Search results for ""Author Anne McLean""

A chilling allegorical novella by the masterful Colombian writer who poses timeless questions about violence and subjugation, power and freedom.Imagining the darkest of power imbalances in a dystopian world, in which the most vulnerable are held captive and wherein survival depends on the ability to remain anonymous, identity is a threat. Those who have everything would revel in the humiliation of others and identification brings with it the ultimate punishment. When hiding is no longer possible, the only choice may be to rebel.More frightening than the dystopia of Ishiguro's Never Let Me Go and with elements of the surreal to rival Kafka's Metamorphosis, Rosero's hypnotic tale builds in tension to deliver a crippling emotional punch.

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WINNER OF THE INDEPENDENT FOREIGN FICTION PRIZE 2009In a small town in the mountains of Colombia, Ismael, a retired teacher, spends his mornings gathering oranges in the sunshine and spying on his neighbour as she sunbathes naked in her garden. Returning from a walk one morning he discovers that his wife has disappeared. Then more people go missing, and not-so-distant gunfire signals the approach of war. Most of the villagers make their escape, but Ismael cannot leave without his Otilia. He becomes an unwilling witness to the senseless civil war that sweeps through his country with a tragic inevitability. In The Armies Rosero has created a hallucinatory, relentless, captivating narrative often as violent as the events it describes, told by an old man battered by a reality he no longer recognizes.

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This brilliantly ironic novel about literature and writing, in Vila-Matas’s trademark witty and erudite style, is told in the form of a lecture delivered by a novelist clearly a version of the author himself. The “lecturer” tells of his two-year stint living in Marguerite Duras’s garret during the seventies, spending time with writers, intellectuals, and eccentrics, and trying to make it as a creator of literature: “I went to Paris and was very poor and very unhappy.” Encountering such luminaries as Duras, Roland Barthes, Georges Perec, Sergio Pitol, Samuel Beckett, and Juan Marsé, our narrator embarks on a novel whose text will “kill” its readers and put him on a footing with his beloved Hemingway. (Never Any End to Paris takes its title from a refrain in A Moveable Feast.) What emerges is a fabulous portrait of intellectual life in Paris that, with humor and penetrating insight, investigates the role of literature in our lives.

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"Like Bolaño, Vásquez is a master stylist and a virtuoso of patient pacing and intricate structure" LEV GROSSMAN, Time Magazine"Juan Gabriel Vásquez . . . has succeeded García Márquez as the literary grandmaster of Colombia" ARIEL DORFMAN, New York Review of BooksA morally complex, searing set of stories by the award-winning author of The Sound of Things Falling and The Shape of the Ruins (shortlisted for the Booker International Prize 2019).A renowned photographer probes a traumatic incident in the life of a fellow guest at a countryside ranch. A chance meeting at a regimental reunion obliges a Korean War veteran to confront a shameful secret. And in the title story, an internet search for a book published in 1887 leads to the discovery of the life of a remarkable woman: Aurelia de Léon, who arrives in Colombia as a child orphan of the Great War, but as a free-spirited adult runs foul of her adoptive country's deep conservatism.The characters in Songs for the Flames are all men and women touched by violence - sometimes directly, sometimes tangentially - but the lives of all of them are irrevocably changed by the experience.Translated from the Spanish by Anne McLean

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Shortlisted for the Man Booker International Prize 2019"Like Don DeLillo's JFK-themed Libra, the novel is an intoxicating blend of fact and fiction" Glasgow Herald"A masterful writer" Nicole Krauss"Vasquez has succeeded García Márquez as the literary grandmaster of Colombia" Ariel Dorfman, New York Review of Books"A dazzlingly choreographed network of echoes and mirrorings" T.L.S.It takes the form of personal and formal investigations into two political assassinations - the murders of Rafael Uribe Uribe in 1914, the man who inspired García Márquez's General Buendia in One Hundred Years of Solitude, and of the charismatic Jorge Eliécer Gaitán, the man who might have been Colombia's J.F.K., gunned down on the brink of success in the presidential elections of 1948. Separated by more than 30 years, the two murders at first appear unconnected, but as the novel progresses Vásquez reveals how between them they contain the seeds of the violence that has bedevilled Colombia ever since. The Shape of the Ruins is Vásquez's most ambitious, challenging and rewarding novel to date. His previous novel, The Sound of Things Falling, won Spain's Alfaguara Prize, Italy's Von Rezzori Prize and the 2014 Dublin IMPAC literary Award. Winner of the Prémio Literário Casino da Póvoa 2018 Finalist for the Bienal de Novela Mario Vargas Llosa 2016 Finalist for the Premio Bottari Lattes Grinzane 2017 Finalist for the Prix Fémina Finalist for the Prix Médicis Translated from the Spanish by Anne McLean

