Search results for ""Author Angelica Duran""

Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

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A Concise Companion to MILTON A Concise Companion to Milton provides readers with essential guides to appreciating the works of John Milton, and to understanding the great influence they have had on literature. The book consists of twelve short, newly-commissioned chapters written by internationally respected scholars from Australia, Canada, Japan, the United Kingdom, and the United States. Combining brevity, depth and accessibility, it is an ideal first critical work on Milton. The companion opens with a series of essays explaining how and why Milton’s works established their central place in the English literary canon. The ensuing chapters follow Milton’s major works in chronological order, clarifying complex issues that are particularly relevant to our contemporary society. Also included in the volume are a chronology and select bibliography detailing the events of Milton’s life and works alongside relevant world events.

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Milton Across Borders and Media is an unprecedented collaboration that demonstrates the breadth of John Milton's international reception across diverse media from the seventeenth century through today. This volume presents new essays on the adaptation of Milton's works into various languages and media around the world. Part I poses questions about how we can effectively situate and engage with Milton's works within the multimedia networks of the present day. Part II 'Interlingual Borders' keys in on the cultural, technological, and temporal elements of interlingual translation that make them intersemiotic. Part III 'Verbal Borders' features media that draw out the themes and characters of Milton's writing through verbal expression. Part IV focuses on the transference of Milton's verbal artwork into visual artwork, from book illustration to stained glass. Part V 'Auditory Media' extends the focus on multimedia, with aural media as the chief feature.

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Global Milton and Visual Art showcases the aesthetic appropriation and reinterpretation of the works and legend of the early modern English poet and politician John Milton in diverse eras, regions, and media: book illustrations, cinema, digital reworkings, monuments, painting, sculpture, shieldry, and stained glass. It innovates an inclusive approach to Milton’s literary art, especially his masterpiece Paradise Lost, in global contemporary aesthetics via intertextual and interdisciplinary relations. The fifteen purposefully-brief chapters, 103 illustrations, and 64 supplemental web-images reflect the great richness of the topics and the diverse experiences and expertise of the contributors. Part I: Panoramas, provides overviews and key contexts; Part II: Cameos offers different perspectives of the varied afterlives of the most widely-circulating illustrations of Paradise Lost, those by Gustave Doré; Part III: Textual Close-ups focuses on a rich variety of book illustrations, from centuries-old elite engravings to a twenty-first century graphic novel; and Part IV: A Prospect beyond Books, explores visual media outside of books that manifest powerful connections, direct and indirect, with Milton’s works and legend.

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Milton in Translation represents an unprecedented collaboration that demonstrates the breadth of John Milton's international reception, from the seventeenth century through today. This book collects in one volume new essays written on the translation of Milton's works written by an international roster of experts: stalwart and career-long Miltonists, scholars primarily of translation studies, and practitioners who have translated Milton's works. Chapters are grouped geographically but also, by and large, chronologically, given that Milton's works radiated further abroad over time. The chapters on the twenty-three individual languages showcased in this volume are framed by 'Part I: Approaches', consisting of an introduction and two major essays on the global reach and the aural nature of Milton's poetry, and by an epilogue. 'Part II: Influential Translations' features the most influential languages in translations of Milton's works (English, Latin, German, French). Then, accounts of Milton's afterlives in specific languages are provided in 'Part III. Western European and Latin American Translations' (Dutch, Estonian, Finnish, Icelandic, Italian, Portuguese, European Spanish, Latin American Spanish), 'Part IV: Central and Eastern European Translations' (Bulgarian, Czech, Hungarian, Polish, Serbian/Montenegrin, Serbo-Croatian languages), 'Part V: Middle Eastern Translations' (Arabic, Hebrew, Persian), and 'Part VI: East Asian Translations' (Chinese, Japanese, Korean). The chapters in Parts II through VI include historical and critical context, a brief history of translation in the language, and a case study on any single work or group of Milton's works in translation.

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Essays for teaching ancient and recent epic narratives from around the world.Cultures across the globe have embraced epics: stories of memorable deeds by heroic characters whose actions have significant consequences for their lives and their communities. Incorporating narrative elements also found in sacred history, chronicle, saga, legend, romance, myth, folklore, and the novel, epics throughout history have both animated the imagination and encouraged reflection on what it means to be human. Teaching World Epics addresses ancient and more recent epic works from Africa, Europe, Mesoamerica, and East, Central, and South Asia that are available in English translations.Useful to instructors of literature, peace and conflict studies, transnational studies, women's studies, and religious studies, the essays in this volume focus on epics in sociopolitical and cultural contexts, on the adaptation and reception of epic works, and on themes that are especially relevant today, such as gender dynamics and politics, national identity, colonialism and imperialism, violence, and war.This volume includes discussion of Ludovico Ariosto's Orlando Furioso, Giulia Bigolina's Urania, The Book of Dede Korkut, Luis Vaz de Camões's Os Lusiadas, David of Sassoun, The Epic of Askia Mohammed, The Epic of Gilgamesh, the epic of Sun-Jata, Alonso de Ercilla y Zúñiga's La Araucana, Homer's Iliad and Odyssey, Kalevala, Kebra Nagast, Kudrun, The Legend of Poṉṉivaḷa Nadu, the Mahabharata, Manas, John Milton's Paradise Lost, Mwindo, the Nibelungenlied, Poema de mio Cid, Popol Wuj, the Ramayana, the Shahnameh, Sirat Bani Hilal, Edmund Spenser's The Faerie Queene, Statius's Thebaid, The Tale of the Heike, Three Kingdoms, Gaspar Pérez de Villagrá's Historia de la Nueva México, and Virgil's Aeneid.

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