Search results for ""Author Anthony Slide""
Scarecrow Press Early American Cinema
A completely revised and rewritten new edition of the pioneering film book first published in 1970, Early American Cinema, New and Revised Edition provides a concise history of the American motion picture industry before 1920, documenting the work of the early production companies, releasing organizations, filmmakers, and performers, and will serve both as a textbook and a reference source. Chapters cover pre-cinema, the Motion Picture Patents Company, independent filmmaking, the birth of the feature film, Thomas H. Ince, D.W. Griffith, sound and music, the star system, the role of women, new technologies, genres, and the languge, business, and art of the film. The book includes suggestions for further reading, together wiht a general bibliography, and lengthy bibliographies on Ince and Griffith.
£82.56
Scarecrow Press Selected Theatre Criticism: 1920-1930
Provides original reviews, reprinted in their entirety, of New York stage productions for the first half of the twentieth century. Each volume includes a name index and an index by critics and the final volume also features a cumulative index to all productions included in the three volumes.
£82.86
University Press of Mississippi Inside the Hollywood Fan Magazine: A History of Star Makers, Fabricators, and Gossip Mongers
The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture.Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style.This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.
£45.23
Scarecrow Press The New Historical Dictionary of the American Film Industry
Now in Paperback! The New Historical Dictionary of the American Film Industry is a unique reference work, a "what's what" of the history of filmmaking not only in Hollywood but throughout the United States. More than 750 entries document the history of studios, production companies and distributors, and provide complete information on technical innovations, genres, industry terms, and organizations. Included are entries on more than 100 film companies active in the 'teens, as well as all major Hollywood studios, and major technical innovations such as CinemaScope and Dolby Sound. General entries range from "The Cold War" to "Westerns" and include film series such as "Andy Hardy" and "The Thin Man." Extensive cross referencing and an index help the reader locate information throughout the text. A completely revised and updated edition of The American Film Industry, this new edition furnishes an informed, experienced look behind the scenes of filmmaking and an invaluable reference source. Paperback edition available 2001.
£121.00
Scarecrow Press The Best of Rob Wagner's Script
Rob Wagner's Script was a small, intellectual magazine—perhaps best described as a lesser, West Coast version of The New Yorker—published in Beverly Hills from 1929 to 1947. It was notable for the quality of its articles and essays and the celebrity status of many of its contributors. This anthology gathers together the best of the journal, including short stories by Charles Chaplin, profiles by Jim Tully and Dalton Trumbo, poetry by Jessamyn West, and articles by Upton Sinclair, Agnes de Mille, Sigmund Romberg, Eddie Cantor, and Ben Hecht. Of particular interest are some of the earliest writings of William Saroyan, Louis L'Amour, and Ray Bradbury.
£82.56
Scarecrow Press Selected Film Criticism: 1941-1950
Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.
£72.00
Scarecrow Press Selected Film Criticism: 1912-1920
Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.
£72.00
Scarecrow Press Eccentrics of Comedy
Eccentrics of Comedy examines the lives and careers of twelve entertainers whose comedic styles were distinctly eccentric: Milton Berle, Ed Brendel, Bobby Clark, Phyllis Diller, the Duncan Sisters, Edward Everett Horton, Alice Howell, Franklin Pangborn, Old Mother Riley, Margaret Rutherford, Colonel Lemuel Q. Stoopnagle, and Ernest Thesiger. For the majority of these performers, Eccentrics of Comedy provides the first serious, detailed discussion of their work. The figures are from all areas of popular entertainment. Milton Berle is "Mr. Television." The Duncan Sisters and Bobby Clark were headliners in vaudeville and musical comedy. Alice Howell was a silent screen comedienne. Colonel Lemuel Q. Stoopnagle was a familiar figure on radio in the 1930s. Edward Everett Horton, Franklin Pangborn, Old Mother Riley, Margaret Rutherford, and Ernest Thesiger are primarily known for their work on screen. The comedic styles vary widely, but Slide highlights similarities between the entertainers. Slide writes with enthusiasm and affection for his subjects. Both Milton Berle and Phyllis Diller offered him first-hand accounts of their careers, and in many cases he quotes from other film celebrities who worked with the comedians. Slide offers a thorough understanding of the media in which his subjects worked and brings their acts to life.
£77.64
Scarecrow Press Selected Vaudeville Criticism
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.
£83.13
Scarecrow Press Selected Film Criticism: 1931-1940
Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.
£82.78
Arcadia Publishing New York City Vaudeville Images of America Arcadia Publishing
£22.49
Scarecrow Press Selected Film Criticism: 1951-1960
Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.
£72.00
Scarecrow Press Selected Film Criticism: 1896-1911
Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction—both popular and serious—to the best-known films of the past.
£72.00
The University Press of Kentucky American Racist: The Life and Films of Thomas Dixon
" Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses.
£36.00
Scarecrow Press Early American Cinema
A completely revised and rewritten new edition of the pioneering film book first published in 1970, Early American Cinema, New and Revised Edition provides a concise history of the American motion picture industry before 1920, documenting the work of the early production companies, releasing organizations, filmmakers, and performers, and will serve both as a textbook and a reference source. Chapters cover pre-cinema, the Motion Picture Patents Company, independent filmmaking, the birth of the feature film, Thomas H. Ince, D.W. Griffith, sound and music, the star system, the role of women, new technologies, genres, and the languge, business, and art of the film. The book includes suggestions for further reading, together wiht a general bibliography, and lengthy bibliographies on Ince and Griffith.
£103.26
Scarecrow Press Selected Film Criticism: 1921-1930
Provides a cross-section of contemporary American film criticism from 1896-1960. The volumes reprint reviews in their entirety from periodicals such as Photoplay, Film Reports, The Moving Picture World, Variety, and The New York Times. Of immense value for gauging contemporary reaction_both popular and serious_to the best-known films of the past.
£72.00
Columbia University Press "It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age
Golden Age Hollywood screenwriter Charles Brackett was an extremely observant and perceptive chronicler of the entertainment industry during its most exciting years. He is best remembered as the writing partner of director Billy Wilder, who once referred to the pair as "the happiest couple in Hollywood," collaborating on such classics as The Lost Weekend (1945) and Sunset Blvd (1950). In this annotated collection of writings taken from dozens of Brackett's unpublished diaries, leading film historian Anthony Slide clarifies Brackett's critical contribution to Wilder's films and Hollywood history while enriching our knowledge of Wilder's achievements in writing, direction, and style. Brackett's diaries re-create the initial meetings of the talent responsible for Ninotchka (1939), Hold Back the Dawn (1941), Ball of Fire (1941), The Major and the Minor (1942), Five Graves to Cairo (1943), The Lost Weekend, and Sunset Blvd, recounting the breakthrough and breakdowns that ultimately forced these collaborators to part ways. Brackett was also a producer, served as president of the Academy of Motion Picture Arts and Sciences and the Screen Writers Guild, was a drama critic for the New Yorker, and became a member of the exclusive literary club, the Algonquin Round Table. Slide provides a rare, front row seat to the Golden Age dealings of Paramount, Universal, MGM, and RKO and the innovations of legendary theater and literary figures, such as Alfred Lunt, Lynn Fontanne, Edna Ferber, and Dorothy Parker. Through Brackett's keen, witty perspective, the political and creative intrigue at the heart of Hollywood's most significant films comes alive, and readers will recognize their reach in the Hollywood industry today.
£27.00
