Search results for ""Author Barry Lee""

REAL TALK: We are growing and changing all the time. Sometimes growth is easy and at other times well during the tougher bits it would be nice to have our efforts acknowledged. This card does just that. If someone you care for is going through changes BIG or small, this card will let them know that you notice and appreciate their hard work at being human. Encouraging, supportive and sweet. Blank greeting card with matching kraft envelopeA2 size (4.25 x 5.5 inches)Printed in California with eco-friendly vegetable inks on heavyweight matte stockComes in certified compostable card sleeve derived from plant-based PLA

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This daily oracle deck by artist & writer Barry Lee is all about emotional self-care. It's not meant to tell you what to do, but to help you connect with your own inner knowing—to gently bring you back to your own center every day, and to add a little slice of tranquility & joy to your day. No matter what's going on, you deserve to be reminded you are worthy of love and tender moments of comfort, beauty, and whimsy. Written and illustrated by Barry Lee File under: self-care cards, mindfulness cards, meditation cards Portfolio-style box with magnetic closure 40 cards, with rounded corners, 3.25 x 4.5 inches

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No special occasion needed to let someone know that you are grateful they are in your life. This card and sentiment comes with its own special sort of good energy, and it's sure to convey to the recipient that they are special and just how grateful you are that they exist. Blank greeting card with matching kraft envelope A2 size (4.25 x 5.5 inches) Printed in California with eco-friendly vegetable inks on heavyweight matte stock Comes in certified compostable card sleeve derived from plant-based PLA

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This card. This card is for the people in your life who were there for you in small and large ways while you figured something out. You know the type of people whom you can connect with right away after you've been out of touch for awhile? The people who don't hold it against you if you don't return texts right away or show up to parties? The people who would answer their phone in the middle of the night if you called? These people hold space for you to be yourself, to work on things in your head. They wait for you because they know you are worth it. And you are. This card is for them. Blank greeting card with matching kraft envelope A2 size (4.25 x 5.5 inches) Printed in California with eco-friendly vegetable inks on heavyweight matte stock Comes in certified compostable card sleeve derived from plant-based PLA

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There is no better way to send gratitude someone's way than this bold and cheerful card illustrated by Barry Lee. It's like sunshine and the essence of love got together and made a garden of thanks. Blank greeting card with matching kraft envelope A2 size (4.25 x 5.5 inches) Printed in California with eco-friendly vegetable inks on heavyweight matte stock Comes in certified compostable card sleeve derived from plant-based PLA

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Even with just forty-one recordings to his credit, Robert Johnson (1911-38) is a towering figure in the history of the blues. His vast influence on twentieth-century American music, combined with his mysterious death at the age of twenty-seven, still encourage the speculation and myth that have long obscured the facts about his life. The most famous legend depicts a young Johnson meeting the Devil at a dusty Mississippi crossroads at midnight and selling his soul in exchange for prodigious guitar skills. Barry Lee Pearson and Bill McCulloch examine the full range of writings about Johnson and weigh the conflicting accounts of Johnson's life story against interviews with blues musicians and others who knew the man. Their extensive research uncovers a life every bit as compelling as the fabrications and exaggerations that have sprung up around it. In examining the bluesman's life and music, and the ways in which both have been reinvented and interpreted by other artists, critics, and fans, Robert Johnson: Lost and Found charts the cultural forces that have mediated the expression of African American artistic traditions.

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Yum. Being compared to a cake is a high compliment. This bright and clever birthday card is sure to be seen as a gift in itself. If you're IRL friends with us, this is the card we are looking forward to receiving this year. Blank greeting card with matching kraft envelope A2 size (4.25 x 5.5 inches) Printed in California with eco-friendly vegetable inks on heavyweight matte stock Comes in certified compostable card sleeve derived from plant-based PLA

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This friendship card is so sweet, it makes us tear up (in a good way!) thinking about the people that make up our inner circle. Real friendship is sacred, and now is a good time to let your people know how you feel about them. Blank greeting card with matching kraft envelope A2 size (4.25 x 5.5 inches) Printed in California with eco-friendly vegetable inks on heavyweight matte stock Comes in certified compostable card sleeve derived from plant-based PLA

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Steve Cushing, the award-winning host of the nationally syndicated public radio staple Blues before Sunrise, has spent over thirty years observing and participating in the Chicago blues scene. In Pioneers of the Blues Revival, he interviews many of the prominent white researchers and enthusiasts whose advocacy spearheaded the blues' crossover into the mainstream starting in the 1960s. Opinionated and territorial, the American, British, and French interviewees provide fascinating first-hand accounts of the era and movement. Experts including Paul Oliver, Gayle Dean Wardlow, Sam Charters, Ray Flerledge, Paul Oliver, Richard K. Spottswood, and Pete Whelan chronicle in their own words their obsessive early efforts at cataloging blues recordings and retrace lifetimes spent loving, finding, collecting, reissuing, and producing records. They and nearly a dozen others recount relationships with blues musicians, including the discoveries of prewar bluesmen Mississippi John Hurt, Son House, Skip James, and Bukka White, and the reintroduction of these musicians and many others to new generations of listeners. The accounts describe fieldwork in the South, renew lively debates, and tell of rehearsals in Muddy Waters's basement and randomly finding Lightning Hopkins's guitar in a pawn shop. Blues scholar Barry Lee Pearson provides a critical and historical framework for the interviews in an introduction.

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