Search results for ""Author Armine Kotin Mortimer""

Both a beguiling portrait of the artist and an idiosyncratic self-portrait of the author, Mysterious Mozart is Philippe Sollers's alternately oblique and searingly direct interpretation of Wolfgang Amadeus Mozart's oeuvre and lasting mystique, audaciously reformulated for the postmodern age.With a mix of slang, abstractions, quotations, first- and third-person narratives, and blunt opinion, French writer and critic Philippe Sollers taps into Mozart's playful correspondence and the lesser-known pieces of his enormous repertoire to analyze the popularity and public perceptions of his music. Detailing Mozart's drive to continue producing masterpieces even when saddled with debt and riddled with illness and anxiety, Sollers powerfully and meticulously analyzes Mozart's seven last great operas using a psychoanalytical approach to the characters' relationships.As Sollers explores themes of constancy, prodigy, freedom, and religion, he offers up bits of his own history, revealing his affinity for the creative geniuses of the eighteenth century and a yearning to bring that era's utopian freedom to life in contemporary times. What emerges is an inimitable portrait of a man and a musician whose greatest gift is a quirky companionability, a warm and mysterious appeal that distinguishes Mozart from other great composers and is brilliantly echoed by Sollers's artful tangle of narrative.

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In the Palace of Versailles there is a fabulous golden clock, made for Louis XV by the king’s engineer, Claude-Siméon Passemant. The astronomical clock shows the phases of the moon and the movements of the planets, and it will tell time—hours, minutes, seconds, and even sixtieths of seconds—until the year 9999. Passemant’s clock brings the nature of time into sharp focus in Julia Kristeva’s intricate, poetic novel The Enchanted Clock. Nivi Delisle, a psychoanalyst and magazine editor, nearly drowns while swimming off the Île de Ré; the astrophysicist Theo Passemant fishes her out of the water. They become lovers. While Theo wonders if he is descended from the clockmaker Passemant, Nivi’s son Stan, who suffers from occasional comas, develops a passion for the remarkable clock at Versailles. Soon Nivi is fixated on its maker. But then the clock is stolen, and when a young writer for Nivi’s magazine mysteriously dies, the clock is found near his body. The Enchanted Clock combines past and present, jumping back and forth between points of view and across eras from eighteenth-century Versailles to the present day. Its stylistically inventive narrative voices bring both immediacy and depth to our understanding of consciousness. Nivi’s life resembles her creator’s in many respects, coloring Kristeva’s customary erudition with autobiographical poignancy. Part detective mystery, part historical fiction, The Enchanted Clock is a philosophically and linguistically multifaceted novel, full of poetic ruminations on memory, love, and the transcendence of linear time. It is one of the most illuminating works of one of France’s great writers and thinkers.

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Julia Kristeva has been both attracted and repelled by Dostoyevsky since her youth. In this extraordinary book, by turns poetic and intensely personal, she brings her unique critical sensibility to bear on the tormented and visionary Russian author.Kristeva ranges widely across Dostoyevsky’s novels and his journalism, plunging deep into the great works—and many of the smaller ones—to investigate her fascination with the Russian author. What emerges is a luminous vision of the writer’s achievements, seen in a wholly new way through Kristeva’s distinctive perspective on language. With her keen psychoanalytical eye, she offers brilliant insights into the passionate heroines of the great novels. Focusing on Dostoyevsky’s polyphonic writing, Kristeva also demonstrates the importance of Orthodox Christianity throughout his body of work, analyzing the complex ways his carnivalesque theology informs his fiction and commentary.An original and profound interpretation of one of the nineteenth century’s greatest writers, this book’s insights are also relevant to the twentieth and twenty-first centuries—up to our unsettled present, to which Kristeva’s humane reading of the suffering Russian author brings understanding and even solace.

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In the Palace of Versailles there is a fabulous golden clock, made for Louis XV by the king's engineer, Claude-Simeon Passemant. The astronomical clock shows the phases of the moon and the movements of the planets, and it will tell time-hours, minutes, seconds, and even sixtieths of seconds-until the year 9999. Passemant's clock brings the nature of time into sharp focus in Julia Kristeva's intricate, poetic novel The Enchanted Clock. Nivi Delisle, a psychoanalyst and magazine editor, nearly drowns while swimming off the Ile de Re; the astrophysicist Theo Passemant fishes her out of the water. They become lovers. While Theo wonders if he is descended from the clockmaker Passemant, Nivi's son Stan, who suffers from occasional comas, develops a passion for the remarkable clock at Versailles. Soon Nivi is fixated on its maker. But then the clock is stolen, and when a young writer for Nivi's magazine mysteriously dies, the clock is found near his body. The Enchanted Clock combines past and present, jumping back and forth between points of view and across eras from eighteenth-century Versailles to the present day. Its stylistically inventive narrative voices bring both immediacy and depth to our understanding of consciousness. Nivi's life resembles her creator's in many respects, coloring Kristeva's customary erudition with autobiographical poignancy. Part detective mystery, part historical fiction, The Enchanted Clock is a philosophically and linguistically multifaceted novel, full of poetic ruminations on memory, love, and the transcendence of linear time. It is one of the most illuminating works of one of France's great writers and thinkers.

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Julia Kristeva has been both attracted and repelled by Dostoyevsky since her youth. In this extraordinary book, by turns poetic and intensely personal, she brings her unique critical sensibility to bear on the tormented and visionary Russian author.Kristeva ranges widely across Dostoyevsky’s novels and his journalism, plunging deep into the great works—and many of the smaller ones—to investigate her fascination with the Russian author. What emerges is a luminous vision of the writer’s achievements, seen in a wholly new way through Kristeva’s distinctive perspective on language. With her keen psychoanalytical eye, she offers brilliant insights into the passionate heroines of the great novels. Focusing on Dostoyevsky’s polyphonic writing, Kristeva also demonstrates the importance of Orthodox Christianity throughout his body of work, analyzing the complex ways his carnivalesque theology informs his fiction and commentary.An original and profound interpretation of one of the nineteenth century’s greatest writers, this book’s insights are also relevant to the twentieth and twenty-first centuries—up to our unsettled present, to which Kristeva’s humane reading of the suffering Russian author brings understanding and even solace.

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