Search results for ""Author Angela Esterhammer""
Stanford University Press The Romantic Performative: Language and Action in British and German Romanticism
The Romantic Performative develops a new context and methodology for reading Romantic literature by exploring philosophies of language from the period 1785-1835. It reveals that the concept of the performative, debated by twentieth-century theorists from J. L. Austin to Judith Butler, has a much greater relevance for Romantic literature than has been realized, since Romantic philosophy of language was dominated by the idea that something happens when words are spoken. By presenting Romantic philosophy as a theory of the performative, and Romantic literature in terms of that theory, this book uncovers the historical roots of twentieth-century ideas about speech acts and performativity. Romantic linguistic philosophy already focused on the relationship between speaker and hearer, describing speech as an act that establishes both subjectivity and intersubjective relations and theorizing reality as a verbal construct. But Romantic theorists considered utterance, the context of utterance, and the positions and identities of speaker and hearer to be much more fluid and less stable than modern analytic philosophers tend to make them. Romantic theories of language therefore yield a definition of the "Romantic performative" as an utterance that creates an object in the world, instantiates the relationship between speaker and hearer, and even founds the subjectivity of the speaker in the moment when the utterance occurs. The author traces the Romantic performative through its diverse development in the moral, political, and legal philosophy of Reid, Bentham, Kant and the German Idealists, Humboldt, and Coleridge, then explores its significance in literary texts by Coleridge, Godwin, Hölderlin, and Kleist. These readings demonstrate that Romantic writers mounted a deeper investigation than previously realized into the way the act of speaking generates subjective identity, intersubjective relations, and even objective reality. The project of the book is to read the language of Romanticism as performative and to recognize among its achievements the historical founding of the discourse of performativity itself.
£72.90
University of Toronto Press Spheres of Action: Speech and Performance in Romantic Culture
With contributions from leading Romanticist scholars who draw on literary history, performance studies, philosophy, linguistics, and anthropology, Spheres of Action examines the significant intersections between language and performance during the Romantic period. These essays consider cultural phenomena such as elocution and political oratory, newspaper journalism, public mourning, the function of gesture and clothing in theatre - even a long-distance walking contest. They examine the problematic relationships among action, agency, and language in a variety of cultural institutions and media from the era. Exploring aspects of public speaking and body language, these essays propose that understanding the culture and institutions of the Romantic period requires nuanced approaches to performance and agency. The collection also studies the ways in which the Romantics discovered both the potency and limitations of performativity. Presenting a boldly multifaceted portrait of Romantic culture, Spheres of Action is essential reading for Romanticists, historians, and scholars with interests in language and performance.
£28.79
University of Toronto Press Spheres of Action: Speech and Performance in Romantic Culture
With contributions from leading Romanticist scholars who draw on literary history, performance studies, philosophy, linguistics, and anthropology, Spheres of Action examines the significant intersections between language and performance during the Romantic period. These essays consider cultural phenomena such as elocution and political oratory, newspaper journalism, public mourning, the function of gesture and clothing in theatre - even a long-distance walking contest. They examine the problematic relationships among action, agency, and language in a variety of cultural institutions and media from the era. Exploring aspects of public speaking and body language, these essays propose that understanding the culture and institutions of the Romantic period requires nuanced approaches to performance and agency. The collection also studies the ways in which the Romantics discovered both the potency and limitations of performativity. Presenting a boldly multifaceted portrait of Romantic culture, Spheres of Action is essential reading for Romanticists, historians, and scholars with interests in language and performance.
£55.79
Edinburgh University Press Three Short Novels: Glenfell, Andrew of Padua, the Improvisatore and The Omen
This volume brings together three short novels that reveal the diversity of Galt’s creative abilities. Glenfell is his first publication in the style of Scottish fiction for which he would become best known; Andrew of Padua, the Improvisatore is a unique synthesis of his experiences with theatre, educational writing, and travel; The Omen is a haunting gothic tale. With their easily readable scope and their vivid themes, each of the tales has a distinct charm. They cast light on significant phases of Galt’s career as a writer and reveal his versatility in experimenting with themes, genres and styles.
£90.00
