Search results for ""Author Arnold Arluke""

What is it about Western society, ask the authors, that makes it possible for people to express great affection for animals as sentient creatures and simultaneously turn a blind eye to the most callous behavior toward them? Animals are sold as expensive commodities, used as food and clothing, killed as vermin, and hunted for sport. But they also are treated as members of the family, used as the cause celebre of social movements, and made the subject of art, film, and poetry. Such contradictions motivate these unique ethnographers to venture into social worlds most people know about only in passing, such as veterinary clinics where companion animals are cared for, animal shelters where dogs and cats are "mercifully" euthanized, and primate labs where monkeys are kept for animal experimentation. Arluke and Sanders are not distanced ethnographers. They worked in the clinics, shelters, and laboratories, cleaning cages, assisting in surgery, and participating in "sacrificing" animals for science or helping to provide them with an "easy death." In this book, the people who work with these animals and live through them talk to the authors about the strategies they adopt to cope with the stress of the job. This fascinating book combines sociological analysis with ethnographic description to give us insight into the history and practice of how we as human beings construct animals, and by extrapolation, how we construct ourselves and others in relation to them. Author note: Arnold Arluke is Professor of Sociology at Northeastern University and a Research Associate at the Center for Animals and Public Policy at Tufts School of Veterinary Medicine. He is an Associate Editor of Society and Animals and the author of The Making of Rehabilitation: A Political Economy of Medical Specialization with Glenn Gritzer and Gossip: The Inside Scoop with Jack Levin. Clinton R. Sanders, Professor of Sociology at the University of Connecticut, is the author of Customizing the Body: The Art and Culture of Tattooing (Temple) and the co-editor (with Jeff Ferrell) of Cultural Criminology.

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From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this relationship through the unique lens of photo postcards. This visual medium offers an enormous and relatively untapped archive to document their subject compellingly. The importance of photo postcards goes beyond their abundance. Recognized as the "people’s photography", photo postcards were typically taken by photographers who were part of the community they were photographing. Their intimacy with the people and places they captured resulted in a vernacular record of the life and times of the period unavailable in other kinds of photography. Arluke and Bogdan use these postcards to tell the story of human-animal relations in the United States from approximately 1905 to 1935. During these years, Americans experienced profound changes that altered their connection with animals and influenced perceptions and treatment of them today. Wide-ranging in scope, Beauty and the Beast looks at the variety of roles animals played in society, from pets and laborers to symbols and prey. The authors discuss the contradictions, dualisms, and paradoxes of our relationship to animals, illustrating how animals were distanced and embraced, commoditized and anthropomorphized. With over 350 illustrations, this book presents a vivid chronicle of the deep cultural ambivalence that characterized human-animal relations in the early twentieth century and that continues today.

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An exploration of the artistic and cultural influences that shaped writer and illustrator Edward GoreyThe illustrator, designer, and writer Edward Gorey (1925–2000) is beloved for his droll, surreal, and slightly sinister drawings. While he is perhaps best known for his fanciful, macabre books, such as The Doubtful Guest and The Gashlycrumb Tinies, his instantly recognizable imagery can be seen everywhere from the New Yorker to the opening title sequence of the television series Mystery! on PBS. Gorey's Worlds delves into the numerous and surprising cultural and artistic sources that influenced Gorey's unique visual language. Gorey was an inveterate collector--he called it "accumulating." A variety of objects shaped his artistic mindset, from works of popular culture to the more than twenty-six thousand books he owned and the art pieces in his vast collection. This collection, which Gorey left to the Wadsworth Atheneum Museum of Art upon his death, is diverse in style, subject, and media, and includes prints by Eugène Delacroix, Charles Meryon, Edvard Munch, and Odilon Redon; photographs by Eugène Atget; and drawings by Balthus, Pierre Bonnard, Charles Burchfield, Bill Traylor, and Édouard Vuillard. As this book shows, these artistic pieces present a visual riddle, as the connections between them—to each other and to Gorey's works—are significant and enigmatic. The essays in Gorey's Worlds also examine the artist's consuming passions for animals and ballet.Featuring a sumptuous selection of Gorey's creations alongside his fascinating and diverse collections, Gorey's Worlds reveals the private world that inspired one of the most idiosyncratic artists of the twentieth century.Exhibition Schedule: Wadsworth Atheneum Museum of Art, February 10 - May 6, 2018

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With more than 130 illustrations, The Photographed Cat: Picturing Close Human-Feline Ties, 1900–1940 is both an archive and an analytical exploration of the close relationships between Americans and their cats during a period that is significant for photography and for modern understandings of animals as pets. This volume examines the cultural implications of feline companions while also celebrating the intimacy and joys of pets and family photographs. In seven thematic sections, Arluke and Rolfe engage with the collection of antique images as representations of real relationships and of ideal relationships, noting the cultural trends and tropes that occur throughout this increasingly popular practice. Whether as surrogate children, mascots, or companions to women, cats are part of modern American life and visual culture.Entertaining, smart, and filled with a collector’s trove of wonderful images, The Photographed Cat pays homage to the surprising range of relationships we have with cats and offers thoughtful consideration of the ways in which we represent them.

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Winner of the Charles Horton Cooley Award, Society for the Study of Symbolic Interaction, 1997The first edition of Regarding Animals provided insight into the history and practice of how human beings construct animals, and how we construct ourselves and others in relation to them. Considerable progress in how society regards animals has occurred since that time. However, shelters continue to euthanize companion animals, extinction rates climb, and wildlife “management” pits human interests against those of animals. This revised and updated edition of Regarding Animals includes four new chapters, examining how relationships with pets help homeless people to construct positive personal identities; how adolescents who engage in or witness animal abuse understand their acts; how veterinary technicians experience both satisfaction and contamination in their jobs; and how animals are represented in mass media—both traditional editorial media and social media platforms.The authors illustrate how modern society makes it possible for people to shower animals with affection and yet also to abuse or kill them. Although no culture or subculture provides solutions for resolving all moral contradictions, Regarding Animals illuminates how people find ways to live with inconsistent behavior.

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Winner of the Charles Horton Cooley Award, Society for the Study of Symbolic Interaction, 1997The first edition of Regarding Animals provided insight into the history and practice of how human beings construct animals, and how we construct ourselves and others in relation to them. Considerable progress in how society regards animals has occurred since that time. However, shelters continue to euthanize companion animals, extinction rates climb, and wildlife “management” pits human interests against those of animals. This revised and updated edition of Regarding Animals includes four new chapters, examining how relationships with pets help homeless people to construct positive personal identities; how adolescents who engage in or witness animal abuse understand their acts; how veterinary technicians experience both satisfaction and contamination in their jobs; and how animals are represented in mass media—both traditional editorial media and social media platforms.The authors illustrate how modern society makes it possible for people to shower animals with affection and yet also to abuse or kill them. Although no culture or subculture provides solutions for resolving all moral contradictions, Regarding Animals illuminates how people find ways to live with inconsistent behavior.

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