Search results for ""Author Arthur Machen""

An experiment into the sources of the human brain through the mind of a young woman has gone horribly wrong. She has seen the great god Pan and will die giving birth to a daughter. Twenty years later feted society hostess Helen Vaughan becomes the source of much fevered speculation. Many men are infatuated with her beauty, but great beauty has a price, sometimes you have to pay with the only thing you have left. The Great God Pan was a sensation when first published in 1894. Its author, Arthur Machen, was a struggling unknown writer living in London. He had translated Casanova's memoirs and was living on a small inheritance. He immediately became one of the most talked-about writers of the last years of the nineteenth century, while the publication marked the start of his ongoing influence on modern fantasy and horror. Machen's dark imaginings of the reality behind ancient beliefs feature again in the acclaimed, mesmerising short story 'The White People' and the curious tale 'The Shining Pyramid', also in this volume.

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Machen's weird tales of the creepy and fantastic finally come to Penguin Classics. With an introduction from S.T. Joshi, editor of American Supernatural Tales, The White People and Other Weird Stories is the perfect introduction to the father of weird fiction. The title story "The White People" is an exercise in the bizarre leaving the reader disoriented and on edge. From the first page, Machen turns even fundamental truths upside-down, as his character Ambrose explains, "there have been those who have sounded the very depths of sin, who all their lives have never done an 'ill deed'" setting the stage for a tale entirely without logic.

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Alongside M.R. James, H.P. Lovecraft, Algernon Blackwood and Bram Stoker, Arthur Machen wrote powerful, chilling and thought-provokling stories. His supernatural tales draw their power from the long nights and dark lanes of the Welsh countryside that raised him surrounded as he was by the remains of Roman forts and Iron Age archeology.

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'I will not read it; I should never sleep again' A doctor performs an experiment on a young woman that goes horribly wrong, and a series of increasingly strange events follow: sinister woodland rituals, disappearances, suicides... Viewed as immoral and decadent on first publication in 1894, Machen's weird tale has since established itself as a classic of its genre and has been described by Stephen King as 'one of the best horror stories ever written. Maybe the best in the English language'. The Penguin English Library - collectable general readers' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.

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A young man's quest for beauty through literature, love, drugs and dreams becomes a mystical, lyrical classic from the father of supernatural horror. There is a foreword by Catherine Fisher one of whose acclaimed "Oracle" trilogy was shortlisted for the Whitbread Prize and is an international bestseller translated into over 20 languages. Originally published in 1907, it is widely regarded as Machen's finest lyrical work.

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First published in the height of the yellow nineties and in the shadow of the Oscar Wilde trials, Arthur Machen's The Three Impostors (1895) remains a relatively obscure text even as Machen receives increasing attention for his contributions to supernatural horror, the weird, and even science fiction. Situating this generically uncertain, richly multi-layered text in transnational traditions of the short-story cycle, the print culture of the 1890s, and the colonial scientific and material cultures of the fin de siècle, this edition shows that Machen's long-neglected text has a strong claim to our renewed attention today.An extensive selection of accompanying historical documents includes contemporary reviews, related literary inter-texts, and documents and images related to the book's publication history, design, and relationship to contemporary print culture.

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Something pushed out from the body there on the floor, and stretched forth a slimy, wavering tentacle... Perhaps no figure better embodies the transition from the Gothic tradition to modern horror than Arthur Machen. In the final decade of the nineteenth century, the Welsh writer produced a seminal body of tales of occult horror, spiritual and physical corruption, and malignant survivals from the primeval past which horrified and scandalised-late-Victorian readers. Machen's 'weird fiction' has influenced generations of storytellers, from H. P. Lovecraft to Guillermo Del Toro-and it remains no less unsettling today. This new collection, which includes the complete novel The Three Impostors as well as such celebrated tales as The Great God Pan and The White People, constitutes the most comprehensive critical edition of Machen yet to appear. In addition to the core late-Victorian horror classics, a selection of lesser-known prose poems and later tales helps to present a fuller picture of the development of Machen's weird vision. The edition's introduction and notes contextualise the life and work of this foundational figure in the history of horror.

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