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Lord of All the Dead is a courageous journey into Javier Cercas' family history and that of a country collapsing from a fratricidal war. The author revisits Ibahernando, his parents' village in southern Spain, to research the life of Manuel Mena. This ancestor, dearly loved by Cercas' mother, died in combat at the age of nineteen during the battle of the Ebro, the bloodiest episode in Spain's history. Who was Manuel Mena? A fascist hero whose memory is an embarrassment to the author, or a young idealist who happened to fight on the wrong side? And how should we judge him, as grandchildren and great-grandchildren of that generation, interpreting history from our supposed omniscience and the misleadingperspective of a present full of automatic answers, that fails to consider the particularities of each personal and family drama?Wartime epics, heroism and death are some of the underlying themes of this unclassifiable novel that combines road trips, personal confessions, war stories and historical scholarship, finally becoming an incomparable tribute to the author's mother and the incurable scars of an entire generation.Translated from the Spanish by Anne McLean

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WINNER OF THE CWA DAGGER FOR CRIME FICTION IN TRANSLATION "A gem of a book, easily the best I've read this year. A contemporary police procedural with a literary edge. I was rooting for the flawed, but deeply compassionate Melchor Marín from the first page to the last. Highly recommended" M W CravenTwo dead at the Adell house . . .But nothing in the duty officer's report can prepare Melchor Marín for what he finds. A wealthy couple tortured to death in an almost ritualistic manner. The little town of Gandesa in the backwater region of TerraAlta, Catalonia, is suddenly at the eye of a media storm.Melchor is no stranger to notoriety. He was sent to Terra Alta to lie low after foiling a terrorist attack. And, beforethat, he was jailed for his role as driver for a Colombian drug cartel, his decision to join the police inspired by adesire to avenge his mother's murder and a copy of Les Misérables from the prison library.Gradually, the leads in the Adell case dry up, and Melchor is ordered to back off. He doesn't, willing to sacrifice his reputation and career in a ruthless pursuit of the truth. But dusk is already falling on the darkest night of his life.Translated from the Spanish by Anne McLean

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I was alone when someone pounded on my door. Who could it be? So begins Tono the Infallible, Evelio Rosero’s gripping novel about an intense relationship between a writer and a sociopath. Visited by his friend (a kind of Colombian Rasputin) seemingly at the verge of death, the writer, Eri, looks back on the arc of both of their lives. Unique in both its tone and its structure, the novel takes us from their student days (school fights, playground revelations, and an unforgettable trip to the seaside) into their adult years, involving rumors of a hippie cult and a bizarre raucous theater exhibit of history’s most violent crimes. Tono uses his charm and wealth—as well as reputed magical powers—to manipulate others, but it isn’t until the end of the book that the devastating truth is revealed—and how true is it? Reminiscent of the fiction of Roberto Bolano and the films of Alfonso Cuarón, this brilliant novel takes us into the heart of his country’s darkness, creating an unforgettable portrait of a society where humanity still endures, despite its brutality.

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"Like Bolaño, Vásquez is a master stylist and a virtuoso of patient pacing and intricate structure" LEV GROSSMAN, Time Magazine"Juan Gabriel Vásquez . . . has succeeded García Márquez as the literary grandmaster of Colombia" ARIEL DORFMAN, New York Review of BooksA morally complex, searing set of stories by the award-winning author of The Sound of Things Falling and The Shape of the Ruins (shortlisted for the Booker International Prize 2019).A renowned photographer probes a traumatic incident in the life of a fellow guest at a countryside ranch. A chance meeting at a regimental reunion obliges a Korean War veteran to confront a shameful secret. And in the title story, an internet search for a book published in 1887 leads to the discovery of the life of a remarkable woman: Aurelia de Léon, who arrives in Colombia as a child orphan of the Great War, but as a free-spirited adult runs foul of her adoptive country's deep conservatism.The characters in Songs for the Flames are all men and women touched by violence - sometimes directly, sometimes tangentially - but the lives of all of them are irrevocably changed by the experience.Translated from the Spanish by Anne McLean

