Search results for ""Author Arthur Miller""

Sus editores norteamericanos la rescataron en 1986, con un prólogo del autor, que reproducimos en nuestra edición, y, desde estonces, ya no ha dejado de reimprimirse una y otra vez. Y no es de extrañar. Porque En el punto de mira , que, según el propio Miller, escribió con una sensación de urgencia en el mismo año en que terminaba la segunda guerra mundial, ha ido adquiriendo con el tiempo ?como suele ocurrir con las grandes obras literarias? un sentido más amplio, premonitorio, admonitorio incluso.Cuando el señor Newman fue perdiendo la visión y se compró unas gafas, sus amigos y conocidos empezaron a tratarlo con reserva y hasta con suspicacia. Y es que, de pronto, el aspecto del señor Newman pasó a ser el de un judío, aunque ni él ni la gente a su alrededor jamás hubieran reparado antes en ello. En la ciudad de Nueva York, en 1945, con el Frente Cristiano en pleno auge, tener semejante aspecto no facilitaba la existencia a nadie. A partir de es

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The extraordinary story of the women's orchestra in Auschwitz, originally filmed for television with Vanessa Redgrave, and adapted for the stage by Miller himself. Fania Fénelon, a Parisian singer, is arrested by the Nazis and sent to Auschwitz. There, she finds herself swept into the orchestra, composed entirely of female prisoners and founded as entertainment for the camp commandants. As long as the orchestra continues to find favour, its members will be spared the gas chambers. But Fania is struggling with the corruption of what she holds most sacred in the world – her music – and the morals of the orchestra members are being ground down every day. They are, quite literally, playing for time. Arthur Miller's stageplay Playing for Time is adapted from the 1980 CBS television film, written by Miller himself, and based on acclaimed musician Fania Fénelon's autobiography The Musicians of Auschwitz. The television film starred Vanessa Redgrave as Fénelon. The stageplay was first staged at 1-Act Theatre, San Francisco, in 1985.

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"The greatest American dramatist of our age" Evening Standard This fifth volume of Arthur Miller's work contains two plays from the early nineties: his highly acclaimed The Last Yankee (1993), which the Guardian called "a fine and moving play . . . Like all Miller's best work, it effortlessly links private and public worlds by connecting personal desperation to insane American values"; and The Ride Down Mount Morgan (1991), which explores themes of bigamy and betrayal, described as "searching, scorching, harsh but compassionate" (Sunday Times). Also contained in the volume is Almost Everybody Wins, the original version of the screenplay Arthur Miller wrote for Karel Reisz's film, "Everybody Wins".

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"Listen to the dialogue: no other American dramatist has this feel for the ordinary talk of ordinary people, or the knowledge of what they do. This is more than a writer's craft, it is a psychological and moral openness to humanity, an act not of imitating, but of sharing". Sunday Times This fourth anthology features Arthur Miller's two early plays, The Golden Years, a historical tragedy about Montezuma's destruction at the hands of Cortez, and The Man Who Had All the Luck, a fable about human freedom and individual responsibility, are brought together in this volume. It also features two of his contemporary shorter plays, I Can't Remember Anything and Clara, first presented on a double bill as Danger! Memory. The latter focus on the importance and dangers of remembering the past, while the early plays, written at the time of the Second World War, mark the emergence of a drama in which public issues are rooted in private anxieties and chart the beginning of Miller's career that was one of the most distinguished in dramatic history. First produced in 1944 and revived in London in 2008, The Man Who Had All the Luck is a mesmerising drama in which the author's brilliance and characteristic qualities are already evident: The fourth volume of Miller's plays has been reissued with a new cover and features an introduction by the author and a chronology of his work.

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"The greatest American dramatist of our age" - Evening Standard In this second volume of collected works, four of Arthur Miller’s stage plays from the sixties and seventies are brought together in a new edition. Taking up the theme of individual responsibility from his earlier work, this volume also contains an introduction from Miller himself, along with two of his screenplays. One of Miller’s most personal plays, After the Fall (1964) takes place almost entirely inside the mind of the play's protagonist, who is often read as a stand-in for the playwright himself, and touches on themes of the Holocaust, McCarthyism and inherited sin. This was followed by Miller's largely forgotten masterpiece, Incident at Vichy (1964): a prescient examination of the evil that exists in us all, inspired by a real-life incident in France in which a Gentile gave a Jew his identity pass during a check. The Price followed in 1968, a touching and farcical presentation of American life beyond the Vietnam War and Great Depression, which earned Miller a Tony Award nomination for Best Play. In The Creation of the World and Other Business (1972), Miller offers a comedic retelling of the Book of Genesis, constructing a parable around the theme of good-versus-evil. Also included are two of the playwright’s most beloved screenplays: The Misfits, written for and filmed with Marilyn Monroe, and Playing for Time, televised with Vanessa Redgrave. Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 2 is a must-have for theatre fans and students alike.

