Search results for ""Author Arthur I. Miller""

In recent decades, an exciting new art movement has emerged in which artists utilize and illuminate the latest advances in science. Some of their provocative creations—a live rabbit implanted with the fluorescent gene of a jellyfish, a gigantic glass-and-chrome sculpture of the Big Bang (pictured on the cover)—can be seen in traditional art museums and magazines, while others are being made by leading designers at Pixar, Google’s Creative Lab, and the MIT Media Lab. In Colliding Worlds, Arthur I. Miller takes readers on a wild journey to explore this new frontier. Miller, the author of Einstein, Picasso and other celebrated books on science and creativity, traces the movement from its seeds a century ago—when Einstein’s theory of relativity helped shape the thinking of the Cubists—to its flowering today. Through interviews with innovative thinkers and artists across disciplines, Miller shows with verve and clarity how discoveries in biotechnology, cosmology, quantum physics, and beyond are animating the work of designers like Neri Oxman, musicians like David Toop, and the artists-in-residence at CERN’s Large Hadron Collider. From NanoArt to Big Data, Miller reveals the extraordinary possibilities when art and science collide.

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Surfing the Cosmos is an original book of photographs and text that visually explores the high/low of energy in the slums of Rio de Janeiro as compared with the high-tech physics of CERN, where discovering the origins of the universe and the elementary particles from which it is made are examined. Within this visual story are the unplanned beautiful drawings that humans make in space with electrical wires, whether from the favela or CERN. These "drawings" inspired a series of artworks/photographs that are pictured in this book, often along with their photographic source or the spirit of the community from which they are derived (either favela or CERN). The human energy of the favela is also mirrored in CERN with one specific comparison of the graffiti from Rio and the chalkboards of CERN, both viewed as works of art and sources that motivated the author’s response as demonstrated in his previous works through examples including paintings, fashion scarves, handmade rugs from Nepal, bamboo cotton face masks along with surfboards (chalkboards) and skatedecks.

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