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A taut new novel by the award-winning author of The Sound of Things Falling – ‘one of the most original voices of Latin American literature’, Mario Vargas Llosa 'An affecting, carefully paced work of psychological realism’ Times Literary Supplement As Colombia’s famed political cartoonist, Javier Mallarino, strolls through downtown Bogotá before a public celebration of his career in the grand Teatro Colón, he contemplates the start of his professional life; how he set down his oils and took up a pen to begin drawing caricatures for a living. But the celebration has far-reaching consequences: as he leaves the theatre a figure from his past, now a young woman, emerges from the crowd and forces Mallarino to confront an incident that took place in his home half a lifetime ago, calling into question his reputation and the value of his life’s work.

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The mayor of Barcelona is being blackmailed.A sex tape from her student days - one she never knew existed. The price: 300,000 euros and her immediate resignation.A political chameleon who swept to power on a populist wave, she has her enemies. Nor can she trust those closest to her. Both her ex-husband and her deputy would profit from her fall.Melchor Marín, living a quiet life in Terra Alta, is tempted back to Barcelona to work the case. But what seemed a simple matter has its roots in far more serious and disturbing crimes.With the mayor on the verge of capitulation, a shock revelation changes everything - not least the course of Melchor's life. At long last, his heart's dark desire is in his grasp. Praise for Even the Darkest Night"A gem of a book, easily the best I've read this year" M W Craven"A wonderful novel. I look forward to many more Melchor stories" A N Wilson"The first in what promises to be an excellent series" GuardianTranslated from the Spanish by Anne McLean

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_______________ 'His novels probe the sore spots and raw wounds of contemporary Spain, their cunning and complexity leavened by a light touch and an easy, graceful style' - Boyd Tonkin, Independent on Sunday 'The beauty of this intelligently probing novel is that one is left wondering if we ever truly know anything about anybody – that anybody including ourselves' - Scotsman 'Compelling ... the real strengths of the book are in Cercas’s unadorned prose, once again deftly translated by Anne McLean, and in his ear for the rhythms of everyday speech' - Guardian _______________ Longlisted for the Dublin Literary Award 2016, this novel from the author of Soldiers of Salamis and The Anatomy of a Moment tells the story of three teenage outsiders in post-Franco Spain In the late 1970s, as Spain was adrift between the death of Franco and the rebirth of democracy, people were moving from the poor south to the cities of the north in search of a better life. But the work, when there was any, was poorly paid and the housing squalid. Out of this world of limited opportunities a generation of delinquents arose whose prospects were stifled and whose rebellion would be brief and violent… One summer’s day in Gerona a bespectacled, sixteen-year-old Ignacio Cañas, known to his few friends as Gafitas, is working in an amusement arcade, when a charismatic teenager walks in with the most beautiful girl Cañas has ever seen. Zarco and Tere take over his pinball machine and his life. Thirty years on and now a successful criminal defence lawyer, Cañas has tried to put that long, hot summer of drugs, yearning and delinquency behind him. But when Tere appears in his office and asks him to represent El Zarco, who has been in prison all this time, what else can Gafitas do but accept? A powerful novel of love and hate, of loyalty and betrayal, of true integrity and the prison celebrity can become, Outlaws confirms Javier Cercas as one of the most thrilling novelists writing anywhere in the world today. _______________ 'Cercas adroitly balances the earlier criminal thrills with the later moral and emotional complexities' - New Statesman 'A moving meditation on youth, love, betrayal and the media, as well as an uncompromising political novel. Cercas has yet again expanded our idea of what fiction can do' - Juan Gabriel Vasquez, author of The Secret History of Costaguana

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The International Bestseller of the Spanish Civil War - Winner of the Independent Foreign Fiction PrizeIn the final moments of the Spanish Civil War, fifty prominent Nationalist prisoners are executed by firing squad. Among them is the writer and fascist Rafael Sanchez Mazas. As the guns fire, he escapes into the forest, and can hear a search party and their dogs hunting him down. The branches move and he finds himself looking into the eyes of a militiaman, and faces death for the second time that day. But the unknown soldier simply turns and walks away. Sanchez Mazas becomes a national hero and the soldier disappears into history. As Cercas sifts the evidence to establish what happened, he realises that the true hero may not be Sanchez Mazas at all, but the soldier who chose not to shoot him. Who was he? Why did he spare him? And might he still be alive?Translated from the Spanish by Anne McLean