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The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room.By common consent, this is one of the finest dramas in the whole range of the American theater. —Brooks Atkinson, The New York TimesSo simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it. —Time

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The final volume in Methuen Drama's acclaimed series of work by Arthur Miller who, during his lifetime, was acknowledged as "the greatest American dramatist of our age" (Evening Standard). Featuring two plays from the 1990s and his final two plays (2002 and 2004), it offers the first ever publication of Miller's final play, Finishing the Picture. Inspired by his experience during the filming of The Misfits with his then wife Marilyn Monroe, the play was completed and produced at the Goodman Theatre, Chicago, just months before the playwright's death in February 2005. Broken Glass (1994) is set in Brooklyn in 1938 and intertwines a woman's obsession with the news from Germany that government thugs are smashing Jewish stores, with her strange relationship with her husband. "It balances private lives with public morality. . . it is also an amazingly full-blooded piece, bursting with pain and passion." (Daily Telegraph). Mr Peters' Connections (1998) is an unforgettable journey through one man's mind at a time of suspended consciousness, where the living and dead intermingle in his memory. Resurrection Blues (2002) is Miller's astonishing black comedy set in a South American banana republic, that satirises global politics and the predatory nature of a media saturated culture. The volume also features a chronology of the writer's work and an introduction by Enoch Brater, professor of English Literature at the University of Michigan.

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Quentin is a successful lawyer in New York, but inside his head he is struggling with his own sense of guilt and the shadows of his past relationships. One of these an ill-fated marriage to the charming and beautiful Maggie, who went from operating a switchboard to become a self-destructive star - a singer everyone wanted a piece of. With tremendous psychological acuity and depth, and a brilliant, dreamlike structure, After the Fall is a literary masterpiece, drawing on Miller's own life - the story of a man striving to comprehend his feelings for his friends, family and the women he has loved.

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Arthur Miller’s penultimate play, Resurrection Blues, is a darkly comic satirical allegory that poses the question: What would happen if Christ were to appear in the world today? In an unidentified Latin American country, General Felix Barriaux has captured an elusive revolutionary leader. The rebel, known by various names, is rumored to have performed miracles throughout the countryside. The General plans to crucify the mysterious man, and the exclusive television rights to the twenty-four-hour reality-TV eventhave been sold to an American network for $25 million. An allegory that asserts the interconnectedness of our actions and each person’s culpability in world events, Resurrection Blues is a comedic and tragic satire of precarious morals in our media-saturated age.

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Produced in May 1998 in New York and starring Peter Falk, Mr. Peters' Connections takes place, in Miller's own words, in that suspended state of consciousness when the mind is freed to roam from real memories to conjectures, from trivialities to tragic insights, from terror of death to glorying in one's being alive. Within the confines of his mind, Mr. Peters interacts with the living members of his family and his long-deceased brother and lover, as well as the imaginary Adele, a black bag lady, who is a figment of Peters' imagination and one of Miller's most original characters. A work of rare honesty and dignity (Fintan O'Toole, New York Daily News), Mr. Peters' Connections uncoils with ferocious, life-affirming intensity.

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Arthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - 'one of the strangest and most awful chapters in human history' - and the American anti-communist purges led by Senator McCarthy in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations.A depiction of innocent men and women destroyed by malicious rumour, The Crucible is also a powerful indictment of McCarthyism and the 'frontier mentality' of Cold War America.

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This edition of Arthur Miller's tragic masterpiece brings the play alive for students whether in the classroom or drama studio. With activities that target exactly the right level plus in-depth biographical and contextual information to deepen students' understanding of the play, this edition provides comprehensive, relevant and engaging support for 14-16 students. The brand new design ensures that the text and supporting materials are the clearest and most accessible available. Eddie Carbone is at first happy to help his wife's cousins, newly arrived in Brooklyn, New York, from Italy. However, as his niece begins to fall in love with one of them, family secrets are unearthed, loyalties are challenged, and Eddie himself is forced to play his part in the tragic finale.

