Search results for ""Author Anders Lustgarten""

"I believe that open markets and free enterprise are the best imaginable force for improving human wealth and happiness. And I would go further: where they work properly, they can actually promote morality." David Cameron, January 2012 Anders Lustgarten's play is an exploration of our current government's politics of austerity and a look at possible alternatives. If You Don’t Let Us Dream, We Won’t Let You Sleep was supported by the Harold Pinter Playwright’s Award which is given annually by Pinter's widow Lady Antonia Fraser.

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A Day at the Racists is a stunning new piece of political theatre from award-winning playwright Anders Lustgarten: a devastatingly timely examination of the rise of the BNP in London, published to coincide with the world premiere at the Finborough Theatre, March 2010. Set in the same constituency that BNP leader Nick Griffin is to stand for in the forthcoming General Election, A Day at the Racists is a uniquely brave and perceptive piece of political theatre. It both attempts to understand why people might be drawn to the BNP and diagnoses the deeper cause of that attraction: the political abandonment and betrayal of the working class by New Labour. The plot is as follows: Pete Case used to be something - a leading Labour Party organiser in the local car factories. Now he struggles to get by as a decorator as immigrant workers undercut his best mate's firm, his son Mark can't get a job or onto the housing list and nobody, from his Labour MP to his granddaughter's teacher, seems to care. Then Pete finds unexpected hope: Gina is young, mixed race and standing for Parliament on a platform of helping the local community. She is standing for the British National Party. As Pete's rage and despair gradually overcome his longstanding loathing of the BNP, he is drawn into the world of Gina's campaign and finds himself entangled in a nightmare of political machinations that pit his closest relationships - son, best mate, lover - against his longest-held beliefs and newfound aims.

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The first play collection from Anders Lustgarten, "perhaps Britain's most visible and visibly engaged political playwright" (Time Out London), containing plays from the start of his career up to 2015 with the most recent play in the collection, Shrapnel, and one previously unpublished play. The volume includes an introduction by the playwright. A Day at the Racists (2010, Finborough Theatre) is a devastatingly timely examination of the rise of the BNP in London, which attempts to understand why people might be drawn to the BNP and diagnoses the deeper cause of that attraction: the political abandonment and betrayal of the working class by New Labour. If You Don't Let Us Dream, We Won't Let You Sleep (Royal Court Theatre, 2013) offers an exploration of our current government's politics of austerity and a look at possible alternatives. Black Jesus (Finborough Theatre, 2013) unpicks the political complexities of Zimbabwe through the devastating personal journeys of two very different people, both scarred by one of Africa's most notorious dictatorships. Shrapnel (Arcola Theatre, 2015) takes as its subject The Roboski massacre is one of the most controversial episodes in the ‘war on terror’. Piecing together the fragments of the tragedy, Anders Lustgarten’s startling new play dares to ask what a massacre is made of. Kingmakers (Salisbury Playhouse, 2015) imagines ten years after the signing of Magna Carta when the barons' takeover isn’t quite going to plan. With the peasants grumbling about enormous castles and broken promises, the threat of rebellion hangs in the air. This play has not previously been published. The Insurgents (Finborough Theatre, 2007) is Anders Lustgarten's look at contemporary London and its class divide. Private equity has turned the city into a high-fenced playground for a tax-exempt, big business elite. This play has not previously been published.

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Extraordinary . . . both a madcap crime caper and a savage state-of-the-nation novel . . . Anders Lustgarten writes like a man possessed: bursting with energy' The TimesAn electrifying wild ride of a debut novel from award-winning playwright Anders LustgartenMeet Cherry, a bandit queen on the run, driving a pink soft-top convertible through the badlands of South-East England. She''s never felt more Thelma & Louise in her life - except there are three of them in the car and one of them is dead.How did a head nurse and mother of two end up driving a handcuffed policeman and the corpse of a murdered refugee on a journey to find justice? Pursued by a racist, roid-raged, shaven-headed officer of the law - not to mention by her husband and daughter - what else can a woman with a conscience do in modern Britain?Thrilling, radical and darkly comedic, Anders Lustgarten''s open-hearted storm of a book explores pressing political concerns wi

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‘It’s not enough that men are watched; they must think themselves watched, even when they are not’ Spymaster Sir Francis Walsingham oversees a vast surveillance network from the heart of Elizabeth I’s court. As the nation’s relationship with Europe deteriorates and civil unrest grows, Walsingham adopts ever more extreme tactics to keep his queen and country safe. But does he risk losing control of the apparatus he has created and destroying the lives of those closest to him? And can such safety ever be achieved? The Secret Theatre asks what we are prepared to sacrifice in order to ensure our safety. Shot through with moments of the blackest humour, this smart, tense thriller has been published to coincide with the world premiere at the Sam Wanamker Playhouse in November 2017 directed by Matthew Dunster.

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