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"One of the great novels to have been written in our language" MARIO VARGAS LLOSA"Beautifully written and gripping" GuardianHe thought that memories were invisible like light, and just as smoke made light show, there must be a way for memories to be seen... In October 2016, the real-life Colombian film director Sergio Cabrera is attending a retrospective of his films in Barcelona. It's a difficult time for him: his father, Fausto Cabrera, has just died; his marriage is in crisis; and his country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few turbulent and intense days, Sergio will recall the events that marked the family's life, and especially his father's, his sister Marianella's and his own. From the Spanish Civil War to the exile of his republican family in Latin America, and from the Cultural Revolution in China to the guerrilla movements of 1960s Latin America, not only will do we discover a series of adventures extraordinary by any standards, but also a devastating portrait of the forces that for half a century turned the world upside down and created the one we now inhabit. Retrospective is a revelatory and unforgettable novel.Translated from the Spanish by Anne McLean

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An author (a version of Vila-Matas himself) presents a short “history” of a secret society, the Shandies, who are obsessed with the concept of “portable literature.” The society is entirely imagined, but in this rollicking, intellectually playful book, its members include writers and artists like Marcel Duchamp, Aleister Crowley, Witold Gombrowicz, Federico García Lorca, Man Ray, and Georgia O’Keefe. The Shandies meet secretly in apartments, hotels, and cafes all over Europe to discuss what great literature really is: brief, not too serious, penetrating the depths of the mysterious. We witness the Shandies having adventures in stationary submarines, underground caverns, African backwaters, and the cultural capitals of Europe.

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A puzzling phone call shatters a writer’s routine. An enigmatic female voice extends an invitation to take part in Documenta, the legendary contemporary art exhibition held every five years in Kassel, Germany. The writer’s mission will be to transform himself into a living art installation, by sitting down to write every morning in a Chinese restaurant on the outskirts of town. Once in Kassel, the writer is surprised to find himself overcome by good cheer. As he strolls through the city, spurred on by his spontaneous, quirky response to art, he begins to make sense of the wonders that surround him.'A writer who has no equal in the contemporary landscape of the Spanish novel' Roberto Bolaño'Vila-Matas's work made a tremendous impression on me'Paul Auster

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A puzzling phone call shatters a writer’s routine. An enigmatic female voice extends a dinner invitation, and it soon becomes clear that this is an invitation to take part in the documenta, the legendary exhibition of contemporary art held every five years in Kassel, Germany. The writer’s mission will be to sit down to write every morning in a Chinese restaurant on the outskirts of town, transforming himself into a living art installation. Once in Kassel, the writer is surprised to find himself overcome by good cheer as he strolls through the city, spurred on by the endless supply of energy at the heart of the exhibition. This is his spontaneous, quirky response to art, rising up against pessimism.With humor, profundity, and a sharp eye, Enrique Vila-Matas tells the story of a solitary man, who, roaming the streets amid oddities and wonder, takes it upon himself to translate from a language he does not understand.

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The renowned Colombian writer Evelio Rosero has never been one to shy away from the darker aspects of his nation’s history and society. His magnificent novel Stranger to the Moon portrays a world that seems to exist outside time and place but taps into the dark myths and collective subconscious of his country, with its harrowing inequality and violence. A parable of pointed social criticism, with naked humans imprisoned in a house in order to serve the needs of “the vicious clothed ones,” the novel describes what ensues when a single “naked one” privately rebels, risking his own death and that of his fellow prisoners. Each subsequent section of the book adds further layers to the ritualistic and bizarre social order inhabited by its characters. Insects and reptiles are trained as agents and spies against the naked ones, and only the most fortunate humans manage to reach old age by taking up strategic spots near the kitchens and grabbing for the fiercely contested food. Stranger to the Moon is a brave, powerful, and distinctive novel by a writer who arguably holds the strongest claim to the title of Colombia’s greatest living author.

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When Father Almida is summoned to an audience with the parish's principal benefactor, a stand-in is found in Father Matamoros, a drunkard with an angel's voice whose sung mass is mesmerizing to all. But Matamoros hides a darker side, and when the church's residents throw a feast for him he encourages them to lose all their inhibitions and give free reign to their most Bacchanalian desires. A satire on the iniquities of the Catholic church in Colombia, Good Offices is at once comic, surreal and startling, a novel that will linger long in the mind.

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