Search results for ""Author Angus Forsyth""

A sequel to Ships of the Silk Road, this is an informed and beautifully illustrated treatment of flying men in Chinese jade. Jade figurines depicting human flight are a varied and expressive manifestation of this most prized artistic medium. Angus Forsyth, a prominent collector of Chinese jade, explores the making in the Middle Kingdom (over a 2000-year period, from the Han Dynasty onwards) of unique objects depicting figural movement through the air. A distinctive characteristic of Chinese artefacts is that, in contrast to their Western angelic counterparts, they often are wingless. Forsyth examines the depiction of apsaras (flying angels), kinnaras (bird-men), garudas (humanoid birds appearing in both Hindu and Buddhist mythology) and finally anthropomorphized bird headdress ornaments. He shows how these flying figures came to be associated with veneration of the gods and specific devotional practice. Examining a variety of representative objects, none of which has been seen in print before, the author reveals that the original concept behind flying celestial beings and bird-men originated not in China but in India and the Christianized West, via the Silk Road. The book discusses small and larger jade pieces alike.

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An informed and beautifully illustrated new history of the Silk Road camel in Chinese jade. For hundreds of years, the Bactrian camel ploughed a lonely furrow across the vast wilderness of Asia. This bizarre-looking, temperamental yet hardy creature here came into its own as the core goods vehicle. This animal would resolutely and reliably transport to China – over huge and unforgiving distances – fine things from the West while taking treasures out of the Middle Kingdom in return. Where the chariot, wagon and other wheeled conveyances proved useless amidst the shifting desert dunes, the surefooted progress of the camel – the archetypal ‘ship of the Silk Road’ – now reigned supreme. The Bactrian camel was a subject that appealed particularly to Chinese artists because of its association with the exotic trade to mysterious Western lands. But the camel enjoyed cachet and status as more than just the chief conduit of thriving intercontinental commerce. After Buddhism arrived in China from India in the third century AD, via the Gandharan civilisation on the boarders of what is now Pakistan and Afghanistan, this new and vital religion stimulated the peaceful insemination of foreign ideas and culture as well as products. The camel was thus the harbinger not just of new things, but of entirely new ways of thinking. In his lavishly illustrated volume, Angus Forsyth explores diverse jade pieces depicting this iconic beast of burden. Almost one hundred separate objects are included, many of which have not been seen in print before. The author also offers the full historical background to his subject, presenting a strong appeal to collectors and art historians alike.

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