Search results for ""Author B.B.""

Dodder, Baldmoney, Cloudberry, and Sneezewort are the last four gnomes in Britain and were first introduced to us in the Carnegie Medal-winning book, The Little Grey Men. In this charming book their story continues and we find them tucked up in their cosy home, next to the Folly, for winter. But when they're awakened from their sleep with the terrible news that the Folly is drying up, they must pack up their belongings and head off in their boat, the Jeanie Deans, to find a new home where they can be safe once again. Along the way they face many dangers and their journey is sometimes perilous and packed with adventure.

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Three brothers run away from home to live like Robin Hood and his merry men, deep in the forest of Brendon Chase. They make their camp in an ancient oak tree and live like outlaws, loving the dangers and excitements of their wild surroundings.Their aim is never to be caught - but how can they avoid all the people who are searching for them, including the police?

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The last four gnomes in Britain live on the banks of the bubbling Folly brook. They are perfectly happy with their quiet life, except, that is, for one . . . Cloudberry. Restless and longing for adventure, Cloudberry sets off to follow his dream. But when he doesn't return, the remaining gnomes must set off on their own adventure to find him. This is the story of the brothers' epic journey in search of Cloudberry and is set against the background of the English countryside, beginning in spring, continuing through summer, and concluding in autumn, when the first frosts start to arrive. This enchanting tale was the winner of the prestigious Carnegie Medal and features the author's own beautiful illustrations throughout.

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What do you do when you are faced with the impossible choice between listening to your heart or your head? Sixteen year old Lilah keeps asking herself this exact question. Newly orphaned and moving into foster care, Lilah’s one saving grace is Joey, her deceased twin brother’s childhood best friend who, as luck has it, lives next door to her new foster family. The problem is, Joey harbors a secret, one Lilah must find out. When she does, she must decide: will she follow her heart and newfound love, Joey, into Nolianna, a secret, mysterious carnival world run only by foster children that is recruiting new members? Or will she listen to her head and follow the clues that Nolianna may not be what it seems? When Sebastian, the future leader of Nolianna sets his sights on having her join, will she even have a choice? With time ticking away, Lilah must decide if love is enough to keep her and Joey together in Nolianna, or if she can rely on what she knows to be true and save them from disappearing for good.

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This important book analyses the impact of macroeconomic reforms in India through an econometric model. The book concludes that the economy has shifted to a higher growth path in recent years, however to further accelerate it would require substantial improvement in both productivity of capital and rate of investment.

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In 1773, Poems on Various Subjects, Religious and Moral became the first book of poetry by an African-American author to be published. At the tender age of seven, Phillis had been brought to Massachusetts as a slave and sold to the well-to-do Wheatley family. There, she threw herself into education, and soon she was devouring the classics and writing verse with whatever she had to hand – odes in chalk on the walls of the house. Once her talent became known, there was uproar, and in 1772 she was interrogated by a panel of ‘the most respectable characters in Boston’ and forced to defend the ownership of her own words, since many believed that it was an impossible that she, an African-American slave, could write poetry of such high quality. As related in the 1834 memoir by an outspoken proponent of antislavery, B.B. Thatcher, also included in this volume, the road to publication was not straight, and while it became clear that such a volume could not be published in America at the time, Phillis was recommended to a London publisher, who brought out the book – albeit with an attestation as to her authorship, as well as a ‘letter from her master’ and a short preface asking the reader’s indulgence. This edition includes the attestation, the ‘letter from her master’ and notes from the original publishers as an appendix, so that the twenty-first-century reader can discover Phillis Wheatley as she should have been read – as a poet, not property.

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