Search results for ""Author Bart Van Es""

WINNER OF THE COSTA BOOK OF THE YEAR 2018WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2018A SUNDAY TIMES PAPERBACK OF THE YEAR 2019'A masterpiece of history and memoir' Evening Standard'Superb. This is a necessary book - painful, harrowing, tragic, but also uplifting' The Times__________________________________________________Little Lien wasn't taken from her Jewish parents in the Hague - she was given away in the hope that she might be saved. Hidden and raised by a foster family in the provinces during the Nazi occupation, she survived the war only to find that her real parents had not. Much later, she fell out with her foster family, and Bart van Es - the grandson of Lien's foster parents - knew he needed to find out why.His account of tracing Lien and telling her story is a searing exploration of two lives and two families. It is a story about love and misunderstanding and about the ways that our most painful experiences - so crucial in defining us - can also be redefined.___________________________________________________'Luminous, elegant, haunting - I read it straight through' Philippe Sands, author of East West Street'Deeply moving. Writes with an almost Sebaldian simplicity and understatement' Guardian'Sensational and gripping . . . shedding light on some of the most urgent issues of our time' Judges of the Costa Book of the Year 2018

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From The Two Gentlemen of Verona in the early 1590s to The Two Noble Kinsmen at the end of his career around 1614, Shakespeare wrote at least eighteen plays that can be called 'comedies': a far higher number than that for any other genre in which he wrote. So what is a Shakespearean comedy? We associate these plays with such themes as mistaken identities, happy marriages, and exuberant cross dressing, but how representative are these of the oeuvre as a whole? In this Very Short Introduction, Bart van Es explores the full range of the playwright's comic writing, from the neat classical plotting of early works like The Comedy of Errors to the corrupt world of the so-called problem plays, written in the middle years of Shakespeare's life. Examining Shakespeare's influences and sources, van Es compares his plays to those of his rivals, and looks at the history of the plays in performance, from the biographies of Shakespeare's original actors to the plays' endless reinvention in modern stage productions and in films. Identifying the key qualities that make Shakespearean comedy distinctive, van Es traces the changing nature of Shakespeare's comic writing over the course of a career that spanned nearly a quarter century of theatrical change. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Hinterland is a quarterly, print and digital magazine dedicated to creative non-fiction.Hinterland offers an answer to the question ‘what is creative non-fiction?’ by showcasing the best new writing across the fields of memoir, essay, travel and food writing, reportage, psychoscape, biography, flash non-fiction and more. Their pages bring together work by established, award-winning authors alongside new writers, many of whom we are thrilled to publish for the first time and whose work, we promise, will merit your full attention. Hinterland intends to challenge, move, entertain and, above all, be a fantastic read. Their second issue features brand-new non-fiction by Richard Beard (The Day that went Missing) with accompanying illustrations by Dru Marland and a non-fiction play by Antoinette Moses, as well as a stellar line up of talented new writers who we know you’re going to love. Issue 2 also includes an interview with Bart Van Es (The Cut Out Girl), a photo essay by photographer Martin Eberlen and a look at the life of the Speaker of the House, John Bercow, by Stephen Massil.

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