Search results for ""Author August Sarnitz""

The title of the book sets the two fields of activity pursued by the architect, architectural historian and theorist August Sarnitz – building and writing – in a reciprocal relation: the context to what has been built emerges in the process of writing, just as the context to what has been written emerges in the process of building. The structure of the book follows precisely this reciprocity: an essay about architectural history and Big Data is followed by three on the topics of urban development, social housing, and the fiction of space. A number of influential Viennese architects appear as well: Frank, Kiesler, Hollein and Prix. The topics of housing, design and furniture are all illustrated with Sarnitz’s own projects; the end of the book is dedicated to architectural photography, which is especially important to Sarnitz in his capacity as publicist. The richly illustrated book is the first to document Sarnitz’s work as author, designer, exhibition designer, architect and photographer.

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Der Titel des Buches setzt die beiden Tätigkeitsfelder, das Bauen und das Schreiben, des Architekten, Architekturhistorikers und Theoretikers August Sarnitz in eine wechselseitige Beziehung: im Schreiben entsteht der Kontext zum Gebauten – so wie das Bauen im Kontext des Geschriebenen steht. Eben diesem Wechselspiel folgt auch der Aufbau des Buches: einem Essay über Architekturgeschichte und Big Data folgen drei Aufsätze zu den Themen Städtebau, sozialem Wohnbau und der Fiktion des Raums. Auch einige prägende Wiener Architekten treten auf: Frank, Kiesler, Hollein und Prix. Die Themen Wohnen, Design und Möbel werden mit eigenen Projekten von Sarnitz illustriert; am Ende widmet sich das Buch der Architekturfotografie, die für Sarnitz als Publizisten große Bedeutung hat.

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Adolf Loos (1870–1933) was a flamboyant character whose presence in the cultural hotbed of early 1900s Vienna galvanized the country’s architectural landscape. An early, impassioned advocate of modernism, he all-out rejected the grand Secessionist aesthetic prevalent at the time, as well as any hallmarks of the European fin de siècle. Instead, in lectures and essays, such as the milestone Ornament and Crime of 1908, Loos articulated his “passion for smooth and precious surfaces.” He advocated that architectural ornamentation was, by its nature, ephemeral—locked into current trends and styles, and therefore quickly dated. Loos, himself a Classicist at heart, argued instead for simple, timeless designs with time-honored aesthetic and structural qualities. In this essential introduction, we explore Loos’s writings, projects, and legacy, from his key concept of “spatial plan” architecture to his rejection of decorative fripperies in favor of opulent, fine-quality materials and crisp lines. Featured projects include Vienna’s Café Museum (1899), the fashion store Knize (1913), and the controversial Loos House (1912), which Emperor Franz Joseph I would refuse to travel past, bristling with rage at its insolently minimalist aesthetic.

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The first publication to catalog the complete works of architect and arts advocate Alfred Preis, a Viennese modernist who fled Nazi-occupied Austria and transformed regional Hawaiian architecture, with his best-known project being the USS Arizona Memorial at Pearl Harbor. Architect, planner, and arts advocate Alfred Preis (1911–1994) dedicated his many creative talents to his beloved, adopted home, Hawai‘i. Born to a Jewish family, raised, and educated in Vienna, Preis became an exile after escaping from Nazi-occupied Austria in 1939 and briefly being interned as an “enemy alien” when the United States entered World War II. Preis emerged as one of Hawai‘i’s leading modern architects in the 1950s and 1960s. His celebrated architectural career spanned twenty-three years. In this time, he designed almost one hundred and eighty completed projects ranging from residences, schools, commercial buildings, and public parks. His new, regionalist vision for architecture and planning were specific to the Hawaiian context, its people, its tropical climate, and its stunning landscape. Preis’s crowning achievement was his design for the famed USS Arizona Memorial at Pearl Harbor in 1962. This is the first publication to examine Alfred Preis’s body of work in architecture, which spans from 1939 to 1963, including not only several acclaimed public projects but also illustrating the transition from a European modern language into a regional modernism, unifying both cultures in distinct and pioneering ways. In later years through his legislative work, Alfred Preis became a visionary advocate and leader for the public arts, creating the first 1% law in the United States, which stipulated that 1% of all public building construction be used for the purchase of public art.

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