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El crisol puede enmarcarse en la categoría de teatro político, por un lado, y teatro histórico, por otro. Ambientada en las colonias inglesas en el Nuevo Mundo, a finales del siglo XVII, la obra no habría sido escrita de no ser por otro momento histórico: lo que dos siglo y medio después estaba aconteciendo en Estados Unidos y en el mundo, justo en los albores de la conocida como Guerra Fría. Otra ?caza de brujas?, la que tuvo lugar a principios de los años 50 del pasado siglo, sin duda una de las más conocidas, que el propio Miller sufrió y durante la que escribió El crisol. Los acontecimientos que se produjeron en Salem, Massachussets, en 1692, durante los cuales casi doscientas personas fueron acusadas de practicar la brujería, y que terminaron con la ejecución de varios inocentes, son una manifestación perversa del pánico de las autoridades ante la pérdida de poder y su empeño por restaurarlo. Lo que empezó siendo un juego de niñas terminó convirtiéndose en un instrumento para hace

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A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village.First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can.A drama of emotional power and impact —New York Post

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A car wreck on the slopes of Mount Morgan puts insurance tycoon Lyman Felt in the hospital. While Lyman recovers, two women meet in the hospital waiting room only to discover that they are both married to him. With his secrets exposed, Lyman tries to justify himself to the two women - the prim, cultured Theo and the restless, ambitious Leah - at the same time hoping to convince himself that he is blameless. Moving between broad farce and delicate tragedy, The Ride Down Mt. Morgan explores the struggle between honesty with others and honesty with oneself.

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This edition of Arthur Miller's classic tragedy brings the play alive for students whether in the classroom or drama studio. With activities that target exactly the right level plus in-depth biographical and contextual information to deepen students' understanding of the play, this edition provides comprehensive, relevant and engaging support for 14-16 students. The brand new design ensures that the text and supporting materials are the clearest and most accessible available. Set during the Salem Witch Trials of 1692, The Crucible exposes the tensions caused by gossip and rumour within a tight-knit community, where eventually no one is safe from accusation and vengeance. Seen as a parallel to McCarthyism and the fear of communism in 1950s America, the play's themes of truth, justice, honour, mass hysteria and individuality still resonate with audiences around the world today.

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"The greatest American dramatist of our age" - Evening Standard In this third volume of collected works, three of Arthur Miller’s stage plays from the early 1980s are brought together in a new edition. Expanding on the themes and explorations of his earlier work, this volume also contains an introduction from the playwright himself, as well as an afterword by acclaimed Miller scholar Christopher Bigsby. A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock(1982) is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was later performed on Broadway. Set in an Eastern European capital, The Archbishop's Ceiling (1984), examines the relationship between four writers, and the erosion of personal integrity during the cold war: a thrilling study of the effects of surveillance and political pressure on an individual's actions Also included is a revised version of Two-Way Mirror (1984): a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story. These fantastic two-handers explore the nuances in relationships, and have come to be come to be recognised as some sort of coded epitaph to the tumult and tragedy of Miller’s marriage to Marilyn Monroe Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 3 is a must-have for theatre fans and students alike.

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"The greatest American dramatist of our age." (Evening Standard) In this collected works, five of Arthur Miller's most-produced and popular plays are brought together in a new edition, alongside an exclusive introduction by Ivo van Hove, the celebrated contemporary director of Miller's works. All five plays were written by Miller within a ten-year period which began with his first Broadway hit, All My Sons, in 1947 which led Brooks Atkinson of the New York Times to state that 'theatre has acquired a genuine new talent.' This was followed in 1949 by his exploration of the American Dream in Death of a Salesman, which went on to win the Tony Award for Best Play and the Pulitzer Prize for Drama. The Crucible followed in 1953, produced during the McCarthy era and becoming a parable of the witch-hunting practices of a government determined to root-out Communists. A View from the Bridge, originally performed in 1955, concerns the lives of longshoremen in the Brooklyn waterfront and has remained one of Miller's most produced plays. Originally presented as a one-act companion piece to A Memory of Two Mondays, both plays explore the dreams and working lives of ordinary Americans in the early decades of the 20th century. Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 1 is a must-have for theatre fans and students alike.

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When an essay is due and dreaded exams loom, here's the lit-crit help students need to succeed! SparkNotes Literature Guides make studying smarter, better, and faster. They provide chapter-by-chapter analysis, explanations of key themes, motifs, and symbols, a review quiz and essay topics. Lively and accessible, SparkNotes is perfect for late-night studying and paper writing.

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