakespeare Company in Stratford-upon-Avon and the West End. Eastward Ho! is a collaboratively written City Comedy by Ben Jonson, John Marston and George Chapman, which sees true love and virtue triumphing over social-climbing, deception and trickery. Teeming with energy and larger than life characters, Eastward Ho! sees Touchstone, a London goldsmith, preparing to marry off his two daughters. Touchstone's two apprentices lead the wooing until the rakish fop Sir Petronel Flash arrives on the scene. Eastward Ho! was first performed at the Blackfriars Theatre, London, in 1605. This edition of the play is edited with an introduction by Helen Ostovich and preface by Gregory Doran. The plays in the RSC Classics series reflect the diversity of styles, themes and subjects of the Elizabethan and Jacobean stage, and include a 'new' addition to the Shakespeare canon.

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Thomas Dekker: The Shoemaker's Holiday George Chapman, Ben Jonson, John Marston: Eastward Ho! Ben Jonson: Every Man In His Humour Thomas Middleton and Thomas Dekker: The Roaring Girl Oxford English Drama offers plays from the sixteenth to the early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographies illuminate the plays' cultural contexts and theatrical potential for reader and performer alike. 'The series should reshape the canon in a number of significant areas. A splendid and imaginative project.' Professor Anne Barton, Cambridge University ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Originally published in 1928, this book presents the text of The Alchemist by Ben Jonson. An editorial introduction is included, along with extensive notes. Spelling and punctuation are occasionally modernised and a few passages are omitted, but aside from this the text of William Gifford's 1816 edition is followed. This book will be of value to anyone with an interest in English theatre and early modern literature.

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